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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

New Lit on the Block :: All Rights Reserved

All Rights Reserved is an online annual publishing works from emerging and established writers and artists. Although volunteer-run, the publication enlists a full editorial and production staff: Ryan Jones, Managing Editor; matt robinson, Senior Editor; Kathryn Bjornson, Editor (Non-Fiction & Poetry); Trina Hubley, Editor (Fiction & Visual Storytelling); Jonathan Bjornson, Editorial Assistant; Afton Doubleday, Creative Director; Atilla Vass, Acquisitions Editor & Sales/Distribution Manager; Kristen Sutherland, Sponsorship & Advertising Manager.

The first issue features works by Lynn Atkinson, Jean Braithwaite, Trey Edgington, yaqoob ghaznavi, Emily Graff, Maria McInnis, Kimberley-Blue Muncey, Shari Narine, Melissa Plourde, Robin Richardson, Mark Sampson, Terry Sanville, Edith Speers, J. J. Steinfeld, Qiana Towns, Davide Trame, Yi-Mei Tsiang, Yassen Vassilev, Paul Vreeland, Darryl Whetter.

All Rights Reserved accepts previously unpublished poetry, short fiction, creative non-fiction, as well as literary stories told through visual art/photography. Deadline for submissions: May 31, 2011

Utne Reader Names 22nd Annual Independent Press Awards Nominees

Utne Reader 22nd Annual Independent Press Awards Nominees appear in the May-June issue, which is on newsstands April 19, and online at Utne.com. Winners will be featured in the July-August 2011 issue.

The nominees are:

General Excellence — The American Scholar, The Believer, High Country News, Mother Jones, Orion, The Sun, Wax Poetics, YES! Magazine

Best Writing — The American Scholar, The Believer, Brick, The Brooklyn Rail, Creative Nonfiction, Portland, The Sun, Tin House

Political Coverage — Dissent, In These Times, Mother Jones, The American Conservative, The American Prospect, The Nation, The New Republic, The Progressive

Arts Coverage — American Craft, Film Comment, Offbeat, The Oxford American, Public Art Review, Theme, Vintage Magazine, Wax Poetics

International Coverage — NACLA Report on the Americas, New Internationalist, New Statesman, Prospect, Red Pepper, The Wilson Quarterly, World Affairs, Z Magazine

Science/Technology Coverage — Alternatives, Discover, IEEE Spectrum, Johns Hopkins Public Health, Make, Miller-McCune, Science News, Technology Review

Social/Cultural Coverage — Bitch, Brain, Child, Gastronomica, Good, make/shift, mental _floss, Oregon Humanities, This Magazine

Environmental Coverage — Audubon, Conservation, Earth Island Journal, Environment, Environment Yale, High Country News, OnEarth, Orion

Body/Spirit Coverage — The Christian Century, Commonweal, Geez, Resurgence, Sojourners, Tikkun, Tricycle, YES! Magazine

Jupiter 88 Allen Ginsberg Edition

JUPITER 88 ALLEN GINSBERG EDITION is CA Conrad’s “celebration of Allen Ginsberg for the HOWL Festival in NYC, 2011. Poets are invited to share the importance of Ginsberg’s poetics and activism which continues to CHANGE THE WORLD!” The first video features Mark Nowak, with regular installments to follow. Poets interesting in participating should contact CA Conrad.

“Allen really taught me that poetry is a great device for political protest.” Mark Nowak

What if…

New Orleans Review (v31n2) opens with this quote from James Whitehead in New Orleans Review, volume 1 number 4, summer 1969:

“What if the planet is being ruined by smoke and gas and oil? What if we’re killing the whales and eagles: killing even our natural symbols? What if shortly, by way of waste or the bombs, we don’t have us a good ole planet around any more? Where do we stage our tragedy and comedy then?”

100 Thousand Poets for Change – 2011

From organizer Michael Rothenberg:

100 THOUSAND POETS for CHANGE

“What kind of CHANGE are we talking about?”

The first order of change is for poets, writers, artists, anybody, to actually get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world. This will change how we see our local community and the global community. We have all become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity. I think it will be empowering.

And of course there is the political/social change that many of us are talking about these days. There is trouble in the world. Wars, ecocide, the lack of affordable medical care, racism, the list goes on.

It appears that transformation towards a more sustainable world is a major concern and could be a global guiding principle for this event. Peace also seems to be a common cause. War is not sustainable. There is an increasing sense that we need to move forward and stop moving backwards. But I am trying not to be dogmatic. I am hoping that together we can develop our ideas of the “change/transformation” we are looking for as a group, and that each community group will decide their own specific area of focus for change for their particular event.

“I want to organize in my area. How do we begin to organize?”

100 Thousand Poets for Change will organize “participants” by local region, city, or state, and find individuals in each area who would like to organize their local event. Just let me know if you want to be an organizer by sending a message to me directly through Facebook, or to my e-mail: walterblue@bigbridge.org.

If you are an organizer for your community this means that first you will consider a location for the event and begin to contact people in your area who want to participate in the event. Participation means contacting the media, posting the event on the web, in calendars, newspapers, etc., reading poems, performing in general, supplying cupcakes and beer (it’s up to you), demonstrating, putting up an information table, inviting guest speakers, musicians, etc., organizing an art exhibit, and documenting the event (this is important, too), and cleaning up, of course.

Organizers and participants will create their own local event as an expression of who they are locally. Do they want a candlelight vigil or a circus, a march or a dance, do they want absolute silence, a group meditation on a main street; it’s up to the local organization. However, groups should be sure to hold some part of the event, if not all of it, outdoors, in public view. The point is to be seen and heard, not just stay behind closed walls. It is also important that the event be documented. Photos, videos, poems, journals, paintings! Documentation is crucial. The rest of the 100 Thousand Poets for Change want to hear what you have to say about change and enjoy your creativity too! The documentation will be shared through a blog/website that I will set up, a blog/website where groups can share and announce event information, as well as post photos, videos, poetry, art, and thoughts. But an event doesn’t have to involve tons of people. It can be just you (the organizer) and your pet, on a street corner, with a sign. Just let me know what you are planning! Every effort counts!

Each local organization determines what it wants to focus on, something broad like, peace, sustainability, justice, equality, or more specific causes like Health Care, or Freedom of Speech, or local environmental or social concerns that need attention in your particular area right now, etc. Organizations will then come up with a mission statement/manifesto that describes who they are and what they think and care about. When the whole event has taken place all the mission statements can be collected from around the world and, I hope, worked together into a grand statement of 100 Thousand Poets for Change.

NewPages Updates :: April 18, 2011

Additions to The NewPages Big List of Literary Magazines

Haigaonline – haiga
Modern Poetry in Translation – poetry, essays, reviews
Anomalous – literary works of texts (poetry, fiction, nonfiction and translation) and hybrid, muti- and new media, audio or video literary works, and images
Cordite (Australia) – poetry, essays, interviews, reviews, audio
Pirene’s Fountain – poetry, reviews, interviews
Dragnet – fiction
Asymptote Journal – poetry, fiction, drama, criticism, interview, essay
Toad – new poetry, prose, and visual art
Foam:e – poetry, interviews, reviews
StepAway Magazine – flash fiction, poetry
Temporary Infinity – short stories, flash fiction, poetry, creative non-fiction, artwork, comics, plays, photographs, film
Contemporary Haibun – haibun, essays, interviews
All Rights Reserved – poetry, short fiction, creative non-fiction, literary visual art/photography
Curbside Quotidian – poetry, fiction, non-fiction, art
NAP – poetry, fiction, chapbooks

Additions to The NewPages Big List of Alternative Magazines

The Jewish Daily Forward

Additions to The NewPages Guide to Independent Publishers & University Presses

Fifth Planet Press
Kenning Editions
La Presse
Lightful Press
Paper Kite Press
Sibling Rivalry Press

Additions to The NewPages Guide to Podcasts, Video, Audio

Aloud – A audio/video series by the Central Library in downtown Los Angeles going back to 2005.
Jupiter 88 – CA Conrad hosts this video poetry magazine featuring one poet reading one poem per issue.
Reading the World – An ongoing series of podcast discussions about the world of international literature.

New Lit on the Block :: StepAway Magazine

StepAway Magazine is a new, online literary magazine publishing “the best urban flash fiction and poetry by writers from across the globe.”

The title of the magazine draws inspiration from Frank O’ Hara’s landmark flâneur poem, A Step Away from Them.

Editor Darren Richard Carlaw says, “Our magazine is hungry for literature that evokes the sensory experience of walking in specific neighborhoods, districts or zones within a city. This is flânerie for the twenty-first century. Our aim is to become an online repository of walking narratives. Our writers will lead our readership through the streets of his or her chosen city. They will do so in one thousand words or less. There are no further rules. We want whatever you can share.”

Issue #1 now available online features works by Gem Andrews, Jaydn DeWald, David Gaffney, Kyle Hemmings, Matthew Hittinger, P.A. Levy, Joan McNerney, Tom Sheehan, Sarah Schulman, and Changming Yuan.

Dissertation Haiku

Dissertation Haiku is exactly that: dissertations in haiku form. Not holding true to more than syllable pattern, scholars are asked to submit discipline, name of institution, a sentence or two in plain English about what they do, and any email address or link.

Dissertation Haiku is the creation of Drew Steen who finished his Ph.D. in Marine Science at the University of North Carolina at Chapel Hill and is now doing postdoctoral work in the Biology Department (microbiology section) and the Center for Geomicrobiology at Aarhus University in Denmark. As he puts it: “I’m currently in my eighth year of being paid to study how stuff rots in the ocean.”

Brick Street Poetry Prize Winners

On February 12, 2011, Brick Street Poetry celebrated the 150th anniversary of the Preseident-Elect Abraham Lincoln’s inaugural train in Zionsville, Indiana. Winner Shari Wagner’s poem, “Lincoln Field,” appears in the Winter 2011 issue of Tipton Poetry Journal, along with poems of finalists John Cardwell, Jared Carter, Joseph Heithaus, Jennifer Lemming and James Murdock.

The issue also features Rita Dahl’s “Haukka leikkii kyyhkysellä” self-translated from Finnish to English as ”A hawk plays with a pigeon.”

American Literary Review – Spring 2011

Jude Nutter’s starkly eloquent “16 October, 2009, 17.55 PM: Little Elegy” is illustrative of the issue’s approach and strengths, with its description of life with horses, somehow both intimate and personal, yet distant, a portrait of another life: Continue reading “American Literary Review – Spring 2011”

Another Chicago Magazine – 2010

This is the journal’s 50th issue includes the work of 14 poets, the most recognizable or established among them being David Trinidad; 10 fiction writers, the most recognizable or lauded among them being Achy Obejas and Bayo Ojikutu; two nonfiction writers; a number of reviews; and “Et Al.” hybrid and uncategorized work by Joseph Gallimore and Jill Summers. Continue reading “Another Chicago Magazine – 2010”

Assaracus – 2011

Editor Bryan Borland introduces readers to this new journal by announcing that Assaracus has “no formula” other than that all poems are authored by gay men, a “place for our poetry to dance with its own kind.” Poems are preceded by bios documenting writer’s credentials (poets who are both quite experienced and first-time in print are included in this premier issue), and the poems reflect much diversity in style, tone, and approach. Shane Allison contributes a spare “Dream” of bare single lines, “Used to / wonder / late at night // Boxers / or / Briefs”). Jay Burodny contributes a sense poem all in italics, “A Needy God.” Raymond Luczak contributes a prose poem, “Six Gallery, San Francisco: October 7, 1955.” Matthew Hittinger contributes a long poem of couplets, “A Bus Journeys West”: Continue reading “Assaracus – 2011”

Birmingham Poetry Review – Spring 2011

The work in this issue of the Birmingham Poetry Review is terribly moving, highly accomplished, and unexpectedly inspiring. How not to be simply undone by Deborah Ager’s “A Poem in Which My Father is Not the Villain,” which opens the issue? “I believe we commit errors we want no one to know about, / that we wish we could bathe and be healed and sip whisky and be clean.” Continue reading “Birmingham Poetry Review – Spring 2011”

Creative Nonfiction – Winter 2011

Issue 40 is a special theme issue on animals, the centerpiece of which are an excerpted essay and an interview with the talented, perplexing, and always-provocative Lauren Slater, who has a book forthcoming on animals, and who was first published many years ago by this journal. Essayist par excellence Phillip Lopate contributes “Show and Tell” about the human animal, “the ethics of writing about other people.” Well-known writer Susan Cheever describes her encounters with much maligned house mice in “Of Mice and Women,” and Jennifer Lunden, Kateri Kosek, Randy Fertel, Jeff Oaks, and Chester F. Phillips contribute strong essays on butterflies, starlings, grunions, zoos, dogs, and lions. Continue reading “Creative Nonfiction – Winter 2011”

The Fiddlehead – Winter 2011

The Fiddlehead has been a Canadian literary delight since 1945, when it began as the mimeographed paper-child of The Bliss Carman Poetry Society. Published quarterly by the University of New Brunswick, this treasure is an eclectic journal. I relished five stories and was enthralled with deliciously crafted writing from fifteen poets. Continue reading “The Fiddlehead – Winter 2011”

Front Range – Spring 2010

I know that I’m not the ideal reader for journals that feature art. I usually don’t pay attention as I should, and consider the pieces selected as speed bumps. In this aspect, the art in Front Range isn’t exceptional, but it has been selected with an informed eye to complement the text. The journal’s words, however, are satisfying and, dare I say, practical. Continue reading “Front Range – Spring 2010”

Fugue – Summer-Fall 2010

Fugue is one of my favorite journals. There is always something exciting, inventive, original, and unexpected; something that reinforces my confidence in the state of American literature; something I am grateful to have encountered; something special in the best and truest sense of the word. In this issue, this includes prize-winning fiction from Colette Sartor and Paul Vidich; poetry from Margarita Delcheva, Bryan Narendorf, and Patty Crane, among others; fiction from Luther Magnussen and Heather Jacobs, among others; nonfiction from Sarah Fawn Montgomery, David Shields, and David McGlynn; and interview by Steve Heim with George Saunders; and an “Experiment” by Kevin Sampsell, “This is Between Us.” Continue reading “Fugue – Summer-Fall 2010”

Grist – 2011

There is a point in the conversation between poets Adam Clay and Timothy Donnelly in this issue of Grist where they are discussing truthfulness in poetry. Both poets agree that when reading a poem it doesn’t really matter to them whether what’s happening in the poem comes directly from the poet’s life or not, whether it is “true” to life outside the poem. But then Donnelly brings up the issue of what to do when you, as a poet, do want to “engage with realities outside the poem in a sincere way.” How do you communicate this to a reader? As Donnelly so pithily remarks, “it’s not like you can use a special font for sincerity.” Continue reading “Grist – 2011”

The Journal – Autumn/Winter 2010

This issue of The Journal flexes its tensile strength in both poetry and fiction. The first poem to shake me was Frannie Lindsay’s “To the Petermann Glacier,” which seems to portend an environmental holocaust (the glacier moving “down each torn strand of latitude”) while hinting at the post-disaster world to come, one where we find “the newly erected Cathedral of Zero / with its pulpit tangled in sumac.” Meanwhile, “the lost gulls float inland scavenging sticks // as you lay down the calm heat of listening before / the great barrier requiem.” Continue reading “The Journal – Autumn/Winter 2010”

New Ohio Review – Spring 2011

“Symposium: Poems Disliked, Poems Loved” is advertised on the cover, so it’s hard to pay attention to much else before turning immediately to the back of the magazine, where the special feature is located, to find out who is willing declare their dislike of certain poems or types of poetry in a public forum. The journal asked poets Wayne Miller, Helen Nelson, and David Rivard to present for discussion a “bad poem” (“weak or shallow or disappointing”) and a “good poem” (not defined!). The poets then “conversed” about these six poems via e-mail. Continue reading “New Ohio Review – Spring 2011”

Passages North -Winter/Spring 2011

The magazine’s 2010 fiction contest winners open the issue and they are, indeed, award-worthy. Tori Malcangio’s “A History of Heartbeats” is a smartly structured story that plays out the metaphors of heart rate, flight, and the body’s flight from its own heart (anorexia) in a heartbreaking story of substance (body) and soul (flight). Short-short fiction winner Darren Morris follows—in a stroke of editorial genius—with “The Weight of the World,” with its appealing and insightful narrator (“When you’re a kid the summer lasts forever, and that summer lasted two lifetimes.”). Short-shorts by honorable mention recipients Edith Pearlman, Jendi Reiter, and Thomas Yori are also terrific examples of the short-short genre. Their work is well matched by fiction from another 14 writers; nonfiction from 6 contributors; and 50 pages of poetry, including poems by the ubiquitous Bob Hicok, and 6 marvelous poems by Traci Brimhall. Continue reading “Passages North -Winter/Spring 2011”

A Public Space – 2011

A Public Space publishes lots of up and coming literary stars and this issue seems particularly packed. A swift survey of the bios gleans that only one of the contributing writers in this issue is sans book, while the others have a title or two in print or one forthcoming from a major house or a well-respected small press. With regards to A Public Space, amateurs need not apply. Continue reading “A Public Space – 2011”

Watershed – 2009

California State University’s student-edited journal Watershed is cohesive in its content and approachable in its length. This collection of poetry, prose and photography centers itself around recollections of childhood and of family, bringing the past and present together—illustrating through apt detail the way people live, work and connect with one another. While slim, only 66 pages, it shouldn’t be rushed. Continue reading “Watershed – 2009”

WomenArts Quarterly Journal – 2011

Women Arts Quarterly launches its slender first issue with poetry by Julia Gordon-Bramer and Kelli Allen, a novel excerpt by Jacinda Townsend, nonfiction by Beth McConaghy, an interview with violist Kim Kashkashian, artwork by Ellen Baird and Vanessa Woods, and a music review. The journal “aspires to nurture, provide support, and challenge women of all cultures, ethnicities, backgrounds, and abilities in their role in the arts and seeks to heighten awareness and understanding of the achievements of women creators, providing audiences with historical and contemporary examples of the work of women writers, composers, and artists.” The inclusion of work about and by composers is unusual and does distinguish WAQ from other publications. Continue reading “WomenArts Quarterly Journal – 2011”

You Can Make Him Like You

At some point in your relationship with You Can Make Him Like You, you may want to familiarize yourself with the Hold Steady, a Brooklyn-based rock group with roots in Springsteen, Husker Du, and the Twin Cities. Author Ben Tanzer says the novel is “inspired by, and an homage to” the group: It’s from their discography that Tanzer borrows its title and section headings, and when protagonist Keith can’t handle the pressures of a thirtysomething Chicagoan, he spins Boys and Girls in America or Stay Positive, the group’s two break-out records. Continue reading “You Can Make Him Like You”

Beauport

Kate Colby’s Beauport is both a book-length poem and a collection of poems; it is a semi-narrative, part-memoir, part-lyric essay, part-historical exploration, part-imagined conversation work which wraps history with history. “History is spreading,” Colby states, toward the beginning of the collection. But whose history? Beauport is about layering histories: the story of Henry Davis Sleeper, the American antiquarian and decorator, whose house is named Beauport, the harbor along with an exploration of Colby’s own connections to Massachusetts and Gloucester, and the history of Beauport, the house itself. Continue reading “Beauport”

The New Tourism

The New Tourism is a collection of new poems by Harry Mathews, the avant-garde writer with associations to both Oulipo and the New York School. The book is divided into three sections, each quite different from one another. The first section consists of a single poem, written in six parts, called “Butter and Eggs: a didactic poem.” Using language more often found in a cookbook than in a collection of poetry, the poem may remind readers of Mathews’s short story “Country Coking from Central France: Roast Boned Rolled Stuffed Shoulder of Lamb (Farce Double),” with its rich writing about food and deadpan use of humor. Continue reading “The New Tourism”

Honeycomb

In “Pretty to think of the mind at its end,” Carol Frost describes the mind of an Alzheimer’s patient as “a metaphysician beekeeping / after the leaves have fallen at autumn’s end.” In “I remember the psychiatrist’s exam—”, it is “a papery hive sliced / open, herself furious.” In “Two anthills and a late summer hive,” she writes: Continue reading “Honeycomb”

Illinois, My Apologies

Justin Hamm’s first chapbook of poems, Illinois, My Apologies, is a wonderful sampling of Midwest-soaked poems, dripping in fathers and broken down factories. As a Midwesterner, I not only identify with these poems, but feel they express the frustrations of the region with the utmost accuracy, accompanied by some light humor and beautiful language. The beginning of “At Sixteen” showcases this best: Continue reading “Illinois, My Apologies”

The Bee-Loud Glade

The Bee-Loud Glade will make you fall in love with the simplicity of nature. It is a story about returning and integrating one’s self into nature—true Walden style. The ability of Steve Himmer to create a longing for nature via the words and storyline in this story is phenomenal. I, personally, have never felt a calling or inclination towards nature. After reading this novel, I feel like becoming a hermit and simply reveling in the beauty of nature would be an amazing life. Continue reading “The Bee-Loud Glade”

Under Glass

For the uninitiated reader, greenhouses offer an organic simplicity in which glass filters sunlight and soil keeps different plants in calm synchronicity. But the trained, dedicated eye of Jen Hirt in her debut memoir Under Glass yields more. For Hirt, the scion of an Ohio greenhouse dynasty founded by her great-grandfather in the 19th century, these glass panels, and everything within, signal a family’s and family business’ demise. Continue reading “Under Glass”

The White Museum

The White Museum is written in the casual, chatty style similar to that of Billy Collins. Bilgere has a dry sense of humor that simultaneously pokes fun and is hyper-aware of his standing as a white, middle-aged man. Like Collins, his humor often takes a turn into the dirty-old-man realm, referring to “the girls” “trying out their newfangled breasts” in “Solstice,” and his “star[ing] at the breasts / of that sixteen-year-old girl / in the sky-colored bikini. Touching them / would mean the electric chair, / but still…” in “Americana.” Continue reading “The White Museum”

Where the Road Turns

Where the Road Turns is a rich and textured collection of poems interested in gender roles, issues of cultural identity, and migration. The book opens with the poem “Cheede, My Bride: A Grebo Man Laments—1985,” a narrative poem from the perspective of a Grebo man who contemplates the role of his wife in society: “in Monrovia, women wear pants and a man / may walk around, twisting like a woman” and “they say women fell trees and men walk / upon them like bridges.” The first section of the book contains similar poems that are from the perspectives of tribal men and women, often directly addressing their lovers in a love song or lament. In “Love Song When Musu Answers Her Lover,” the plain diction and repetition of “Let us not make babies, Kono, my lover / Let us collect these timbers, scattered” authenticates the voice of the poem, allowing the reader to enter into a character that they may not be altogether familiar with. Continue reading “Where the Road Turns”

Pickled Dreams Naked

Pickled Dreams Naked, the latest book of poetry from New York poet Norman Stock, puts you, the reader, in a curious place. See, Stock’s poetry is filled with the bizarre and the surreal, showing his penchant for the mesmerizing and often unsettling image. “Give Us This Day” finds Stock painting himself as “the cold cut hanging in the delicatessen of the starving,” a sandwich “barely held together in your hungry hands.” Latinas on subways sucking lollipops, transplanted kidneys, and oh so many chickens carve out perches in the pantheon of Stock’s poetry. Continue reading “Pickled Dreams Naked”

Dear Twitter

If you want spirit, attitude, and a slap of honesty, then #Dear Twitter is the sort of poetry that will be your best friend. Mahogany L. Browne has a way of rendering her poems both aesthetically pleasing and succinct. She can capture a ray of beauty in less than 140 characters and teach the reader a life lesson at the same time. This is a book of poetry that will appeal mostly to younger generations; readers who are avid users of Twitter will garner the most from this book, but everyone will benefit from its humor and wise words—for example, “dear bones: u will break. Dear spirit: u will shatter. Dear heart: u will bruise again & again, but u will be the hardest to fix…” Continue reading “Dear Twitter”

Digital Habitus

Habitus: A Diaspora Journal has created its first digital publication — a collection of some of the best writing from their first six print issues. Readers can purchase a copy as a DRM-free ePub, readable on the device of your choice supporting that format, or visit Amazon to get a copy formatted for Kindles. An iPad edition should be available soon in the iBookstore.

Podcasts :: Reading the World

Reading the World is an ongoing series of podcast discussions about the world of international literature, hosted by Chad W. Post (director of Open Letter Books) and Erica Mena (Spanish translator and poet). The programs include interview translators, publishers and writers and cover a range of translation-related issues. The first eight episodes feature Mark Schafer, Fady Joudah, Forrest Gander, Bill Johnston, Esther Allen, Suzanne Jill Levine, Susan Harris, and Lawrence Venuti.

Writers: Name Your Own Mentors

The Stories of Others is a blog post by Townsend Walker of Our Stories in which he shares stories he has collected over the years with a note about a particular technique he thought the author had accomplished (such as: “Steve Almond – ‘Pornography’ – Perfect flash, punch end”). He refers back to this resource when working on his own writing. By no means his complete list, it provides a helpful model for other writers.

New Lit on the Block :: Temporary Infinity

Edited by Andrew Fortier, Z.T. Burian, and Erin Jones, Temporary Infinity is a new online magazine of any and all forms that “Fill the White,” including short stories, flash fiction, poetry, creative non-fiction, artwork, comics, plays, photographs.

The second issue went live March 1, and submissions are open for the June 1 quarterly installment. Future plans for the publication include print issues, if start-up funds can be raised, and the addition of film and reviews of books, poetry chapbooks and more.

Contributors to the first two issues include Robert Louis Henry, Elizabeth Dunphey, Omar Bakry, Damian Lanahan-Kalish, A.D. Wiegert, Ingrid Cruz, Colin James, Ryan Quinn Flanagan, Thomas Sullivan, Jude Coulter-Pultz, Katie McLaurin, Bobbi Sinha-MoreyKat Urice, Michael Bourdaghs, Ariel Glasman, Alan Britt, Stacey Bryan, Subhakar Das, and Marika von Zellen.

Our Stories Contest Winners

Winners of the Our Stories 2011 Richard Bausch Short Story Prize appear in the Winter 2011 issue, now available full-text online. The winner is Richard Hartshorn, “Sorry Dani”; Second Prize Anne Earney, “Lifelike”; and Runners Up Charles Hashem, “A Fine December Day,” Alyssa Capo, “The River,” and Alexis E. Santi, “It Only Takes One Mistake.”

Phoebe’s Freebies

Phoebe literary-arts journal is trying out e-formats – PDF and ePub soon to follow – and encouraging readers to download the issue for free and give them feedback on how it looks.

Phoebe is also on Twitter and encouraging followers with a first-ever Twitter contest. The best three tweets received by the end of April will win print copies of the magazine.