This issue’s theme is “Making a Mark,” and the current art exhibition explores this theme. Featured artists include David Sapp, Mary Macey Butler, Cary Loving, and others. Featured writers include Karla Van Vliet, Wally Swist, Paula Penna, Dave Gregory, Bethany Bruno, Gergory Stephens, Mary Lane Potter, Roudri Bandyopadhyay, Sarah Brown Weitzman, Mark Tulin, Joe Kowalski, and more. Find more info at the Still Point Arts Quarterly website.
In the Spring 2020 issue: fiction by Jarrett Kaufman, Emily Alice Katz, J.T. Ledbetter, John Mancini, David Pratt, and Timothy Reilly; poetry by Jeffrey Alfier, Tobi Alfier, John Azrak, Tara Ballard, Chris Bullard, Dorritt Carroll, Ricks Carson, George Bishop, Sudasi J. Clement, Joan Colby, and more; and six book reviews. Be sure to check out our featured interview with Tim Bascom by Beth Browne.
In the Spring 2020 issue of Hiram Poetry Review, find poetry by Jo Brachman, R. Steve Benson, Dan Cardoza, Daniel Daly, J. David, Lynn Domina, Ben Goluboff, Stuart Gunter, Alec Hershman, Joanne Holdridge, Henry Hughes, Richard Jones, Peycho Kanev, Kara Marell, Jose Oseguera, Jonathan Andrew Pérez, William Snyder, and more.
Our latest issue features poetry by Kenda Allen, Jamaica Baldwin, Ronda Pizza Broatch, Satya Dash, Gibson Fay-LeBlanc, Rebecca Foust, Valentina Gnup, Tate Lewis, Abby E. Murray, Phong Nguyen, Eric Pankey, Kimani Rose, Joel Showalter, Ellora Sutton, Raisa Tolchinsky, and more; and fiction by Stacy Austin Egan, Lucy Ferriss, Tyler McAndrew, Casey McConahay, Susan Mersereau, and Griffin Victoria Reed. Read more info at the december website.
The deadline for the Red Wheelbarrow Poetry Prize 2020 is August 15. This year’s Judges are Dorianne Laux and Joseph Millar. $1,000 for first place and a letterpress broadside, $500 for second, $250 for third. Top five published in Red Wheelbarrow Literary Magazine. Submit up to 3 original unpublished poems. $15 entry fee. For complete guidelines, see redwheelbarrow.submittable.com.
The Awakenings Review, established in 2000, is an annual lit mag committed to publishing poetry, short story, nonfiction, photography, and art by writers, poets and artists who have a relationship with mental illness: either self, family member, or friend. Their striking hardcopy publication is one of the nation’s leading journals of this genre. Creative endeavors and mental illness have long had a close association. The Awakenings Review publishes works derived from artists’, writers’, and poets’ experiences with mental illness, though mental illness need not be the subject of your work. Visit www.AwakeningsProject.org for submission guidelines.
Deadline: Year-round
The Center for Creative Writing has been guiding aspiring writers toward a regular writing practice for more than 30 years. Our passionate, published teachers offer inspiring online writing courses in affordable six-week sessions, as well as one-on-one services (guidance, editing) and writing retreats (virtual for 2020). Whatever your background or experience, we can help you become a better writer and put you in touch with the part of you that must write, so that you will keep writing. Join our inclusive, supportive community built on reverence for creativity and self-expression, and find your way with words. Creativewritingcenter.com.
Deadline: July 31, 2020
The Daphne Review is hosting an online mentorship program for talented high school student writers and established writers/teachers acting as their mentors. We’re currently taking applications for both types (students and qualified mentors) until July 31st! To apply, submit a resume and brief cover letter to daphnereview@mail.com. Start Date: August 3-28. Format: online. Classes: flash fiction, poetry. Pay for mentors: $50 per hour for skype or $200; $25 per hour for email or $100; total: $300 via paypal. www.thedaphnereview.org
Deadline: July 15, 2020
Submissions are open for Nimrod’s Francine Ringold Awards for New Writers. The Ringold Awards offer prizes of $500 and publication for fiction and poetry, and are open only to writers with no more than two previous publication credits in their genre. For poetry, submit up to five pages; for fiction, one short story, 5,000 words maximum. The contest is open internationally. All finalists will be published and paid at our normal rates. Manuscripts may be mailed or submitted online: nimrodjournal.submittable.com/submit. Each entry must be accompanied by a $12 entry fee. Email nimrod@utulsa.edu or visit nimrod.utulsa.edu for complete rules.
Guest Post by Rebecca Moon Ruark
“Eve, / How often do you think of me? / the house now, the kids, and / Everyone needs to eat, I know how tired / You are to mother the world”— “Oh” from The Desperate Measure of Undoing: Poems by Jessica Fischoff
Poetry is meant to be read aloud, preferably to an in-person audience. Luckily, one of the last live poetry readings I attended pre-pandemic featured Jessica Fischoff reading from her poetry chapbook.
The Desperate Measure of Undoing: Poems is a little book with big impact. Fischoff’s poems borrow from women of myth but are their own unique creations. The poet plays with persona, writing her poem, “Oh,” quoted above, not from Eve’s perspective but from that of the serpent. In a recent interview, Fischoff told me that “Oh” came from a prompt to write from the perspective of a villain. The poem reads as a letter from the serpent, who has been abandoned in the garden by Eve, and grants age-old Eve new agency and power.
There is a lot to admire in this chapbook that explores the feminine through the ages and through fresh takes. Original cover art and flower-illustrated front and back pages complement the poems and provide the reader a garden-like respite from our world’s current situation.
Read more about Fischoff and her debut poetry chapbook in a new interview at Parhelion Literary Magazine.
The Desperate Measure of Undoing by Jessica Fischoff. Across the Margin, 2019.
Reviewer bio: Rebecca Moon Ruark is features editor for Parhelion Literary Magazine, which publishes features, along with fiction, nonfiction, and poetry in winter, summer, and fall issues.
Magazine Review by Katy Haas
If you’re using pride month as a time to become more familiar with LGBTQIA+ writers, I recommend grabbing a copy of the Spring 2020 issue of Hiram Poetry Review. Inside is the four-page poem “I Didn’t Know You Were Transgender” by Mercury Marvin Sunderland. This poem is a response to the observation cisgender people have made: “I didn’t know you were transgender / they tell me / I thought you were a cis man.”
Sunderland spends the poem speaking to these people, asserting his place in the gender spectrum. At one point he declares:
if you knew
even a scrap
of trans culture
you’d know i
already do look
like a trans man
because we are a diverse multitude all over the earth.
With this poem, he challenges the idea of what someone is “supposed” to or expected to look like, challenges the argument that using “they” as singular “destroy[s] the english language,” challenges the idea that “stick[ing] medicine in me” means “i want to be cisgender.”
Throughout the four pages, Sunderland provides a better understanding of what it means to be a trans man, and what it means to be Sunderland himself.
Last month, Esther Vincent of The Tiger Moth Review was invited to read poetry on the Thrive Hour Community Corner Facebook group. This group is provides free live sessions to help keep users thriving and accepts donations for families in need.
You can now find these readings on the literary magazine’s website. Each of the three videos includes several poems. Most of these have appeared in The Tiger Moth Review, like “Tree” by Lee Soo Jin or “Elegy for a Silent Stalker” by Ow Yeong Wai Kit. There are also other familiar names such as Mary Oliver and Joy Harjo included.
Take a moment to appreciate eco-poetry read aloud for you by visiting The Tiger Mother Review‘s website.
CHESTNUT REVIEW (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! chestnutreview.com
Deadline: June 15, 2020
Harvard College Children Stories is currently accepting submissions to compile an anthology to support kids during the Covid-19 pandemic. Please visit our website if you would like to support this project and learn more about submitting: harvardchildrensstories.com/anthology. Thank you so much!
In the May 2020 issue of Poetry, find work by A.E. Stallings, Perry Janes, Raymond Antrobus, Mary Ruefle, D. M. Spratley, Desirée Alvarez, Kelle Groom, Kayleb Rae Candrilli, Safia Elhillo, Janice N. Harrington, Zakia El-Marmouke, Eileen Myles, Lupe Mendez, TC Tolbert, Karen Skofield, Daniel Poppick, Jennifer Barber, Inua Ellams, Stuart Barnes, Travis Nichols & Jason Novak, Kyle Carrero Lopez, Ricki Cummings, Dean Browne, Jennifer L. Knox, Jayme Ringleb, Gerard Malanga, Helen Mort, and Srikanth Reddy. Plus, Vidyan Ravinthrian in the Comment section.
This month’s Plume featured selection: Reginald Dwayne Betts: On Art, Poetry, the Particular Fucked Up Parts of Incarceration, and the Multitudes of I. Work by the poet is introduced with an interview by Amanda Newell. In the Essays & Comment section, find “Rescuing Ourselves” by Celia Bland. Chelsea Wagenaar reviews Sara Wainscott’s Insecurity System.
Deadline: August 1, 2020
Volney Road Review is paying $10 per accepted piece. Send us your best prose, poetry, art, photography, and comics for issue 3.1. We will publish digitally on September 1st, 2020. volneyroadreview.com/submit/
Guest Post by Heidi Seaborn
Finishing up my MFA at NYU, I wanted to read a first collection by a poet who had travelled this same path, Jen Levitt. While I waited for the delivery of Levitt’s The Off-Season from my local bookstore, I went in search of her poetry online. When I found “The Reality Show,” I knew I had met a kindred spirit—someone who delivers ironic humor but approaches it without a suit of armor. Her emotional temperature is tempered only by coolness of her cultural references.
Any poem about physique, about not feeling attractive and the brutality of middle school brings its own pathos, but this poem embeds, “In montage I mourn the boy killed by this classmate / for liking to wear heels & makeup, / also the jury’s devastating hearts / that go out to shooter / because twenty-one years is a lot of time” in the middle, a turn that is both jarring but important to weight this poem. The stakes are suddenly clear. With the line, “like the time it takes to get over middle school,” the reader accepts the burden of living in the speaker’s body, as well as one’s own.
Body and sexuality dominate this Levitt collection. In the titular poem, “The Off-Season”, the speaker wrestles with the awkwardness of coming of age—made more acute by her growing awareness of her sexual orientation. When I read this poem to my queer daughter, she said the poem was so evocative of that ‘puzzling’ experience. Levitt is piecing together the puzzle that is her—as she matures. She is also coming of age as a poet, under the influence of Elisabeth Bishop and Emily Dickinson. Yet, her poems in conversation with Bishop and Dickinson steer clear of worshipful dialogue, instead they reveal a more naked self. The Offseason is a graceful revelation of body, sexuality, growing into one’s self as a person and a poet.
The Off-Season by Jen Levitt. Four Way Books, 2016.
Reviewer bio: Heidi Seaborn is Editorial Director of The Adroit Journal and author of the award-winning collection Give a Girl Chaos (C&R Press/Mastodon Books, 2019) and two chapbooks.
Buy this book through our affiliate Bookshop.org.
Deadline: August 15, 2020
Mizmor is an annual anthology considering high-quality poetry that expresses spiritual experiences with a strong emphasis on the relationship between the modern world and ancient wisdom. We favor true experiences with striking imagery, we do not accept devotional-religious poetry. No fee to submit. Included writers will receive one free copy. Please visit the website for the complete guidelines: www.poeticapublishing.com.
Deadline: July 31, 2020
In solidarity with protesters fighting for justice and equality, award-winning litmag Into the Void is publishing, in paperback and eBook, poetry and prose anthology We Are Antifa: Expressions Against Fascism, Racism and Police Violence in the United States and Beyond. 100% of proceeds from sales will be donated to Black Lives Matter. Submit poetry, fiction, or creative nonfiction which in some way concerns this topic. Payment is CA$15 per poem/flash and CA$30 per prose piece, plus a contributor copy. Over 50% of writers included in the anthology will be people of color. Submit: intothevoidmagazine.submittable.com/submit.
Red Rover Magazine is now accepting submissions for our premiere issue, currently projected for a January 2021 release date. Our mission is to inspire the improvement of mental health through the process of writing and creation. Please send us up to 6 poems, 2-5 pages of fiction, or up to 6 pieces of original artwork/photography to submissions@redrovermagazine.com. Submissions for the premiere issue will be accepted until October 31, 2020.
Deadline: September 1, 2020
Biannual print journal Black Warrior Review seeks 2020 contest submissions. Winners will receive publication and cash prizes ($500 for flash and $1,000 for poetry, fiction, and CNF). Judges: Mayukh Sen (nonfiction), Paul Tran (poetry), C Pam Zhang (flash), and Lucy Corin (fiction). Open until 9/1. They have reduced their submission fee to $15 fiction/nonfiction/poetry. $6 flash. Complete information available at bwr.ua.edu.
Now in its 6th year with a grand prize of $5,000, the North Street Book Prize for Self-Published Books closes to entries on June 30. Top winner in each category will win $1,000. Co-sponsored by BookBaby and Carolyn Howard-Johnson. Categories: Mainstream/Literary Fiction, Genre Fiction, Creative Nonfiction & Memoir, Poetry, Children’s Picture Book, and Graphic Novel & Memoir. $12,500 in total cash prizes. Fee: $65 per book. Final judges: Jendi Reiter and Ellen LaFleche. Submit online or by mail. Winning Writers is one of the “101 Best Websites for Writers” (Writer’s Digest). Guidelines: winningwriters.com/north.
Deadline: July 4, 2020
Headmistress Press, a lesbian-identified publisher of books by LBT poets, is proud to announce our sixth annual Charlotte Mew Chapbook Contest. Our judge for this year is Vi Khi Nao. Our first-prize winner will receive $300 plus 20 copies of the winning book. All entries will be considered for publication. We will be accepting submissions from May 4 to July 4, 2020 through Submittable and will announce a winner in the fall. Our reading fee is always on a sliding scale, with fee waived upon request. FOR MORE INFORMATION: headmistresspress.blogspot.com/2017/07/charlotte-mew-chapbook-contest.html. SUBMIT HERE: headmistresspress.submittable.com/submit.
Deadline: September 1, 2020
We’re thrilled to announce The Hunger Journal has now expanded to include The Hunger Press, starting with our Tiny Fork Chapbook Series. We believe art and literature is eternally important, and we want to use this opportunity to welcome new writers and readers into The Hunger community by producing well-designed, dynamic, hand-bound chapbooks. We will be accepting submissions from June 1–September 1. We welcome poetry, prose, and hybrid manuscripts of 15–40 pages. For more details on the Tiny Fork Chapbook Series and submission process, please go to www.thehungerjournal.com/tiny-fork-chapbooks.
There is now under 1 month left to submit work to the 2020 Orison Chapbook Prize. Send submissions of 20–45 pages in any literary genre (poetry, fiction, nonfiction, or hybrid) from April 1–July 1. Orison Books founder and editor Luke Hankins will judge. The winner will receive $300 and publication by Orison Books. Entry fee: $12. For complete guidelines, see www.orisonbooks.submittable.com.
trampset, an online literary journal of fiction (short stories, flash fiction, excerpts from longer works), poetry (no shape poems, please), and nonfiction (personal essays, micro-memoirs, culture and criticism, reviews), is seeking new submissions on a rolling basis. We want your best brain, your beating heart. Send that good human stuff our way. We are focusing on Black and queer writers for the month of June. We pay $25 per accepted piece. We have 50 free submissions a month through Submittable as well as Tip Jar and Quick Response options. Visit our submissions page: trampset.org/submissions-6e83932b0985.
Mark August 1 in your submissions calendars. That’s the deadline to submit work to the 2020 Orison Anthology Awards. The 2020 Orison Anthology Awards in Fiction, Nonfiction, & Poetry offer $500 and publication by Orison Books in The Orison Anthology for a single work in each genre. Judges: Blair Hurley (fiction), E. J. Koh (nonfiction), and Joy Ladin (poetry). Entry fee: $15. Submission Period: May 1-August 1. Find complete details at www.orisonbooks.submittable.com.
In this issue: fiction by Auguste Budhram, Ace Boggess, Martha Keller, and others; nonfiction by Paul Bryant, Catherine Vance, and more; and poetry by James Whyshynski, Sallie Hess, and Donna Isaac. Art by Alice Stone-Collins.
See what was published in May at Terrain.org. Poetry by Charlotte Pence, Michael Daley, Maryann Corbett, Lois P. Jones, Elizabeth Jacobson, Traci Brimhall, Sharon Dolin, Beth Paulson, Alison Hawthorne Deming, and Dennis Held; nonfiction by Andrew Furman and Gretchen VanWormer; and fiction by Amy Barker.
Earn your MA with an emphasis in Creative Writing in the vibrant city of Mobile, near some of our country’s best beaches. Tuition waivers and assistantships are available as are additional scholarships for excellence and summer creative writing projects. Home of the Stokes Center for Creative Writing. Full-time students can finish the program in four semesters. Students can also enroll part time and/or complete the degree through evening coursework. For more information, visit our website: www.southalabama.edu/colleges/artsandsci/english/.
The Lake‘s June issue features Sheila Bender, Phillip Henry Christopher, Robert Eccleston, Edilson Ferreira, Mercedes Lawry, Bruce Morton, David Olson, Carolyn Oulton, J. R. Solonche, Hana Yun-Stevens, Nwuguru Chidiebere Sullivan, Tanner. Reviews of Matthew Caley’s Trawlerman’s Turquoise and The Valley Press Anthology of Prose Poetry.
John Updike once said, “Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, short fiction, poetry, graphic narrative, photography, art, and interviews. We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews. To polish your fiction, note our editing service, too. www.driftwoodpress.net
Deadline: June 30, 2020
2020 BURNSIDE REVIEW CHAPBOOK CONTEST. Judge: Lara Glenum. Winner receives $200 and 10 copies. Chapbooks are elegantly designed with letterpressed covers. Runs March 15–June 30. Submit 18–24 pages of poetry. $15 entry fee. All submissions must be made through our submission manager: www.burnsidereview.org.
Extended Deadline: June 30, 2020
Lynx House Press seeks submissions of full-length poetry manuscripts for the annual Blue Lynx Prize for Poetry. The winner will receive $2,000 and publication. Entries must be at least 48 pages in length. The fee for submitting is $28, and includes a copy of a book from our catalog. Previous judges include James Tate, Yusef Komunyakaa, Dorianne Laux, Dara Wier, Melissa Kwasny, and Robert Wrigley. lynxhousepress.submittable.com/submit
Deadline: June 30, 2020
Autumn House Full-Length Contests for Poetry, Fiction, and Nonfiction are accepting submissions! Winners of each contest receive publication of their full-length manuscripts. Each winner also receives $2,500 ($1,000 advance against royalties and a $1,500 travel/publicity grant to promote the book). The submission period closes on June 30, 2020 (Eastern Time). To submit online, please visit our online submission manager. The judges for the 2020 full-length contests are Ilya Kaminsky (poetry), Dan Chaon (fiction), and Jaquira Díaz (nonfiction).
Deadline: July 31, 2020
The Tolsun Books’ Translation Chapbook Contest, judged by Minna Zallman Proctor, will be held June 1st-July 31st, 2020. Submit a chapbook of about 25 pages of translated poetry, short stories, flash memoir, essays, or hybrids. We favor dynamic voices and non-traditional themes. Winner receives publication and 50 copies of their chapbook. See additional details at tolsunbooks.com/submissions.
**Update 6/29/20: Tolsun Books has decided to cancel this year’s chapbook contest.**
Deadline: June 30, 2020
iō Literary Journal was founded in 2018 with the aim of showcasing an array of artistic expression and creative writing pieces from individuals whose voices are underrepresented, and those who may not have traditional writing or artistic backgrounds. iō Literary Journal is back for Volume 3 and will be accepting submissions to its third print volume up until June 30, 2020. Submit at: ioliteraryjournal.submittable.com.
Deadline: July 15, 2020
Call for submissions for the Fall 2020 issue of Molecule – a tiny lit mag. Poetry, prose, nonfiction, plays, reviews, and interviews in 50 words or less (including titles and interview questions). Visual art work of tiny things like tea bags and toothpicks, or tiny paintings also wanted: no skyscrapers please! Strict word count. Don’t try and trick us we have small minds. Send submissions preferably in the body of the email or jpeg attachment for photos to moleculetinylitmag@gmail.com, along with a 3rd person bio no more than 24 words (including name). moleculetinylitmag.art.blog
Guest Post by Emily Lowe
Alice Friman’s “Insomnia in Moonlight” in The Gettysburg Review Fall 2019 is a moving poem that grapples with a popular theme within this issue: death. Friman handles the topic delicately, with humor, and with heft. The poem is broken into four irregular stanzas beginning with the dead waking in the night, making noise. This stanza read with immediate intrigue through the life Friman breathed into death about a speaker who cannot sleep because the dead are alive in their thoughts. It suggests playfulness, too, written with a lighter tone than often associated with death and mourning.
Friman then equates the dead to the sun, something bright and fixed, and the speaker to the changeable moon, “she wears my child face—round, / sunburnt, and pensive.” The final lines in the poem are the most striking, offering up the speaker’s recount of a total eclipse where the moon tried to “blot out the sun.” It felt like a reflection of their desire to hold death in their hands and make sense of it, but the speaker admits that the moon fails in its attempt to resist permanence, to resist, as Friman puts so eloquently in her final two lines: “geometric progression, the unerasable / dead, and everything else I don’t understand.”
Reviewer bio: Emily Lowe is an MFA candidate in Nonfiction at the University of North Carolina Wilmington where she is also a fiction editor for Ecotone literary magazine.
Magazine Review by Katy Haas
The cover of the latest issue of The Malahat Review is a calming scene: a full moon framed by powerlines over a pastel sky. It invites readers to pick it up and open it to discover what’s inside. I had found two new favorites in the pages: “Nice Girl” by Hollie Adams and “A High Frequency Words List” by Matthew Gwathmey.
In “Nice Girl,” Adams’s speaker likens herself to a mall who would “never automatically / open the doors even though / there’d be a sign saying / Automatic Doors.” She admits she’d keep them locked because she’s “evil / even though in real life / I’m always doing nice things.” This poem is a fun exploration of one’s inner self and the intentions behind actions. There’s a sense of humor in this piece even as it leads to introspection, an enjoyable aspect.
Gwathmey’s poem is in four sections, each one a list of words picked from the Fry and the Dolch sight word lists, used in children’s vocabulary development. This piece is just four paragraphs listing off words, a cool form of recycling.
There is plenty more poetry and prose to find inside this issue of The Malahat Review. Grab a copy to find your own favorites.
Deadline: July 1 2020
Send us your BEST FIVE pieces! Get your work in front of our judge, award-winning KHADIJAH QUEEN, author of six books, most recently, ANODYNE (Tin House, August 2020)!! Prize is open to writers who haven’t yet published a book-length collection or a chapbook. Submission fee: $15 for five pieces. Even if you’re not a winner or a finalist, you may still be published in our print issue and 2) you may be read by our judge. Past contributors include Rae Armantrout, Kiki Petrosino, Philip Metres, Kathy Fish, Andrea Rexilius, Eric Baus, J Michael Martinez and more.
COVID LIT is a monthly online lit mag that gives the middle finger to COVID-19 by publishing, promoting, and spreading art, poetry, and prose using the disease’s name. What sets us apart from other magazines? Simple: instead of paying us a submission fee, writers must donate at least $3 to a nonprofit of their choice. Since we launched in late April 2020, our writers have donated over $3000 directly to regional, national, and international nonprofits, so send your best work and use your creative superpowers for good! Visit www.covidlit.org today!
Submissions accepted year-round.
Words & Whispers is an online literary journal seeking to publish poetry and short prose by writers of all ages on a year-round rolling basis. Send us the wild and divine, the eccentric and experimental. For more information please visit www.wordsandwhispers.org.
Deadline: Rolling
the Vitni Review seeks creative writing submissions on an ongoing basis for its Fall 2020 issue. Our intention is to publish writing that pushes against convention, which challenges, subverts, or skillfully manipulates tradition, and which serves to advance the understanding of human culture and experience via interesting metaphors, exciting diction, and engaging content. We are especially dedicated to publishing work by writers from historically under- or misrepresented demographics. See our guidelines at www.vitnireview.org/submit.
Our spring issue showcases the 2020 Open Season Award winners: Joshua Whitehead (cnf), Patrick Grace (poetry), and Ajith Thangavelautham (fiction). Also featured: Manahil Bandukwala, Ayaz Pirani, Christine Wu, Rob Taylor, Edward Carson, Matthew Gwathmey, Tania De Rozario, Hollie Adams, Emi Kodama, Bradley Peters, Kevin Shaw, Emma Wunsch, Glen Downie, and more.
The Autumn issue of The Gettysburg Review is out. The issue features paintings by Jared Small, fiction by Jennifer Anne Moses, Jared Hanson, Darrell Kinsey, and Sean Bernard; essays by Andrew Cohen, K. Robert Schaeffer, and Christopher Wall; poetry by Jill McDonough, Max Seifert, K. A. Hays, Albert Goldbarth, Mary B. Moore, R. T. Smith, Jill Bialosky, Katharine Whitcomb, Corey Marks, Kimberly Johnson, Margaret Ray, Danusha Laméris, Linda Pastan, Christopher Bakken, Christopher Howell, and Margaret Gibson.
The latest issue includes poetry by Lisa Zimmerman, Sally Rosen Kindred, Jennifer Bullis, Carolyn Oliver, Andrea Potos, Michael McFee, Patricia Clark, Cathy Smith Bowers, and more. Art by Andis Applewhite. Read more at the Cave Wall website.
Palooka is an international literary magazine. For a decade we’ve featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. We’re open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Free digital copies of back issues now available for a short time. Give us your best shot! Submissions open year-round. palookamag.com
This issue includes short stories by and interviews with Ashley Hand, Chris Vanjonack, Reece McCormack, and David J. Wingrave; poetry by Kimberly Thornton, Andrew Szilvasy, Bruce Lowry, Ryan Meyer, and Jose Hernandez Diaz; and nofiction by Gregg Williard and Greg Oldfield. Read more at the Carve website.