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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Books :: Censoring Culture: Contemporary Threats to Free Expression

Censorship is xxxx xx xxx. A new anthology looks at how we silence others and ourselves. By David Moisl. San Francisco Bay Guardian. “The ultimate dream of censorship is to do away with the censor,” says Svetlana Mintcheva in Censoring Culture: Contemporary Threats to Free Expression, a collection of essays, interviews, and roundtable discussions whose contributors range from Stanford law professor Lawrence Lessig and hacker-culture explicator Douglas Thomas to fiction writers J.M. Coetzee and Judy Blume.

. . . In “Market Censorship,” New Press founder André Schiffrin discusses the situation of booksellers: “The market, it is argued, is a sort of ideal democracy. It is not up to the elite to impose their values on readers, publishers claim, it is up to the public to choose what it wants — and if what it wants is increasingly downmarket and limited in scope, so be it. The higher profits are proof that the market is working like it should.”

film

Road to Nowhere. Al Gore scares the living hell out of Sam Adams. Philadelphia City Paper. I’ve been trying to tell this story for 30 years, and I’ve felt that I failed in it. But I think I’m making progress, and that’s one reason I’m so happy that these moviemakers convinced me. They came to one of my slide shows and asked if they could make a movie out of it, and I was skeptical, but they convinced me, and I’m so glad now, because they’ve made a really entertaining movie that stays true to the science. I think when people connect all those dots, you will see a sense of urgency that goes up to the levels that match the awareness. And then the country will move past a tipping point and start taking action.

The Allegheny Review – 2005

Before they have the craft mastered, most undergraduate students high on talent have to settle for publishing their work in a magazine that never makes it off campus, if even outside the dorm hall. The Allegheny Review remains the lasting outlet committed to giving them the better opportunity for wide circulation. However much its selections may be arbitrary, however abundant the sloppy typos are, the magazine still packs potential. The students write about what they know: meditation on the seasons; failure to communicate in relationships; a moment of doubt while in church. “Attempting Vipassana” by Kristel Bastian is a standout, using the slightly-less-familiar theme of experimenting with Eastern meditation, but still impressive:

Continue reading “The Allegheny Review – 2005”

American Letters & Commentary – 2005

If, as Christine Delphy writes, “We can only analyse what does exist by imagining what does not exist,” American Letters & Commentary #17 proves the verity of her words. While this sort of existential imagining does not occur without staring current states in the eye, there are innumerable ways to stare. And stare they do, each writer confronting their own serrated
truth(s) from a lens fitting their particular frame. Often, these truths relate in some way to current U.S. politics, as the issue’s special section, “Wedding the World and the Word,” asserts. Continue reading “American Letters & Commentary – 2005”

Arts & Letters – Spring 2006

What I like best about Arts & Letters is that there is no best — everything is worth reading. This is sophisticated, polished work by experienced and accomplished writers. I’m not even tempted to skip around, but to read straight through from the Table of Contents to the Contributors’ Notes. This issue gets off to a quirky start: an interview with Bob Hicok whose answers to Jessica Edwards’s questions are similar in tone to that of his verse (“I’m not telling you what to do / anymore than I’m telling you what to feel, / I’m not telling you what to feel / because I’m not sure I feel anything, / I’m not sure there’s anything to feel / because I’m not sure language is real.”) Of course, the prize-winning short play by Phillip William Brock, three fascinating essays, the elegant translations by Alexis Levitin of poems from Portuguese by Eugenio de Andrade, the exceptional poems, solid short fiction, and book reviews that follow demonstrate not only that language is real, but really impressive in the hands of the right creators. If you’re a reader who skips around, don’t overlook Sarah Kennedy’s three entries for her “Witch’s Dictionary,” poems whose epigraphs link “current events” with eighteenth century “witchcraft” or Rebecca McClanahan’s moving personal essay about “My Affair with Jesus,” or Viet Dinh’s story “Faults.” You’ll appreciate just how real language can make an imaginary world seem with prose like Dinh’s: “The first thing I ever stole was a heart.” [Arts & Letters. Journal of Contemporary Culture, Georgia College & State University, Campus Box 89, Milledgeville, GA 31061-0490. Single issue $8. http://al.gcsu.edu/] —Sima Rabinowitz Continue reading “Arts & Letters – Spring 2006”

Bellevue Literary Review – Spring 2006

The continuing premise of the Bellevue Literary Review is to express, through words, all the emotion that is held within the manner of sickness. This is not an easy thing to do. Illness, as fiction editor Ronna Wineberg observes, “extends its tentacles past any single episode of disease. There is the crisis, and for those fortunate enough to withstand it, the aftermath.” The Spring 2006 issue promises to explore these two, crisis and aftermath. Among its pages, through fiction and poetry, both are found. Notable fiction entries are Judy Rowley’s “The Color of Sound,” and Joan Melarba-Foran’s “The Little Things.” Rowley writes of an implant that can bring sound to her deaf ears. Easy decision, right? Of literature, she explains, “I locked into the connection between the authenticity of a sound in the fullness of its color and the authentic voice, which exhibits the unique and colorful characteristics of its writer.” Continue reading “Bellevue Literary Review – Spring 2006”

Black Clock – Fall/Winter 2005-06

Black Clock is hands down the best looking literary magazine I’ve ever picked up. To begin with, it’s a huge 8″ x 11″ volume with full color graphics not only on the cover but throughout the magazine. The inside layout is both graphically intense and minimalist at the same time, visually engaging without distracting from the writing itself. Luckily, Black Clock‘s looks aren’t the only thing it has going for it—it’s got personality too. Continue reading “Black Clock – Fall/Winter 2005-06”

Blue MesaReview – 2006

The closest this University of New Mexico journal comes to evoking the Southwest is in an “Elegy” for James Turrell, by Mark McKain, in which the author witnesses a sunset through one of the visual artist’s holed cathedral ceilings and comes to grips with his mortality. (Turrell is, of course, still very much alive.) Yet the format and style of the Blue Mesa Review is not out of place: it’s in the line of the coastal émigrés who have come to define the former frontier and brought their experiences with them. Continue reading “Blue MesaReview – 2006”

Conduit – Winter 2006

Great literature always seems, to me, to suggest a sort of other-worldly thoughtfulness. Everything, of course, requires thought of some sort, but those who write bring a little something extra into the world. This issue of Conduit provides rebellious proof. All that is contained within the covers – narrative, story, art, interview, and photography – is impressively different from anything, in memory, I’ve read. Continue reading “Conduit – Winter 2006”

Cutthroat – Spring 2006

Cutthroat logo

A cutthroat is a kind of trout — and this must surely be what the journal’s name refers to, given the beautiful painting by Albert Kogel, “Rush Hour Fish,” on the cover—although it’s hard not to think first of its better known connotations (a murderer or someone who is a ruthless competitor). So, it seems fitting that the poetry and fiction in this journal tend to tackle what I’d call “big, serious themes”: the war in Iraq, the incidents of 9/11, the aftermath of major illness, literacy, Vietnamese war orphans, the effects of the one-child law in China, the violence at Columbine high school, child abuse. “Cutthroat Discovery Poet” Elizabeth Gordon’s work is characteristic of the journal’s predilections in terms of subject matter, though her style is more conversational than much of the work presented here. My favorite of her six poems is “Game Over, President Tells Iraq”:

I remember my life like it never happened
the beautiful city of my birth
river city           colonial city      city of self-immolation
my parents’ lovemaking they slow groans of continents
the dog tags pressed between them
the copter hovered above them
slicing
the ghosts of my ancestors
smell of chemicals and refuse
diesel and perfume
fine candies melting on the tongue

There are plenty of stars in this issue, as well as worthy newcomers, including Joy Harjo and Rick DeMarinis (whose own work appears alongside the work of the poetry and fiction winners of awards in their names), Marvin Bell, Judith Barrington, Dorianne Laux, Kelly Cherry, and Naomi Shihab Nye, among others. Donley Watt’s fiction choices, stories by Tehila Lieberman and Pamela Hawthorne, are especially appealing. [www.cutthroatmag.com/]


Cutthroat Volume 1 Number 1, Spring 2006 reviewed by Sima Rabinowitz

First Intensity – 2005

First Intensity considers itself a magazine of “new writing,” and indeed, most of the writers here are new to me. The editor indicates that “due to illness and the press of deadlines” no contributors’ notes appear in this issue. This is actually quite freeing! Of the three dozen or so writers included here, whose names will I search for again, based on what I’ve read and appreciated, not on the credentials presented? Continue reading “First Intensity – 2005”

Oxford American – Winter 2006

The Winter Reading Issue of The Oxford American opens with a caveat, in light of how a hip memoirist/music writer named J.T. LeRoy turned out to be a puppet in an elaborate hoax to which even this magazine fell prey. In this vein, there’s the cover shot of Tennessee’s Abigail Vona, the latest memoirist to heat up the publishing world. “At some point,” writes editor Marc Smirnoff, “you have to give up the ghost of hoping you can still be cool.” Continue reading “Oxford American – Winter 2006”

Redivider – 2006

As if Ploughshares weren’t enough work, Emerson College has its grad students doing their own thing. Like a number of young, urban lit journals, Redivider isn’t afraid of subverting pop culture while presenting fresh new modes of aesthetic philosophy that even the amateur types can “get” and appreciate. Continue reading “Redivider – 2006”

The New Reviewof Literature – October 2005

The New Review of Literature is filled with the usual suspects. You will find, of course, poetry, fiction, essays, reviews, and even a little extra: an interview. And, upon closer inspection, you’ll note that this collection is the product of the Graduate Writing program of Otis College of Art and Design. What is unexpected, though, what sets this compilation apart from others, is that all the pieces that appear among the pages are extraordinarily intelligent and well-informed. Continue reading “The New Reviewof Literature – October 2005”

Poetry Kanto – 2005

Poetry Kanto takes its name from the Japanese Kanto plain, but it’s hard not to think Canto in the Western sense of the spirited song. This journal, published by an American Baptist-founded university, features four translated Japanese and eight international English-language poets. It refutes the conception that Japan is still the isolated land of the tanka and haiku. Tanikawa Shuntaro, for example, is well regarded for his breadth of knowledge of American pop culture. Yet Kanto also illustrates where the gaps remain. Continue reading “Poetry Kanto – 2005”

Post Road – Fall 2005

The newest issue of Post Road is certainly ambitious, including not just fiction and poetry but also essays, book recommendations, a one-act play, photography, an interview, and even an index of all the characters in John Cheever’s short fiction. Highlights include Dan Pope’s story “Drive-In,” about a group of teenagers going to see a porno film at a drive-in, and Ralph McGinnis’s essay, “The Omission of Comics,” which makes a strong case for the inclusion of comics as modern art and also for their place in history as strong influences on Dadaism and Surrealism. Continue reading “Post Road – Fall 2005”

West Branch – Fall/Winter 2005

West Branch, published by Bucknell University’s prestigious Stadler Center for Poetry, isn’t a poetry journal, but poetry clearly lies at the heart of its editorial tastes. Clocking in at 134 pages and cloaked in a vibrant, gorgeously weathered oil painting cover, this issue boasts 19 poems, 4 stories, one essay, 2 book reviews and 2 translations. The nonfiction is a transcribed lecture, “On Sentimentality,” delivered at Vermont College in 1994 by poet Mary Ruefle—literary minutia to some, but likely many poets’ bread and butter Continue reading “West Branch – Fall/Winter 2005”

publishing

Justice, Love, Death & Literature An Interview with Sandy Taylor, Publisher, Curbstone Press. Interviewed by Jessica Powers. Sandy Taylor is co-director of Curbstone Press, which recently celebrated 30 years of publishing. Curbstone Press was started because Sandy and Judy Doyle “wanted to present literature that promoted human rights and civil liberties and promoted cultural understanding.”

NP: The question is which came first, the love of human rights or books?

Taylor: Who remembers for sure? I’m not sure I ever separated the two. The hunger for justice is every bit a part of our experience as love or death. We’ve always believed literature has an effect on people’s lives.

Along with discussing his philosophy of publishing and life, Sandy gives would-be literary publishers many tips from his long career–advice on finding a distributor, getting into bookstores, the academic market, getting reviews, conferences to attend, and the importance of promotion. “…all kinds of factors involved in keeping the ‘culture of the book’ alive.”

culture

Battle Cry for Theocracy. By Sunsara Taylor, Truth Dig. BattleCry is a part of the evangelical organization Teen Mania, and you can learn a lot about the kind of society that Teen Mania is fighting for by reading up on its Honor Academy, a non-accredited educational institution that offers directed internships to 700 undergraduate and graduate youth each year. Among the academy’s tenets: Homosexuality and masturbation are sins. Interns are forbidden to listen to secular music, watch R-rated movies or date; men can’t use the Internet unsupervised; the length of women’s skirts is regulated. The logic behind this—that men must be protected from the sin of sexual temptation—is what drives Islamic fundamentalists to shroud women in burkhas!

books :: The Case for Impeachment

New Book Lays Out Impeachment Crimes and Impeachment Roadmap. The Case for Impeachment: The Legal Argument for Removing President George W. Bush from Office. By Dave Lindorff & Barbara Olshansky, SF Indymedia. The authors believe that just as the president’s many impeachable crimes are political in nature, they demand a political response. What is required is that the public rise up this November, throw off years of lethargy and cynicism, and elect to Congress representatives who are committed to standing up for the Constitution, for the tradition of three co-equal branches of government, and for the civil liberties that hundreds of thousands of Americans have died defending…

bookselling :: Why Go Independent?

Why Go Independent? But friends, every time you put a dollar into amazon.com’s already overflowing coffers – into Big Corporate Store’s already overflowing coffers – you are robbing the small store in your community. You are sending your dollars to Seattle or Chicago or New York. And you’re taking tax dollars out of your community – and tax dollars, as you know, represent much more than a new book or CD or gewgaw. They represent road repair, police salaries, city parks and on and on. And by hurting the small business owner – who lives and is trying to make his living in your community – you are taking him out of the economic equation.

lit blogs – May 2006

Ann Arbor Book Festival. Dan Wickett of Emerging Writers Network blogs the cold, rainy book fair.

Saturday was best summed up by Orchid Co-Executive Editor Keith Hood at about 3:45 p.m., just before the Literary Journal Panel. Responding to somebody who asked how the day had been going, Keith replied:

“It hasn’t sucked as much as I thought it would.”

And a bit more

books :: Generation Xerox

Generation Xerox. Youth may not be an excuse for plagiarism. But it is an explanation. And then there’s Kaavya herself. All the reasons an unknown girl got such a large advance for a slight novel—her promotability: extreme youth, voguish ethnicity, good looks, public poise, and Harvard imprimatur, as well as the book’s autobiographical verisimilitude—are the same reasons her downfall is so riveting. The story also has a crossover appeal, pleasing both young people envious of their mega-successful peer and older people who enjoy imputing moral inferiority and too-clever-by-half stupidity to the younger generation.

leonard

Leaning out for love. Leonard Cohen returns from the mount with a book of longing about love, life, sex — and more sex. The dark messiah has returned. He’s older, perhaps wiser, definitely cheerier and tumescent as ever.
Leonard Cohen has surfaced with his first book of new poetry in 22 years. Book of Longing will, no doubt, grab aging boomers in all the old, familiar places.

In one poem, Other Writers, Cohen discusses the spirituality of close friends, including Roshi, and compares their sacred pursuits to that of him placing his hand down the front of a woman’s jeans.

I’ve got to tell you, friends
I prefer my stuff to theirs.

Another poem is titled The Lovesick Monk: “It’s dismal here,” he whines. There was a definite lack of sex on Mt. Baldy.

bookselling :: Article by Tyler Cowen

What Are Independent Bookstores Really Good For? Not much. By Tyler Cowen, Slate. NewPages.com does not share the statement made in the title of this article, but I think it’s only fair to read and reflect on it.

“Our attachment to independent bookshops is, in part, affectation—a self-conscious desire to belong a particular community (or to seem to). Patronizing indies helps us think we are more literary or more offbeat than is often the case. “

bookselling :: Cody’s Books Closes

Cody’s Books on Telegraph Ave. in Berkeley to close its doors. In 1989, after a minor firebombing, the store announced that it would continue to sell Salman Rushdie’s controversial “Satanic Verses” — a decision that Ross called “our finest hour.”

“Rushdie came to the store once, a surprise visit when he was still in hiding,” Ross said. The author gave the bookstore 5-minutes notice to announce that he was in the store and would sign books. “There’s a hole above the information desk from the bombing. Someone scribbled ‘Salman Rushdie memorial hole.’ When Rushdie was here, he looked up and said, ‘Some people get statues, others get holes.’ “

writers :: Jhumpa Lahiri

Jhumpa Lahiri on PEN’s World Voices. Interview by Suzanne Dottino, KGBBarLit. SD: One of PEN’s principle missions is to defend free expression, something that’s not only relevant but also crucial in today’s global state of affairs. “Faith and Reason” is a provocative theme for PEN International New Voices Festival. What’s to be learned in its exploration and perhaps more practically speaking, what impact can writers truly have to make inroads in cultures where free speech has never been valued? What can literature do to ensure that that freedom isn’t eroded in others?

JL: The fundamental impact any writer can have on the world is to write honestly and well. And in order to aspire to write in such a way, the writer must be able to express himself or herself in an absolutely uncensored, unhindered environment, and to obey no authority other than what the work demands. This is true in any culture, and for all literary traditions.

publishing

Soft Skull Press According to Richard Nash & Richard Nash According to Susan Chi. By Susan Chi, KGBBarLit. “What we’re trying to do with fiction is kind of a three pronged model, the first of which is obviously to find new writers, and the second of which is to breakout lower mid-list writers. There’s essentially two kinds of mid-list writers, the ones the big publishers want to publish and the ones the big publishers don’t want to publish…There’s a whole cohort of writers, tending to be on the younger end, the 35-50 age group, who have published a few books and despite a far amount of critical appreciation, they’re not selling in numbers that allow the editor to show up at the editorial meeting and say this can sell 15,000 copies, because they’ve only sold 2000 copies each time round.”

Writers :: George Saunders

Interview with George Saunders. Boldtype 31. BT: You pick up on a sort of campy but unsettling beauty in the way we all agree to talk in conversation, in meetings, on TV. How do you go about making that literary?

GS: I never had a sense of what literary language should be like, and when I tried to do it, it always came out like Thomas Wolfe on quaaludes — where you describe the same thing three times. …Even when I overhear somebody on their cell phone up here on campus. If you forget the phone, and just think of it as a poem, it’s unbelievable: “Mom, I told this fucking guy I was too hungover! What are you talking about, Mom? I was too wasted, I couldn’t call you.” The idea is that you have to listen, and then you purify it a little bit.

Alt Mags – May 3, 2006

Human Rights TribuneSpecial Issue on Migration Introducing the new format and layout for the Human Rights Tribune. This issue of the online publication is a special focus on migration. Each issue of the Tribune features timely articles about important events and issues affecting human rights, as well as the people and organizations involved in the promotion and protection of these rights.

Publishing

Small Publishers Book Big Rewards. Nonmainstream presses generated $14 billion in 2005 — more than half of all book sales — by targeting niche readers. By Stacy Perman, Business Week. …small presses are championing new voices, focusing on niche markets or subjects and genres that have either been ignored by the big houses or simply deemed unprofitable — such as poetry and foreign authors. They are creating whole businesses by reissuing out-of-print classics and maintaining the tradition of printing literary fiction.

Archipelago publishes 8 to 10 titles a year. As a non-profit, the house relies on donations from foundations and individuals. “I knew we couldn’t make it if we relied only on sales,” Schoolman says. That way the house can stick to its mission and plow any profits back into publishing. And that allows Schoolman to bring unknowns such as Croatian writer Miljenko Jergov

Media

Colbert Lampoons Bush at White House Correspondents Dinner — President Not Amused? Editor & Publisher. Addressing the reporters, he said, “Let’s review the rules. Here’s how it works. The president makes decisions, he’s the decider. The press secretary announces those decisions, and you people of the press type those decisions down. Make, announce, type. Put them through a spell check and go home. Get to know your family again. Make love to your wife. Write that novel you got kicking around in your head. You know, the one about the intrepid Washington reporter with the courage to stand up to the administration. You know — fiction.”

Comics

Daniel Clowes Talks Confidential. By Jason Silverman, Wired News. WN: Has there been any progress for literary comics in the 20 years that you’ve been writing?

Clowes: It’s hard to see it objectively. The news articles that have been written about me have changed. It used to always start, “The bang-zoom comics aren’t just for kids anymore.” … The shift came when (journalists) didn’t have to put me in the context of a world that they figured nobody understood.

…WN: Do you read comics online?

Clowes: I don’t read much of anything online. It’s not an enjoyable experience for me to read something with light projected through it. I like to read comics sitting down, looking at this piece of paper that can’t do anything else.

Music

A Sour Note on Modern Times. By Tony Long, Wired News. To listeners weaned on pop tunes running 2:48 (with guitar solo), a 15-minute adagio can be daunting. Some of Bruckner’s stuff, especially when played under a heavy baton, must seem excruciating to modern ears. But that isn’t Bruckner’s fault. His music was geared to his world, not ours.

Life is a sprint these days. So maybe the right solution for the purveyors of the classics is to take a work of 40 minutes and cut it to 10, giving you time to catch a quick listen before moving on to the next big thing in your day.

Books :: Faking It: How America Lost Politics

Faking It: How America Lost Politics. Joe Klein explains why politicians think you’re stupid, how the presidency lost character and how we can bring it back. By Onnesha Roychoudhuri, AlterNet.

The dirty little secret about many political reporters and columnists is that we’re romantics. I don’t do it to watch politicians screw up, although that’s sometimes fun. I do it for the moments when they do something inspirational, challenging or give me something new to think about. I realized that during my career, those moments had been rapidly disappearing, particularly over the last 10 years. I wanted to think about why that had happened and write a book about it to make people aware of this in the hopes that things can get better again.

Books :: Death’s Door by Sandra M. Gilbert

Death is the new sex. Sandra M. Gilbert’s new book takes an unflinching look at the last taboo. By Kal Munger, Sacramento News & Review.

Death’s Door is very personal; Gilbert returns again and again to her own loss as she surveys Western attitudes toward death. But her examination–including the institutionalization of the dying and the medical and technological attention given to a passage that once took place in the home–always returns to poetry. “We’re always struggling to control death,” she said. “Poetry reminds us that we can’t.”

…Gilbert believes the study of literature is necessary to understand death “because poets and writers are the ones who refuse to believe that there’s any kind of control over death, and they are not embarrassed by that lack of control.”

Books :: Paul Rockwell on 10 Excellent Reasons Not to Join the Military

One Reason Not to Join The Military. You may be ordered to kill civilians. By Paul Rockwell, Metro Santa Cruz. Article is adapted from the forthcoming book 10 Excellent Reasons Not to Join the Military, edited by Elizabeth Weill-Greenberg, published by New Press.

A Marine who recognizes the humanity of the people whose country is under occupation makes an ineffective killer. Repelled by the indiscriminate carnage, the visible suffering of the Iraqi people, who only deserved to be left alone by outside powers, Jimmy repudiated the war. He refused to participate in apparent war crimes. He defied authority, and his commander called him a coward and put him under a “kind of house arrest.” Jimmy, a real fighter, eventually won his honorable discharge.

Poetry

Some Poet. In the 50 years since his first book was published, John Ashbery has led the avant garde”s poetry coup d”etat. By Andrew Varnon. Valley Advocate.

Today, with formalist poet Dana Gioia as head of the National Endowment for the Arts and Nebraskan poet Ted Kooser the Poet Laureate of the United States, there is again a call for accessible poetry. I asked Ashbery about this. “I myself have always enjoyed things that it seemed to me were inaccessible, that have the promise of giving you something that you have to work hard to find out what it is,” he said. “I like the challenge of, say, Proust or even Gertrude Stein, to use one of the most obvious examples, rather than poetry or literature which is all available at one viewing or reading.”

A Public Space – Spring 2006

The debut issue of A Public Space is probably one of the most highly anticipated magazines in recent history. Brigid Hughes, the former editor of the Paris Review, tops the masthead and the contributors include literary heavyweights like Rick Moody, Kelly Link, Charles D’Ambrosio, recent Pulitzer winner Marilynne Robinson, and John Haskell—not to mention a rare interview with Haruki Murakami, a Japanese author who enjoys a cult-like following. And A Public Space does not disappoint. Continue reading “A Public Space – Spring 2006”