Guest Post by Shannon Frystak

Jen Hirt is first and foremost a nature writer. Having grown up in her family’s greenhouse in Ohio, her latest essay collection, Hear Me Ohio takes us on a journey from Iowa to Idaho to Pennsylvania and Maine, as she grapples with the meaning of her varied and often mundane experiences traversing the country through multiple job searches, to a “reality house” church, a man and his ball of string, the views from her front porch where she muses on the lives of spiders and befriends a stray cat, to the forest where she and her dog encounter dead deer, and on the waterfront at her home in Harrisburg, where she grapples with a premonition about a dead body.

Jen Hirt’s gift is her attentive and detailed descriptions of the natural landscape—both flora and fauna—allowing us to travel alongside her, revealing herself and, sometimes, her family, through her peripatetic life seemingly searching for meaning and magic in all things, not the least of which include bats, one-eyed deer, and unicorns. Hirt always finds her way home, to Ohio—in a hundreds-year old horseradish bottle, her family’s history, and her mother’s death. Insightful and contemplative, this collection of short meditations is a beautiful and thought-provoking compilation of memoir essays.

Hear Me Ohio by Jen Hirt. The University of Akron Press, March 2020.

Reviewer bio: Shannon Frystak, Ph.D. is a Professor of History at East Stroudsburg University where she specializes in Black, Women, and Civil Rights History. She is the author of Our Minds on Freedom: Women and the Struggle for Black Equality in Louisiana, 1924-1967, and is currently working on a collection of essays Confessions of an Academic Bartender: Essays on Life Inside and Outside of the Guild.

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Guest Post by Kate Gaskin

In Wider than the Sky, Nancy Chen Long’s second book of poetry, the biological constraints of memory merge with the practice of storytelling to show how families create intimate legacies and private lexicons that both heal and stifle.

Long uses the language of science to meditate on the power of stories to determine—or even rewrite—reality. In “Interstice,” she writes “Our memory is flooded with holes, pocked like cotton eyelet.” To participate in narrative, then, is to admit its fallibility: “There are gaps in our stories / and in our history. People are missing.” “In the Family of Erasure” shows a daughter and mother engaged in a complicated dance through each other’s individual memories in order to arrive at a shared history they can both tolerate.

Throughout this collection, Long mines both the personal and the general to show how memory is a mutable and ever-evolving force that steers migrating butterflies around long-gone mountains and compels a daughter to clean “off the family’s stains . . . to keep her memory-rooms blameless.” In the closing poem “Wordlust,” Long writes of the bittersweet futility of determining shared history: “The world is filled / with words. We are a seaward-bound people, / chasing a flood / of sorrows our stories cannot explain.” These are tender and insightful poems that probe the fallibility of memory, asking which parts of our legacy we can control and which parts are inherited by complex forces that stretch back into our DNA.

Wider than the Sky by Nancy Chen Long. Diode Editions, March 2020.

Reviewer bio: Kate Gaskin is the author of Forever War (YesYes Books 2020). She is a poetry editor for The Adroit Journal.