Home » Newpages Blog » Nonfiction » Page 14

Call :: Flexible Press 22 Under 22 Anthology

Deadline: April 30, 2020
This anthology seeks to offer a channel for people under 22 to talk to older people about their experiences and concerns. We are looking for short stories, poetry, essay, memoir, from people under 22 discussing what worries you? What angers you, or delights you? In other words: what’s on your mind? Submit up to three poems, or one short story, essay, or memoir up to 5000-words. Art and graphic stories are more than welcome, but the book will in black and white. Everyone under 22 is welcome. We are especially interested in voices from undeserved communities too often left out of the discussion. www.flexiblepub.com/22_under_22

The Gettsyburg Review – Autumn 2019

Gettysburg Review - Autumn 2019The Autumn 2019 issue of The Gettysburg Review offers readers a great selection of poetry and prose as usual, from Alice Friman’s “Hygiene,” which utilizes breasts as a way to measure time and maturity in a sort of tongue-in-cheek way, to the 55-part essay “A Brief Account of Certain Left-Leaning Tendencies” by Valerie Sayers which highlights her father by using the word “left,” to digestible words of wisdom in three poems by Joyce Sutphen.

But what really left me enamored was the art feature. Nine paintings by Anne Siems grace the pages and cover of this issue. The portraits are whimsical and magical, using creative patterns and images of nature to create portraits that draw viewers in. More little details pop out the longer one looks. People become one with nature—mushrooms cloud around a body in “We Are All Connected,” animal heads sprout from hands like puppets in “Beasts,” antlers grow from the head of an animal-surrounded girl in “Eve Dreams of a Wolf.” These works are gorgeous and give readers a good reason to stick around within the pages of this issue long after they’ve gotten their share of words.

2019 Constance Rooke Creative Nonfiction Prize Winner

The Malahat Review - Winter 2019The Malahat Review annually hosts the Constance Rooke Creative Nonfiction Prize. The editors consider submissions of “a genre that embraces, but is not limited to, the personal essay, memoir, narrative nonfiction, social commentary, travel writing, historical accounts, and biography, all enhanced by such elements as description, dramatic scenes, dialogue, and characterization.” The Winter 2019 issue features the 2019 winner, chosen by Judge Yasuko Thanh: “Bat Reign” by Jeanette Lynes.

In an interview, Thanh said she was looking for “A story with a heartbeat, the ring of truth; to be surprised on every page with turn of phrase, or metaphor, or image so apt it’s breathtaking. Insight. A climactic “punchline” in the sense that its timing is perfectly paced and creates a resolution as inevitable as unexpected.”

Pick up a copy of the Winter 2019 issue of The Malahat Review to see how Lynes meets these expectations with “Bat Reign,” and check back in May of this year for details on the 2020 prize.

Call :: Minnesota Prison Writing Workshop Anthology

The Minnesota Prison Writing Workshop is accepting essays taking a “contemporary look at silences around class and caste systems that divide us.” The anthology will be co-edited by a collective of award-winning incarcerated writers.

Submissions for the anthology are open through April 3, 2020. There is no fee to submit. The anthology will be published by Coffee House Press. Learn more…

Call :: Tolsun Books 2020 Open Reading Period

Independent publisher Tolsun Books is open to unsolicited manuscripts made from parts through May 31. These can be either full-length or chapbook-length. Poetry, short stories, essays, hybrids, translations, and more. $15 fee. Free submissions accepted on the 15th of every month. Learn more…

Event :: Elk River Writers Workshop 2020

2020 Elk River Writers Workshop FlierDeadline: Rolling (July 1 final deadline)
Elk River Arts and Lectures is now accepting applications to our summer writers workshop, August 16–21, at historic Chico Hot Springs Resort, 30 miles from Yellowstone National Park. We host some of the most celebrated nature writers in the United States to work with students in an area of Montana that has inspired the work of conservationists and writers for decades. Workshop classes are limited to 10 students in each genre. This year, Rick Bass, Linda Hogan, and J. Drew Lanham, William Pitt Root, and Pamela Uschuk will serve as our core faculty. Apply via Submittable or visit: elkriverwriters.org.

Contest :: EVENT Non-Fiction Contest 2020

EVENT Winter 2020 LitPak FlierDeadline: October 15, 2020
EVENT: A home for writers. A destination for readers. Now in its 49th year of publication, EVENT is an award-winning, internationally recognized literary magazine that inspires and nurtures writers, showcasing the best contemporary fiction, poetry, nonfiction, notes on writing, and book reviews three times a year, with stunning cover art and illustration. We are now accepting submissions of 5,000 words or less to the annual EVENT Non-Fiction Contest. $3,000 in prizes, plus publication. Entries must be postmarked or submitted online by October 15, 2020. Visit www.eventmagazine.ca for exclusive online content, and to learn more about our unique Reading Service for Writers.

Program :: Jackson Center for Creative Writing

Hollins University MFA flierApplication Deadline: January 6
For well over sixty years, this highly regarded Hollins MFA has supported lively and determined writers who want to concentrate on craft. Our intensive two-year graduate program helps students find their way in an atmosphere of cooperation and encouragement. Our students work successfully in poetry, short fiction, novels, and creative nonfiction—and in between genres. Our faculty writers take time to work with students in this vibrant, supportive community. Our alums have a remarkably high record of publication. Program provides graduate assistantships, teaching fellowships, travel funding, and generous scholarships. Most of all, a vibrant, supportive community. For information, www.hollins.edu/creative-writing-MFA.

’50 Miles’ by Sheryl St. Germain

50 Miles by Sheryl St. GermainBook Review by Karen J. Weyant

Sheryl St. Germain opens her newest book, 50 Miles, with a simple statement: “My son was born into a family cursed with substance abuse.”

It’s this curse St. Germain explores in her collection of intertwining essays that examine the life, the struggles, and the eventual death of her son, Gray. Along the way, she also looks at her own clashes with addiction, struggles that mirror the demons that haunted many of her family members including her father and her brother. Continue reading “’50 Miles’ by Sheryl St. Germain”

The Antioch Review – February 2020

Antioch Review - Fall 2019

The “Atention!” issue of The Antioch Review includes Heinrich Böll’s “Cause of Death: Hooked Nose” (translated by Robert C. Conard) which captures Nobel laureate Boll’s vivid imagery about the corollary of unfettered hatred, unchallenged propaganda, and fearful inertia for countries, communities, and consciences. Rachel Rose’s “Buccal Swab” airs the concerns and realities families face when a member harmlessly hands over DNA to Ancestry.com or some other DNAanalyses company. Stuart Neville’s thriller “Coming in on Time” unfolds in the eyes of a child naïve to passions that stir so strongly and sting so seriously. Find a full list of contributors at The Antioch Review‘s website.

‘What Could Possibly Go Wrong?’ Edited by Richard Peabody

What Could Possibly Go Wrong?

Book Review by Katy Haas

As a writer who is very prone to anxiety and stage fright, I’ve always turned down the opportunity to participate in readings. I can’t help running all the worst case scenarios through my head. This led me to picking up my copy of What Could Possibly Go Wrong? the pocket-sized anthology edited by Richard Peabody, featuring 36 writers sharing their own readings gone wrong.

The anthology starts off on a more serious note. Brett Axel’s reading devolves into a protest as police crash it, assuming the worst of teenage attendees. Abby Bardi’s publicity tour ends prematurely as it coincides with 9/11.

But a majority of these horror stories are less serious and more humorous. Mark Baechtel walks himself into a corner with one bad decision he commits to. Barbara Esstman has a selection of not one but four bad readings, and, luckily, she approaches each of them with levity. Alma Katsu is interrupted by a loud cheerleading practice. Both good weather and bad weather interfere with multiple readings. Tim Wendel must compete against the midnight release of his nemesis: Harry Potter.

Each writer presents their story with lightness and humor. Things didn’t go as planned, but they made it through and are still around writing and participating in more readings. I now find some comfort in the seemingly universality of readings gone awry. Sure, things might go wrong, but at least the experience will be there to laugh at (and possibly write about) later.

What Could Possibly Go Wrong? Edited by Richard Peabody. Paycock Press, 2019.

True Story – No. 34

True Story - Issue 34

The single-author True Story has released a new issue. In “Plume: An Investigation” by Mary Heather Noble, a former environmental investigator applies her forensic skills to a family mystery. What happens to us when we are exposed to toxicity, both literally and figuratively? Can we change what we pass on to our kids? And at what cost?

Plume – February 2020

Plume - February 2020

Plume‘s February 2020 issue features selection is “Engraved Phrases on Open Seas: Poems and Notes on Translations of Khal Torabully” by Nancy Naomi Carlson. Charles Simic pens an “Essay on the Prose Poem,” and Mark Wagenaar reviews Mark Irwin’s Shimmer. Poets in this issue include Sawnie Morris, William Logan, Mary Jo Salter, Mark Irwin, Kim Addonizio, Andrea Cohen, Adam Scheffler, and more.

Contest :: Arts & Letters Prize Competition 2020

Arts & Letters Prizes 2020 flier

For our 22nd annual prizes in fiction, poetry, and creative nonfiction, we offer the winner in each category a $1,000 prize and publication in the next year’s Fall or Spring issue. All writers and poets writing in English are eligible to enter, excepting friends, relatives, or current and former students of the current-year judges. All fiction, poetry, and creative nonfiction prize submissions will also be considered for publication at regular payment rates. The submission period for our annual prizes is February 1 – March 31. The entry fee is $20. Submit now! artsandletters.gcsu.edu

Carve Magazine – Winter 2020

Carve Magazine - Winter 2020

The Winter 2020 issue of Carve Magazine features short stories by and interviews with Alissa Hattman, Emily Howorth, Sam Simas, and Kate Arden McMullen; poetry by Lucia Orellana Damacela, Jessica Hincapie, Cindy Juyoung Ok, and E. Kristin Anderson; and nonfiction by Brittany Coppla and Joel Clotharp. Additional features include Decline/Accept with “Fit” by Rayne Ayers-Debsksi, a “One to Watch” interview with Brandon Taylor by Anna Zumbahlen, and illustrations by Justin Burks.

Call :: Anomaly Open Reading Period

Anomaly Issue 29 screenshotThe online literary magazine from Anomalous Press, Anomaly is open to general submissions through March 1. They charge a $3 fee and offer a modest honorarium.

Plus, they have announced their new issue will launch on April 11. Featured folios include a CantoMundo tribute and Performance Poetry. They will also be doing an event at AWP 2020 with Waxwing and Newfound. Learn more…

Poetry – February 2020

Poetry - February 2020

The Poetry February 2020 issue features work by Zach Linge, Jesus Govea, and Dasiy Fried. More work by Terese Svoboda, Alison C. Rollins, Mia You, Caoilinn Hughes, Virginia Keane, Francine J. Harris, Angela Jackson, Rodney Jones, David Felix, Dujie That, Talin Tahajian, Partridge Boswell, Lani O’Hanlon, Beth Bachmann, John Lee Clark, Maggie Smith, James McCorkle, Zeina Hashem Beck, Jessica Greenbaum, Mei-Mei Berssenbrugge, Mary B. Moore, Gabrielle Bates, Nome Emeka Patrick, Jack Underwood, and Liz Berry. Plus, an essay by Jeffrey Yang.

The Malahat Review – Winter 2019

The Malahat Review - Winter 2019

The Winter 2019 issue of The Malahat Review features 2019 Constance Rooke Creative Nonfiction Prize winner Jeanette Lynes. Also included: Carolyn Nakagawa, Julia Brush, Angélique Lalonde, Franco Cortese, Kurt Marti, Patricia Young, Sherine Elbanhawy, Suphil Lee Park, Emeka Patrick Nome, Hasan Alizadeh, Conor Kerr, Joel Robert Ferguson, Melanie Boyd, Bernadette White, Dominique Béchard, Jon Gingerich, Tatiana Oroño, Robert Hilles, Kulbir Saran, Sarah Yi-Mei Tsiang, Dawn Lo, and Sehrish Ranjha. Cover art by Sandra de Groot.

The Literary Review

The Literary Review - Fall 2019

The “Granary” issue of The Literary Review features poetry by Rosa Alcalá, Mario Ariza, Christian Barter, Samuel Cheney, James Ciano, Heather Derr-Smith, Dalton Day, Michael Farman, Stuart Friebert, Ute von Funcke, Elisa Gonzalez, Benjamin S. Grossberg, Jennifer Grotz, Maricela Guerrero, Hannah Jansen, and more; fiction by Jody Azzouni, James Braziel, Rosy Fitzgerald, Case Q. Kerns, Laura Shaine, Christine Sneed, Eva Taylor, and Jenny Wu; and prose by Kelly Luce, Karen Luper, Toni Maraini, and Josip Novakovich.

Program :: The MFA at Florida Atlantic University

The MFA in Creative Writing program at Florida Atlantic University offers concentrations in fiction, creative nonfiction, and poetry. Core faculty include Ayşe Papatya Bucak, Andrew Furman, Becka Mara McKay, Susan Mitchell, Kate Schmitt, and Jason Schwartz.

Students have the opportunity to work with online literary magazine Swamp Ape Review (which reopens to submissions on April 1). Learn more…

The Adroit Journal – January 2020

Adroit Journal - January 2020

The Adroit Journal Issue 31 is here with new poetry by Victoria Chang, Michael Bazzett, Bruce Snider, Mark Halliday, Paul Guest, Lena Khalaf Tuffaha, Faylita Hicks, Caroline Crew, Paige Quiñones, Abby E. Murray, Natalie Eilbert, and more; prose by Kate Folk, Pete Segall, Alexander Weinstein, Alex Perez, Wendy Oleson, and John Elizabeth Stinzi; and art by Heather Betts, Jenny Shi, Anna Frankl, Niya Gao, You Young Kim, and Serge Gay Jr. Plus five new interviews with Victoria Chang, Danez Smith, Paige Lewis, Corrie Williamson, and Carmen Maria Machado.

Science as Story

Creative Nonfiction Fall 2019 coverIn their recent newsletter, literary magazine Creative Nonfiction has announced a new series of events launching this spring called Science as Story. The best part of this series is that these events will be free thanks to the support from the Fisher Fund of the Pittsburgh Foundation.

From March to May, five scientists will visit Pittsburgh to give public lectures. If you aren’t a local to the area, these will also be available as webinars! Each of these scientist writers will also participate in intimate conversations along with Q&As to discuss the craft of writing.

Plus, they will also be running a six-week writing workshop for scientists who are itching to tell their stories.

Featured authors in this series are Azra Raza, Amanda Little, Dawn Raffel, Danielle Ofri, and Ruth Kassinger. Visit their website to learn more.

“Death of the Farm Family” by Sarah Smarsh

The Common - Fall 2019Magazine Review by Makenzie Vance

In the Issue 8 of The Common, Sarah Smarsh describes how her grandfather’s home became a central gathering place for friends and family and then how it was lost after his death. She begins two generations before her own and skillfully condenses her three-generational story into a compelling length.

Smarsh recounts how her drifter grandmother met her grandfather and finally settled down after a life of wandering with her teenage child—Smarsh’s mother. Though the farmhouse served as a communal space for family and friends and a home for eccentric farm traditions like sledding in a canoe behind a truck, the farm fell apart when her grandfather died, leaving a hole in their lives.

Smarsh speaks to all when she illustrates the importance of a central gathering place for a community, and she reaffirms the importance of small farms and the lives lived upon them.

 

About the reviewer: Makenzie Vance is a creative writing student at Utah State University.

Call :: Oyster River Pages 2020 Reading Period

Literary and artistic collective Oyster River Pages is open to submissions for their next annual issue! They believe in the power of art to connect people to their own and others’ humanity. ORP likes to feature artists and writers whose voices have been historically de-centered and marginalized.

Submissions open through May 31, 2020. There is no fee to submit.

Contest :: First Pages Prize 2020

With writing being embraced or rejected based on first paragraphs, the First Pages Prize has been established to encourage emerging writers. Besides the annual prize, there is also an awards event in Paris, France and year-round inspiration available on their website.

The 2020 Prize is open through February 16 (extended deadline). If writers submit by the normal February 2 deadline, the entry fee is $25. After the 2, the fee goes up to $35.

The prize is open to un-agented writers who must submit the first five pages of a fiction or creative nonfiction manuscript. $2,250 in cash awards, partial developmental editing, plus travel and accommodation to be in Paris, France for presentation events June 9-10.

This year’s judge is the award-winning author Sebastian Faulks, whose latest work Paris Echo was released June 2019.

Call :: Wordrunner eChapbooks Spring 2020 Anthology

Wordrunner eChapbooks is celebrating 10 years of publishing with the release of their Spring 2020 anthology.

Writers can submit poetry, fiction, memoir, and creative nonfiction for this anthology through February 29. They want emotionally complex and compelling writing on any theme or subject that has not been previously published. $3 submission fee.

They pay accepted authors $5 to $25.

‘Wilderness of Hope’ by Quinn Grover

Wilderness of Hope - Quinn GroverGuest Post by Carly Schaelling

Quinn Grover takes readers into a landscape of rivers, wildness, and fly fishing in his essay collection Wilderness of Hope: Fly Fishing and Public Lands in the American West. His descriptions of Idaho, Utah, and Oregon rivers make the reader feel as if they can hear the current and smell the water. Central to this essay collection is a discussion about home, and he suggests that certain geographies can make us feel “young and old, safe and unsure . . . closer to those I love, yet perfectly alone.”

Through punchy short essays consisting solely of dialogue and moments of self-deprecating humor, Grover’s collection interrogates the meaning of wildness and the importance of public lands. One of my favorite moments in this collection is an essay called “The Case for Inefficiency.” Grover recounts a fishing trip that gets off to a rocky start—a forgotten sleeping bag, a popped tire. Instead of giving in to feeling inefficient, he asks whether it is possible to measure wasted time. If we walk somewhere instead of drive, but find ourselves outside breathing the air and being more patient because of it, is our time really wasted? To treat public lands well sometimes “requires us to blaspheme the gospel of efficiency.”

You don’t have to know anything about fishing to enjoy this book. You will escape to places you may have never been to and fall in love with them when giving this collection a read.

Wilderness of Hope by Quinn Grover. Bison Books, September 2019.

About the reviewer: Carly Schaelling is a creative writing student at Utah State University.

Southern Humanities Review – Winter 2019

Southern Humanities Review - Winter 2019

The Winter 2019 issue of Southern Humanities Review is out. In the issue: nonfiction by Lia Greenwell and Leslie Stainton; fiction by Erin Blue Burke, Dounia Choukri, Sayantani Dasgupta, and Alex Pickett; and poetry by J. Scott Brownlee, Sarah Edwards, Jared Harél, Kathryn Kirkpatrick, Matthew Landrum, Donna J. Gelagotis Lee, Rodney Terich Leonard, A.T. McWilliams, Michelle Peñaloza, and Supritha Rajan. Plus, cover art by Martha Park.