NewPages Blog :: Magazines

Cimarron Review touts that they’re “one of the oldest quarterlies in the nation,” with a founding year of 1967. The Spring 2015 issue demonstrates why they’ve been around so long, with compelling poetry and fiction spread across 104 pages, sure to win over new readers and keep subscribers around. Continue reading “Cimarron Review – Spring 2015”

The 25^th Anniversary Issue of Freefall includes only a little over 100 pages of refreshing entertainment. “Only” is an apt inclusion because it would be commendable if we could have even more as soon as possible. Continue reading “Freefall – Winter 2015”

Syracuse, New York was the center of a major salt-mining industry in the 18^th and 19^th centuries, such that it acquired the nickname “Salt City.” This fact may explain the name of the literary magazine Salt Hill, which bears the logo of a little glass salt shaker. The magazine itself only says: “Salt Hill is published by a group of writers affiliated with the Creative Writing Program at Syracuse University.” Continue reading “Salt Hill – 2015”

New England Review is a giant among literary magazines, published quarterly by Middlebury College, a small liberal arts college in Vermont. The current issue shows why New England Review deserves its sterling reputation. At 200 pages, it is filled with quality poetry, fiction, essays, and translations. There is no artwork, but as for literature, there is something for everybody: avant-garde free verse, stories set in slums and in high-rent New York, an academic piece on Herman Melville, and a reprint from an 1871 book on the old New England courtship rite called “bundling.” Continue reading “New England Review – 2015”

Quite notable in the 35^th issue of Passages North is a section called Hybrid Essays that pushes creative nonfiction to daring forms of inventiveness and complexity. Nicole Stellon O’Donnell’s hyper-short, personal pieces are exercises in compression, gleaming with economy and calculation; each less than a page long, one might mistake them for flash-fiction pieces, such as “In Gratitude to the Dream Sequence,” which meditates on power in the confines of the bedroom against power in the confines of the boardroom: “Afterward, be glad because she will not turn into your boss and tell you you’re fired.” Continue reading “Passages North -Winter 2014”

What initially drew me to The Austin Review was the delivery. A sucker for small-sized publications, the compact journal called out to me as soon as I saw it. Even putting biases aside, the beautiful cover art, “Iron Age” by John Mulvany, which features a serene night scene with a ghost lighting up the sky, would’ve been enough to draw me in.

Continue reading “The Austin Review – December 2014”

Boston Review: A Political and Literary Forum, which publishes six issues per year, recentlycelebrated its fortieth anniversary, and that level of time and experience is evidenced by the high quality of the writing and the magazine’s simple yet elegant design. Aesthetically, I enjoyed how the poems were contained within thinly outlined boxes, the dimensions of which changed to best suit the need of each individual piece. Continue reading “Boston Review – March/April 2015”

The Spring 2015 online issue of Nat. Brut carries a lot with it: fiction, flash fiction contest winners, poetry, art, film, animation, photographs. No matter what readers are looking for, they’re sure to find it somewhere in this issue. Continue reading “Nat. Brut – Spring 2015”

Oh literature, oh the glorious Art, how it preys upon the marrow in our bones. It scoops the stuffing out of us, and chucks us aside. Alas! ~ D.H. Lawrence
The works of poetry, memoir, and story in the 2015 issue of PMS: poemmemoirstory aspire to and achieve Lawrence’s requirements of literature. The pieces are finely crafted, yes, but, more, are significant in that they strive to reach readers on deep levels. This journal, publishing women writers for fifteen years, continues to showcase literature that is art, and that matters to readers of any persuasion. Continue reading “PMS poemmemoirstory – 2015”

Lovers of poetry, readers, and writers alike, will find much to swoon over in the Winter issue of Spoon River Poetry Review (SRPR). The issue opens with the winner, the runners-up, and the honorable mentions of the Editors’ Prize for 2014. I suggest that readers take in the prize winners and all of the poems in the issue as if drinking quality wine and measure each poem for the appropriate acid, body, and finish it exhibits, for each has the right structure, power, and lingering aftertaste that makes reading poetry so satisfying. Continue reading “Spoon River Poetry Review – Winter 2014”

Without question, Prairie Schooner is one of the top American literary magazines, as measured by quality, presentation, and longevity. It began in 1926, and it continues as a print quarterly and online blog at the University of Nebraska, in Lincoln. Poet Kwame Dawes is editor-in-chief, and the magazine has a staff of 47 assistant editors, editorial assistants, and alumni readers. A well-established publication indeed. The current issue musters an impressive roster of contributors, most with advanced degrees, publications, awards, and residencies. More than a few teach writing at a college or university. Continue reading “Prairie Schooner – Winter 2014”

The slim, new issue of Parcel is filled with experimental poetry and fiction, about half and half. The magazine’s website, however, says it has “international aspirations and an interest in a broad range of poetry, prose and art.” And though this issue has no essays, the editor’s note: “we have a special interest in lyric essays and essays that explore innovative forms and structures.” Continue reading “Parcel – Fall/Winter 2014”

Isthmus is a biannual publication of fiction, nonfiction, and poetry out of Seattle, Washington. All of the contributors to the 2014 Fall/Winter issue are well-published established writers who have created a commendable body of work, both individually and, here, collectively. At 100 pages, the journal makes for a compact and easy experience, readily providing many moments of enjoyment. Continue reading “Isthmus – Fall/Winter 2014”

Great art has a distinctive voice, one that draws the reader into story, into a narrative or a lyric, into a situation or moment. For the duration, the reader lives under the influence of that voice and consequently feels a sadness at the finish, upon leaving. If the voice is strong, well-crafted, fine-tuned, easy to sink into, without artifice, aware only of its purpose and the story, the reader will be left satisfied. Continue reading “The Briar Cliff Review – 2014”

The first issue of The Wallace Stevens Journal appeared in the spring of 1977 and has enjoyed regular quarterly publication ever since. This latest issue focuses on noted Stevens scholar Helen Vendler, who published her initial Stevens study On extended wings: Wallace Stevens’ longer poems in 1969. This was the first book of her criticism proper after trade publication of her PhD dissertation on Yeats in 1963, just of her many writings upon Stevens, demonstrating how central Stevens has been to her critical work as both reader and scholar of American poetry. Vendler’s contribution to the world of Stevens readers as well as to all poetry readers is undeniably immense. She has published dozens of critical studies and edited several important popular anthologies. Yet as Bart Eeckhout’s contribution here notes, “this special issue is not primarily a festschrift, however, but a scholarly attempt at continuing a critical dialogue along the lines of inspiration drawn by Vendler.” Continue reading “The Wallace Stevens Journal – Fall 2014”

A subtle, yet nearly palpable emotional experience awaits readers of Gargoyle 61. The nonfiction, poetry, and fiction elicit intense emotion, while at the same time balancing this emotion through tone, diction, and humor, leaving the reader moved but not overwhelmed. Continue reading “Gargoyle – 2014”

Per Contra promises that readers will find contrast in the range of work they publish, from fiction to scholarly essays, and they deliver in their Spring 2015 issue. Variety isn’t limited to the types of genre they provide, but can be seen in the individual pieces within each genre as well. The fiction section varies from “Things We Do To Keep From Dying” by Dominica Phetteplace, which follows a woman reclaiming her life and safety after being raped as her fear centers on dogs in the days after the attack, to “Unfunny” by Stephen Delaney, in which a man’s flubbed joke leads him to the uncomfortable task of facing his faults. However, a few stories stuck out as sharing a common element: the relationship between mothers and daughters. Continue reading “Per Contra – Spring 2015”

Court Green does as good a job as any journal I know of offering just the right mix of established and lesser-known poets. Continue reading “Court Green – 2015”

Boasting 10-15% student work per issue, Eclipse, published by Glendale Community College, is the only nationally distributed literary journal that continues to publish students alongside authors of international prominence. Continue reading “Eclipse – Fall 2005”

This issue of Green Mountains Review focuses on different moments, how writers choose to capture those moments, what they bring into those moments, what they take out of those moments, and what these shared moments can provide to the reader. Every piece of work seems to say “This is a moment that has happened or is happening and how, dear reader, will you handle it?” Continue reading “Green Mountains Review – 2014”

The Fall 2014 issue of The Antioch Review took on the theme of what they have chosen to call “word trucks,” which are similar to “food trucks.” The Antioch Review positions themselves to be like a food truck, “serving up a variety of dishes that were intended to stimulate the intellectual palate with ‘the best words in the best order.’” In order to stimulate the palate of every reader, this issue is packed with essays, poetry, fiction, and reviews, thoughtfully crafted and organized. Continue reading “The Antioch Review – Fall 2014”

Literature is at its best when it resonates, when the reader is inclined to make connections to other texts, genres, and media in an effort to make sense of the work at hand. The resonant quality of the summer issue of Gigantic Sequins is high, indebted to the finely crafted works within its pages. According to Editor-in-chief Kimberly Ann Southwick, “The whole reason we do this thing is to present you some of the finest writers and artists around these days.” In this issue, they have fulfilled this promise. Continue reading “Gigantic Sequins – 2014”

For their final print issue, after the recent passing of their editor and publisher, Csaba Polony, Left Curve provides readers with a strong collection of essays, poetry, and a variety of other musings, including a play and an interview with artists Victor and Margarita Tupitsyn. Although the journal will continue to make use of their website, the final hard copy, like Dylan Thomas suggests in his canonized villanelle, does not go gentle into that good night. The selections are designed, written, and selected by thinkers. Continue reading “Left Curve – 2015”

Returning to “Girl Eating a Bird” by Vanessa Zimmer-Powell published in this issue of Ekphrasis is becoming a habit. The language haunts as it depicts, surmises as it reveals. In just ten lines, the poem written after viewing Rene Magritte’s painting, Girl Eating a Bird, exposes more of the painting and its subject. The first line “She chewed open cardinal” evokes in iamb, trochee, and dactyl, a nearly cannibalistic gnaw at the bone. In the next line, in the single syllable “raw,” a reader might feel a twinge of sulfuric delight before reading on to the satisfying end. “She won’t stop / until it is well tasted,” and neither will readers. Continue reading “Ekphrasis – Fall/Winter 2014”

In my admittedly brief career as a reviewer, I’ve not encountered any literary journals that concentrate almost exclusively on the short story. I really like the idea, and obviously so do many other readers. Two differences I noticed about Glimmer Train Stories: this is the only lit mag I’ve read so far that isn’t connected to a college or university; and it’s the only one that includes a bookmarker as a bonus. Continue reading “Glimmer Train Stories – Winter 2014”

I’m honored to review this particular issue of The Antigonish Review because it announces the 2014 poetry and fiction contest winners. I’m glad I wasn’t a judge. It must have been an agonizing process to glean the wheat—the winners—from what couldn’t possibly have been literary chaff. Continue reading “The Antigonish Review – Autumn 2014”

The Main Street Rag has a different vibe from your distantly intellectual, even-tempered literary journal. It’s unpredictable, quirky. At the very beginning, Publisher/Editor M. Scott Douglass writes in The Front Seat column about why the issue is late and about the kerfuffle of the North Carolina governor inserting himself into the selection of state poet laureate. When he’s had his say on these topics, he directs us to The Back Seat (distinguished by cream-colored pages) toward the end of the issue, where he takes on the U.S. Senate race in North Carolina. This is a hands-on, opinionated rag. Continue reading “Main Street Rag – Fall 2014”

If Volume 8 of Enizagam is an accurate measure, age is no indicator of ability. The literary magazine is produced by 9^th-12^th grade students at the School of Literary Arts at Oakland School for the Arts in Oakland, California. The urban public arts charter school students design, edit, and publish the journal, and they do an excellent job. Enizagam is a beautifully designed read, full of the kind of poetry and fiction that not only delights, but sticks with the reader long after putting the publication down. Continue reading “Enizagam – 2014”

The centennial of anything is generally cause for celebration, but when one is an independent gardening magazine with homegrown roots (pun intended) and a lot of heart, reaching Issue 100 is an even more exciting accomplishment. Issue 100 of GreenPrints does not disappoint. It is a celebration of not only the gardening and gardeners GreenPrints regularly embraces, but also the magazine itself and all those whose impassioned writing is surely on par with their artfully tended begonias and apricot trees. Continue reading “GreenPrints – Winter 2015”

Not long after opening Eleven Eleven Issue 17, the reader finds two photographs by Ken Morisawa (“Fishman speed light #4” and “Fishman #18”). The two black and white images ostensibly depict a man diving into dark water, surrounded by chaos and a disturbance of bubbles. One may read this in other ways, but it strikes me as a man diving into the wild, the unknown, a bold and determined move. He may not know what to expect, but he jumps anyway. It is exhilarating. This interpretation fittingly mirrors the experience of opening Eleven Eleven. Continue reading “Eleven Eleven – 2014”

When sitting down to read Burnside Review, I feel you have to be in the right mood: opening to something different with every turn of the page, and craving something that makes you see things in a new way. At my first sit-down, I wasn’t quite prepared, but during my second chance, I got lost in the words, wanting more when I had finished. Continue reading “Burnside Review – Winter 2014”

The second issue of poetry magazine Kettle Blue Review is rich with work by eight talented poets. At the end of the issue, I found myself disappointed to not see a “next poem” prompt and went back to reread my favorites. Continue reading “Kettle Blue Review – October 2014”

The work in this issue (four short stories and eighteen poems) is representative of the highly competent writing that has been the hallmark of The Greensboro Review for some forty years. Most of the works, as is usual with university-sponsored journals, are by writers studying or teaching in MFA programs, or graduates of such programs. Most contributors have solid writing credentials. Continue reading “The Greensboro Review – Fall 2014”

I ended the review I wrote of West Marin Review 3 (2010) by saying I loved everything in it, even the ads, and I still do, so I will spend the first of my 25-or-so sentences here extolling the commercial plugs in Issue 5 as well: “Spirit Matters: [A Store Providing] Oddities and Deities in the Heart of Inverness Park”; the Point Reyes Music Center, where “Your creativity is our business”; “Flower Power Home and Garden,” with its whimsical blossomy heifer logo; Continue reading “West Marin Review – 2014”

Number 27 of Up the Staircase Quarterly exudes colors and bright images through both the art and the writing. With three art features, twelve pieces of poetry paired with art, four reviews, and one interview, this issue is a good way to stay occupied while cooped up on dreary winter days. Continue reading “Up the Staircase Quarterly – November 2014”

Writing is ordinarily a solitary pursuit, but the result of all that lonely work makes us part of a proud community. The Westchester Review takes the concept of community very seriously, collecting the poetry and prose composed by “established and emerging writers living, working, or studying in New York State’s Westchester County area.” Founder JoAnn Duncan Terdiman and managing editor Naomi L. Lipman tap a deep pool of talent, offering us some very good work that manages to transcend the geographic limits of its submissions policy. Continue reading “The Westchester Review – 2013”

The title Skidrow Penthouse evokes images of grit. A cover photo featuring bird heads and faceless, female nudes immediately confronts readers with the promise of grit. The 200+ pages of varied writing paired with black and white art neither disappoint, nor fall short of those gritty suggestions. The entire volume is a pleasure to navigate, but the words are not always nice. Continue reading “Skidrow Penthouse – 2014”

The North Carolina Literary Review is serious business, filled with substantial articles, interviews, poems, and stories that will be cited and remembered beyond the pleasure of reading that so many good literary journals offer. Moreover, there is a welter of photographs and art work, almost too much to take in. This is not an issue to pass on to a friend, but rather to shelve in one’s permanent library. Continue reading “North Carolina Literary Review – 2014”

Speaking in this issue’s long-form interview with upstreet editor Vivian Dorsel, Pulitzer Prize-winning fiction writer Robert Olen Butler had this to say about the special problems the writer’s medium presents: “The medium for a writer is words, and the words make sounds, but those sounds are immediately overwhelmed by meaning. We are the only artists whose medium is not innately and irreducibly sensual, and yet, as artists, we try to create sensual objects from it. Our medium is constantly struggling with us, to drag us into our heads.”

Continue reading “upstreet – 2014”

At the end of the day, aren’t we all looking for the same thing: words on a page that are strong enough to transport us inside a writer’s mind? I’m a picky reader and I’m sure I’m not the only one. It takes a lot to get, much less keep, our attention. That said, the Spring 2014 issue of Arroyo does not disappoint; in fact, it is quite the page turner—transported I wanted, transported I got. Continue reading “Arroyo Literary Review – Spring 2014”

Dysfunctional families, human nature, and the forces of Mother Nature are all prominent topics in this issue of Pembroke Magazine. While stories with happy endings, delivered with bows on top, are often sought after in today’s culture, it is refreshing and entertaining to read essays, stories, and poetry that have no real resolution. Continue reading “Pembroke Magazine – 2014”

Beth Mead, the editor of The Lindenwood Review, asserts that “the pieces we’ve selected this year are fragmented, showing us moments caught and suspended for our study, helping us find some truths about life through an unexpected point of view.” The Lindenwood Review most certainly holds true to Mead’s statement as each work within the magazine not only enticed me to read its content, but drew me to a level of self-reflection that left me wonderstruck.

Continue reading “The Lindenwood Review – 2014”

An out-of-this-country experience, the Atlanta Review introduces a collection of poems that touches on issues of race and bias. In this issue, readers are taken on a tour of Pakistan as they discover a unity in life’s tragedies. Continue reading “Atlanta Review – Spring/Summer 2014”

Pacifica Literary Review embraces stories dealing with concepts that represent the reality of the world in which they are written. This is evident in the poetry, prose, and art of this issue. The things people wish they could say, or experiences that they may have had but never talk about, find their way onto the page in bold, eye-catching print. Individual poems, stories, and images work together to form a collective narrative of the ever-changing world in which we live. Continue reading “Pacifica Literary Review – Summer 2014”

This Spring/Summer 2014 issue of Quiddity is ambrosia to modern writers and readers alike. It values brevity, and wraps life’s enigmas in eloquent vocabulary. Three-quarters of the issue is dedicated exclusively to poetry, but even the prose is concise, and yet all of the pieces are dense with dimension and meaning. This issue is broken into four categories: poetry, prose, interviews, and art. Each section is carefully pieced together like patches to create a beautiful quilt. Continue reading “Quiddity – Spring/Summer 2014”