Transference is now accepting submissions of poems translated from—or inspired by—poetry originally written in Arabic, Chinese, Japanese, French, German, Latin and Classical Greek, with accompanying commentary. Submissions relating to the theme of vision/seeing are especially welcome. For this issue we also welcome essays on the translation of poetry. Deadline: April 30. Read current and past issues online and submit at scholarworks.wmich.edu/transference/. Transference is peer-edited in a blind submission process. Published by the Department of World Languages and Literatures at Western Michigan University. Write to the editors at lang-transference@wmich.edu.
Take a Walk Down “One Narrow Street in Tokyo”
There’s something simple and sweet in “One Narrow Street in Tokyo” by L. Davis, published in the Winter 2020 issue of The Main Street Rag, and it’s that simplicity that drew me into it. The language is sparse, and so is the poem itself, taking up just a tiny sliver of text on each side of the page.
Davis captures a small section of time in which life changes for a girl, a life so fleeting compared to that of the shrine she passes. A nearly mystical aura lingers around the fox that watches from its home in the shrine. Davis uses no punctuation used in this piece, sweeping readers up into the scene and to the end in one seamless motion. I read it over and over, letting it wash over me, my eye originally caught by the poem’s formatting. Short and sweet, it’s a good place to start with this issue of The Main Street Rag.
About the reviewer: Katy Haas is Assistant Editor at NewPages. Recent poetry can be found in Taco Bell Quarterly, petrichor, and other journals. She regularly blogs at: https://www.newpages.com/.
Call :: Chicken Soup for the Soul Anthologies
Chicken Soup for the Soul publishes inspirational true stories about ordinary people with extraordinary experiences. They are open to stories and poetry for upcoming anthologies. There is no fee and they are paying market. Learn more…
The Writer’s Hotel 2020 Application Deadlines
The Writer’s Hotel’s All-Fiction Conference will take place June 3 through 9 in NYC. The deadline for writers to apply is March 22 at midnight. There is a $30 application fee.
Faculty this year includes Rick Moody, Jeffrey Ford, Robyn Schneider, Michael Thomas, Ernesto Quiñonez, James Patrick Kelly, Elizabeth Hand, Francine Prose, Saïd Sayrafiezadeh, Sapphire, Elyssa East, Kevin Larimer, Steven Salpeter, Jennie Dunham, Shanna McNair, and Scott Wolven.
New in 2020: The Writer’s Hotel is now offering NYC Weekends which are shorter conferences in the genres of poetry and nonfiction.
The deadline to apply to the Poetry Weekend is listed as March 15. This conference will take place May 21 through 25. Faculty for this event includes Mark Doty, Marie Howe, Terrance Hayes, Nick Flynn, Deborah Landau, Alexandra Oliver, Kevin Larimer, Jenny Xie, Shanna McNair, and Scott Wolven.
The Poetry Weekend is capped at 40 participants. There is a $30 fee to apply. If they reach 40 participants before the deadline, the application form will close early.
The Nonfiction Weekend will take place October 1-5. Faculty this year includes Mark Doty, Meghan Daum, Hisham Matar, Honor Moore, Elyssa East, Saïd Sayrafiezadeh, Shanna McNair, and Scott Wolven.
The Nonfiction Weekend is capped at 40 participants. There is a $30 fee to apply.
Contest :: Flying South 2020
$2,000 in prizes. From March 1 to May 31, Flying South 2020, a publication of Winston Salem Writers, will be accepting entries for prizes in Fiction, Nonfiction, and Poetry. Best in Category winners will be published and receive $500 each. One of the three winners will receive The WSW President’s Favorite award and win an additional $500. All entries will be considered for publication. For full details, please visit our website: www.wswriters.org.
Call :: Text/Image Work for petrichor
petrichor is looking for code tomes & sign lines. Poetry and image, in whichever order works. Art & text? Shape poems? Digital code verse can hang too. Reading old issues might give you some ideas, but send us what we don’t have, what we’re missing. If you aren’t seeing enough you out there, send yourself here. petrichormag.com
Nimrod – Spring Summer 2020

The theme for Nimrod‘s latest issue “Words at Play” sounds like a lot of fun. Learn more about it: featuring fiction by Gauraa Shekhar, Sean Bernard, Jackson Ingram, and Alison Ho; nonfiction by JJ Peña; and poetry by James Toupin, Joanna Gordon, Michelle Penn, Wendy Drexler, Holly Painter, Gabriel Spera, Amy Miller, Matthew J. Spireng, George Looney, Ellen Kombiyil, Margot Kahn, Myra Shapiro, Cindy Veach, Katy Day, Marjorie Maddox, Brooke Sahni, Ella Flores, Madeline Grigg, Jean-Mark Sens, Nicholas Yingling, and more.
Poetry – March 2020

The cover of Poetry‘s March 2020 issue is inviting. Learn what’s inside: a “Latinext” feature with work by Willie Perdomo, Féi Hernandez, Naomi Ayala, J. Estanislao Lopez, Stephanie Roberts, Roberto Carlos Garcia, Ashley August, Nicole Sealey, Noel Quiñones, Virgil Suárez, P.E. Garcia, Benjamín Naka-Hasebe Kingsley, Sergio Lima, Anthony Morales, Anaïs Deal-Márquez, Lupe Mendez, and Melinda Hernandez. Plus more poetry by John McAuliffe, Douglas Kearney, Robin Gow, Jennifer Chang, Suzi F. Garcia, Luther Hughes, Yusef Komunyakaa, John Kinsella & Thurston Moore, Caroline Bird, and more. Nonfiction by Matthew Bevis.
Raleigh Review – 10.1

This issue of Raleigh Review features the winner of the flash fiction contest, Alexander Weinstein, and runners-up, Alexander Steele and Sarah Hardy. Plus new fiction from Michael Horton, Laura Marshall, Casey McConahay, Jeff McLaughlin, AJ Nolan, and Mark Wagenaar, and new poetry by Threa Almontaser, Kyce Bello, Despy Boutris, Lupita Eyde-Tucker, Charlotte Hughes, Kamal E. Kimball, Sandy Longhorn, Aimee Seu, Lena Khalaf Tuffaha, and more. This issue also features the art of Stacey Cushner, and an interview with Patricia Henley.
The Lake – March 2020

The Lake brings readers poetry every month. The March issue includes poems by Ben Banyard, Melanie Branton, Sandy Deutscher Green, William Ogden Haynes, D. R. James, Beth McDonough, Joe Hills, Kenneth Pobo, J. R. Solonche, Amy Soricelli, Gerald Wagoner, Sarah White. Reviews of Abby Frucht’s Maids and Marianne Boruch’s The Anti-Grief.
Call :: Hamilton Stone Review No. 42
The Hamilton Stone Review is open to submissions for issue number 42! Deadline to submit to this issue is March 22. There is no fee to submit. Learn more…
Cherry Tree – No. 6

Cherry Tree‘s sixth issue features work by Diannely Antigua, Destiny O. Birdsong, Mirande Bissell, Jennifer Bullis, Lauren Camp, Hannah Cohen, Bailey Cohen-Vera, Raymond Deej, Dante Di Stefano, Jen Stewart Fueston, Jeannine Hall Gailey, David Groff, Christian Gullette, Steve Henn, Korey Hurni, Ashley M. Jones, Kasey Jueds, Toshiya Kamei, Genevieve Kaplan, Olivia Kingery, Mingpei Li, Alice Liang, Sarah Lyons-Lin, Angie Macri, Ann Stewart McBee, Afopefoluwa Ojo, JJ Peña, Robert L. Penick, Emilia Phillips, Caroline Plasket, Alec Prevett, Sara Ryan, F. Daniel Rzicznek, Martha Silano, DeAnna Stephens, Anne Dyer Stuart, Yerra Sugarman, Ojo Taiye, Adam Tavel, Yasumi Tsuhara, Elsa Valmidiano, Hannah VanderHart, April Wang, and Art Zilleruelo!
Allegro Poetry Magazine – No. 24

Allegro Poetry Magazine has recently moved to a biannual publication schedule. This issue’s contributors include Judith Russell, Michael G. Casey, John Grey, Leslie Tate, Ruth Taaffe, Dan Overgaard, Ken Cumberlidge, William Snyder, Beth McDonough, Holly Day, Goran Gatalica, Kate Noakes, Aaliyah Cassim, Awósùsì Olúwábùkúmí A, Phil Wood, Gordon Gibson, Sean Howard, Michael Burton, Julia White, Julie Mullen, and Michele Waering.
Contest :: Cloudbank Extends Deadline for Issue 14
Cloudbank has extended the deadline for its Issue 14 writing contest to March 15. The extension is for poetry submissions only. $15 fee includes a two issue subscription. Learn more…
Call :: Fleas on the Dog Issue 6
We’re the site your teacher warned you about! The no frills brown bag in your face thumb your nose online psychotropolis for the literarily insane. Get committed today! The infamous dude sextet is bustlin’, hustlin’, itchin’, and twitchin’ for QUALITY short fiction, nonfiction, poetry, plays, and screenplays that smell ripe and kick ass for our hopefully offensive upcoming Issue 6. If we like what you submit we’ll be all over you; if we don’t we promise to be gentle, especially if it’s your first time. See our Guidelines for details: fleasonthedog.com. Submissions open March 1-April 30.
Call :: Flexible Press 22 Under 22 Anthology
Deadline: April 30, 2020
This anthology seeks to offer a channel for people under 22 to talk to older people about their experiences and concerns. We are looking for short stories, poetry, essay, memoir, from people under 22 discussing what worries you? What angers you, or delights you? In other words: what’s on your mind? Submit up to three poems, or one short story, essay, or memoir up to 5000-words. Art and graphic stories are more than welcome, but the book will in black and white. Everyone under 22 is welcome. We are especially interested in voices from undeserved communities too often left out of the discussion. www.flexiblepub.com/22_under_22
The Gettsyburg Review – Autumn 2019
The Autumn 2019 issue of The Gettysburg Review offers readers a great selection of poetry and prose as usual, from Alice Friman’s “Hygiene,” which utilizes breasts as a way to measure time and maturity in a sort of tongue-in-cheek way, to the 55-part essay “A Brief Account of Certain Left-Leaning Tendencies” by Valerie Sayers which highlights her father by using the word “left,” to digestible words of wisdom in three poems by Joyce Sutphen.
But what really left me enamored was the art feature. Nine paintings by Anne Siems grace the pages and cover of this issue. The portraits are whimsical and magical, using creative patterns and images of nature to create portraits that draw viewers in. More little details pop out the longer one looks. People become one with nature—mushrooms cloud around a body in “We Are All Connected,” animal heads sprout from hands like puppets in “Beasts,” antlers grow from the head of an animal-surrounded girl in “Eve Dreams of a Wolf.” These works are gorgeous and give readers a good reason to stick around within the pages of this issue long after they’ve gotten their share of words.
The Hampden-Sydney Poetry Review – Fall 2019
I’m ready for spring to hurry up and get here already, so I couldn’t help gravitating toward poems featuring plants in the Fall 2019 issue of The Hampden-Sydney Poetry Review.
Tara Bray focuses on plants in all three of her poems: “Inside the Sycamore,” “Milkweed: Doxology,” and “Lemon Verbena.” She writes with a hushed appreciation and admiration for each of these. There’s a familiarity and softness in her words. She calls the lemon verbena “sister,” she and her family fit themselves inside the sycamore, she feeds off the milkweed, a deep connection tying her to each plant.
This makes me appreciate Brian McDonald’s “Basil,” found on the following page, that much more. He heads in the completely opposite direction, beginning his poem with much less adoration: “Fuck. Another summer of trying to grow / these oily leaves I’ve always let fry / in the heat.” The basil plants lead McDonald to consider his shortcomings: other plants that have died in windowsills and his uncertainty about whether he’s treating his wife how she should be treated. He’s open and honest, deeply human, all with the help of these fragile basil plants.
It will still be cold here in Michigan for at least another month or two, so I definitely appreciate the writers that are able to deliver me from the chilliness and drop me in the middle of a sycamore or a warm backyard, a tray of basil plants in hand.
Contest :: Jacar Press Book & Chapbook Contests 2020
Jacar Press, A Community Active Press, publishes poetry chapbooks, full-length collections, anthologies, and an award-winning online magazine, One which features Pulitzer Prize winners and new poets from 6 continents. Book sales support progressive organizations, including groups that address racism, gender discrimination, immigration issues, women’s initiatives, violence and abuse, prisoner reintegration programs, and others. Jacar Press offers low-cost workshops featuring writers like Lynn Emanuel, Patricia Spears Jones, Dorianne Laux, Li-Young Lee, Marilyn Nelson, Ilya Kaminsky, etc. Chapbook and full-length contests open through April 30. Past judges have included Chana Bloch, Toi Derricotte, Hélène Cardona, Lola Haskins, Rickey Laurentiis, Dorianne Laux, Jamaal May, and others. jacarpress.com/submissions/#contests
Call :: Raleigh Review Fall 2020 Issue
The Raleigh Review has been publishing as an independent nonprofit for 10 years. They are currently open to submissions of fiction and poetry for their Fall 2020 issue. Submission deadline is March 31. They do charge a small fee. Learn more…
Contest :: Bellingham Review 2020 Literary Awards
Literary magazine Bellingham Review is open to fiction, nonfiction, and poetry for its annual awards. Deadline to enter work is March 15. $20-$30 fee; $1,000 first prize per genre. Learn more…
Rattle – Spring 2020

The Spring 2020 issue of Rattle features a special tribute section of poems written by students of Kim Addonizio’s poetry workshops (as well as one poem by Kim herself). In the open section, the poems themselves are as good as their titles: “The Cow I Didn’t Eat.” “Social Experiments in Which I Am the [Bear].” “Ode to the Mattress on the Side of the Interstate.” Diverse as always, the new issue features a poem written in “the imagined voice of Frida Kahlo” (Barbara Lydecker Crane), “Young Dyke” by Alison Hazle, a duo of triolets by Carolyne Wright, and much more.
Call :: Tolsun Books 2020 Open Reading Period
Independent publisher Tolsun Books is open to unsolicited manuscripts made from parts through May 31. These can be either full-length or chapbook-length. Poetry, short stories, essays, hybrids, translations, and more. $15 fee. Free submissions accepted on the 15th of every month. Learn more…
Crossways Literary Magazine – No. 9

This issue includes poetry by Sinead McClure, Mary Kathryn Jablonski, Timothy Gordan, Beth McDonough, Milton Ehrlich, Breda Joyce, Susie Gharib, Alun Robert, and more; fiction by Patrick Doherty, J. Scott Hardin, Chuck Teixeira, Max Dunbar, and Fiona Billie Lawlor; and a book review by Nicola Spendlove. [no website]
Call :: Palooka
International literary magazine Palooka has been publishing featured, up-and-coming, established, and new writers, artists, and photographers for a decade. They are open to submissions for its journal and chapbook press year-round. They do charge a fee. Learn more…
Call :: Chicken Soup for the Soul Listen to Your Dreams
Chicken Soup for the Soul is accepting nonfiction and poetry for its forthcoming anthology Listen to Your Dreams through February 28. There is no fee to submit. They are a paying market. Learn more…
Contest :: Cow Creek Poetry Chapbook Prize
Pittsburg State University and its literary magazine Emerald City are accepting submissions to the Cow Creek Poetry Chapbook Prize. Deadline to submit is May 15. Winner receives $1,000, publication, and 25 author copies. This year’s judge is Marcus Wicker. Learn more…
Contest :: Gival Press 2020 Contests
Gival Press is hosting three contests in 2020: the Gival Press Novel Award, the Gival Press Oscar Wilde Award, and the Gival Press Short Story Award. The Novel Award deadlines is May 30. The prize is $3k and book publication in 2021. The Oscar Wilde Award for the best LGBTQ poem deadline is June 27. The prize is $500 and online publication. The Short Story Award deadline is August 8. The Prize is $1,000 and online publication. For complete details on each contest, visit: www.Givalpress.Submittable.com.
Program :: University of North Carolina Greensboro MFA
Application Deadline: January 1 (annually)
One of the oldest creative writing programs in the country, UNC Greensboro’s MFA Writing Program offers fully funded graduate assistantships with stipends, tuition remission, and subsidized health insurance. The MFA is a two-year residency program with an emphasis on studio time for the writing of poetry or fiction. Students work closely with acclaimed faculty in one-on-one tutorials and small classes, including courses in contemporary publishing and creative nonfiction. Our campus features a Distinguished Visiting Writers Series of authors and editors; other professionalization opportunities include college teaching and hands-on editorial work for The Greensboro Review. More at mfagreensboro.org and greensbororeview.org.
Event :: Elk River Writers Workshop 2020
Deadline: Rolling (July 1 final deadline)
Elk River Arts and Lectures is now accepting applications to our summer writers workshop, August 16–21, at historic Chico Hot Springs Resort, 30 miles from Yellowstone National Park. We host some of the most celebrated nature writers in the United States to work with students in an area of Montana that has inspired the work of conservationists and writers for decades. Workshop classes are limited to 10 students in each genre. This year, Rick Bass, Linda Hogan, and J. Drew Lanham, William Pitt Root, and Pamela Uschuk will serve as our core faculty. Apply via Submittable or visit: elkriverwriters.org.
Program :: Jackson Center for Creative Writing
Application Deadline: January 6
For well over sixty years, this highly regarded Hollins MFA has supported lively and determined writers who want to concentrate on craft. Our intensive two-year graduate program helps students find their way in an atmosphere of cooperation and encouragement. Our students work successfully in poetry, short fiction, novels, and creative nonfiction—and in between genres. Our faculty writers take time to work with students in this vibrant, supportive community. Our alums have a remarkably high record of publication. Program provides graduate assistantships, teaching fellowships, travel funding, and generous scholarships. Most of all, a vibrant, supportive community. For information, www.hollins.edu/creative-writing-MFA.
Call :: Club Plum Literary Journal
Submissions open for flash fiction of no more than 800 words and prose poems. Send unusual or lyrical pieces. Club Plum also seeks art: Please send one image only of pen-and-ink line art, pencil drawings, watercolor, experimental, impressionistic or abstract pieces, black-and-white or color. The editor will pass on photography. See clubplumliteraryjournal.com for details.
Call :: Rockvale Review Issue 6
Rockvale Review is open to submissions of poetry for Issue 6. Deadline to submit is March 31. There is no fee. Learn more…
Call :: Tin Can Literary Review & From the Depths 18
Haunted Waters Press is accepting submissions of fiction to the inaugural edition of Tin Can Literary Review. It is also accepting submissions of poetry, fiction, and flash to literary magazine From the Depths 18. They do charge a fee and are a paying market. Deadline is August 31. Learn more…
14th Mudfish Poetry Prize Winner & Honorable Mentions
The newest issue of Mudfish features the winner and honorable mentions of the 14th Mudfish Poetry Prize. The 2019 judge was John Yau.
Winner
“Fluencies” by Mark Wagenaar
Honorable Mentions
“Not Yet Across” by G. Hanlon
“Crossing Lake Pontchartrain” by Stokes Howell
The 15th Mudfish Poetry Prize is currently open until March 15 and will be judged by poet and novelist Erica Jong.
Award-Winning Books Published December 2019 – February 2020
Check out new and forthcoming award-winning books we’ve received recently. Continue reading “Award-Winning Books Published December 2019 – February 2020”
Call :: The American Journal of Poetry Volume 9
Biannual online literary magazine The American Journal of Poetry is open to submissions! They seek bold, uncensored work for publication in their ninth volume due out in July. They do charge a $5 fee. Learn more…
Call :: Red Tree Review Inaugural Issue
New online literary magazine Red Tree Review is open to poetry for its first issue. There is no fee to submit. They accept submissions on a rolling basis. Learn more…
Terrain.org

New this month on Terrain.org, find nonfiction by Sharon Dolin, Cara Stoddard, and Rachel Findlay; fiction by Michael McGuire and John Colman Wood; and poetry by Lex Runciman. Currently featured on the website: the winner of the Terrain.org 10th Annual Contest in Poetry are three poems by Stacey Balkun.
Mudfish – No. 21

The newest issue of Mudfish features the winner of the 14th Mudfish Poetry Prize, judged by John Yau: Mark Wagenaar with “Fluencies.” Honorable mentions G. Hanlon and Stokes Howell are also included. Other contributors this issue: Dell Lemmon, Michael Lyle, Aillie McKeever, Beth Suter, Claire Scott, Vincent Bell, Marjorie Power, Angela Dribben, Yuyutsu Sharma, Holly Day, Jason Koo, James Trask, Jake Bauer, Francis Klein, Neal Zirn, Bob Coles, A. Kaiser, Kristin Entler, Tim Nolan, Kirk Wilson, Toni Hanner, and many more.
Missouri Review – Feb 2020

Inside our “Liberation” issue, First fiction from Thea Chacamaty and Bradley Babendir on Jewish comic novelists. Featuring Heather Christle, Samantha DeFlitch, Patricia Foster, Catherine Gammon, Terrance Manning Jr., Askold Melnyczuk, John R. Nelson, Anya Silver, and Paul Smith.
Call :: Hole In The Head Review May 2020 Issue
Fledgling online literary magazine Hole In The Head Review is open to submissions for its May 2020 issue. $4 fee. Poetry and visual art accepted. Learn more…
Call :: I Don’t Cry Anymore Poetry Anthology
Liminal Press seeks poetry submissions from writers who are sexual-trauma survivors. There is no fee to submit. Works will be published in the anthology I Don’t Cry Anymore in Fall 2020. Artist, poet, and educator Flo Oy Wong will co-edit. Deadline to submit is March 31. Learn more…
Contest :: Agha Shahid Ali Prize in Poetry 2020
Deadline: April 15, 2020
Agha Shahid Ali Prize in Poetry: A poetry manuscript contest sponsored by The University of Utah Press and the University of Utah Department of English. $1000 cash prize plus publication for your poetry manuscript. Prize includes an additional $500 payment for travel and a reading in the University of Utah’s Guest Writers Series. See www.UofUpress.com/ali-poetry-prize for more details.
The Antioch Review – February 2020

The “Atention!” issue of The Antioch Review includes Heinrich Böll’s “Cause of Death: Hooked Nose” (translated by Robert C. Conard) which captures Nobel laureate Boll’s vivid imagery about the corollary of unfettered hatred, unchallenged propaganda, and fearful inertia for countries, communities, and consciences. Rachel Rose’s “Buccal Swab” airs the concerns and realities families face when a member harmlessly hands over DNA to Ancestry.com or some other DNAanalyses company. Stuart Neville’s thriller “Coming in on Time” unfolds in the eyes of a child naïve to passions that stir so strongly and sting so seriously. Find a full list of contributors at The Antioch Review‘s website.
Call :: The Awakenings Review
The Awakenings Review is a literary magazine devoted to publishing works from writers who have some connection with mental illness. The connection can be their own, friends, or family members. Work does not need to be related to mental illness. Submissions accepted year-round. There is no fee. Learn more…
“Poet Laureate? Poet Illiterate? What?”
Does poetry matter? L.A.’s former poet-in-chief Luis J. Rodriguez explains why it’s life changing. Los Angeles Times.
Confusion aside, I felt it was about time “poet laureate” became a household term. The United States now has more poet laureates than ever before. There are poet laureates for states, counties, cities, communities, small towns, and Native American reservations (Luci Tapahonso became the first poet laureate of the Diné Nation). Claudia Castro Luna, a Salvadoran American, served as Seattle’s poet laureate and later held the same post for Washington state. Two Xicanx poets, Laurie Ann Guerrero and Octavio Quintanilla, did the same for San Antonio. Sponsored by New York City–based Urban Word, there is also a Los Angeles Youth Poet Laureate (I helped pick two of them) and the first ever National Youth Poet Laureate, eighteen-year-old Amanda Gorman.
…It’s hard to figure out poetry’s worth when there is a hierarchy of “values” hanging over our heads determined not by nature or skill but by powerful men in the publishing, media, and political industries — entities that are about making money. I’m not talking about family values or cool traits. I’m talking net worth, the bottom line: “If it don’t make dollars, it don’t make sense.”
If that’s the case, poetry should perish.
Poem: At Least
Poem: At Least. By Ha Jin. Selected by Naomi Shihab Nye. New York Times Magazine.
In a wry poem of direct counsel, Ha Jin dismisses obligatory mingling and networking. He’s talking to himself or to any of us, as the poem quietly advises and reasons. “A Distant Center,” Ha Jin’s profoundly appealing collection of poems written in Chinese, then translated by the author into English, contains so many breathtaking cleanses-of-spirit — begone bombast and posturing! Reading it is better than going to a spa. The title of this poem adds another encouraging nod to the topic. We may not know everything, but “at least” this.
“…Look, this skyful of stars,
which one of them
doesn’t shine or die alone?
Their light also comes
from a deep indifference.”
Call :: Jenny Magazine Revitalizing the Small Town
Literary magazine Jenny, run by students from Youngstown State University, seeks pieces on the theme of “revitalizing the small town” for Issue 18. Deadline to submit is March 1. Learn more…
Call :: Speckled Trout Review Spring 2020
Speckled Trout Review seeks poetry for their Spring 2020 issue. They love good storytelling. Deadline to submit is April 15. There is no fee. Learn more…