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Feel the Pulse of LitMag

Guest Post by Jamie Tews

LitMag is a literary magazine published annually from New York City. The magazine’s pulse is found on page sixty-three with a quote from Aryeh Lev Stollman’s fiction piece “Dreams Emerging,” which states “true art is the condensation of ineffable yearning.” An ineffable yearning is a longing so strong it cannot be described; however, this issue’s work attempts description, and through writing, pieces of the unsaid become real. With fiction, nonfiction, poetry, and tributary letters, LitMag’s third issue holds work that embodies the condensation of ineffable yearning.

Meghan E. O’Toole’s fiction story “Abditory” carries the loudest pulse. It is a hazy and dreamlike exploration of how longing can manifest in dreams and become necessary for engaging with reality. O’Toole uses the image of milk to connect the main character’s past and present with their dream-images, and it is in the way the milk moves, the way it rises in the bedroom or pools on the road, that the story supplements the issue’s character of yearning. O’Toole’s story successfully employs elements of magical realism, which create a vivid sense of place that is consistent in every scene. I instantly believed in the fictional world she created, and this lack of hesitancy to trust and settle into the story’s place drew me back for a second and third read.

The magazine’s cohesion comes from every piece having its own sense of magnetism, and I read the magazine in one sitting. Each piece easily pulled me into the next, and it is for this ease and sense of connectivity that recommend LitMag.


Reviewer bio: Jamie is an MFA candidate at the University of North Carolina – Wilmington and holds a BA in English and Creative Writing from Indiana Wesleyan University. She has contributed work to Appalachian Voice, Appalachia Service Project, and has work forthcoming in the Chestnut Review.

Zone 3 – Spring 2020

The issue of Zone 3 includes poetry by Darius Atefat-Peckham, Colin Bailes, Brian Bender, Daniel Biegelson, Christopher Citro, Lynn Domina, Alexandria Hall, Lauren Hilger, Angie Macri, Martha McCollough, A. Molotkov, Kell Nelson, Amy Seifried, Pui Ying Wong, and more; fiction by James Braun, Janice Deal, Tammy Delatorre, Maura Stanton, and Terry Thomas; nonfiction by Rebecca McClanahan, Katherine Schaefer, and William Thompson, and art by Khari Turner.

The Chattahoochee Review – Spring 2020

In this issue, poetry by Ruth Bardon, Mirande Bissell, Darren Demaree, Eli Eliahu, Stuart Gunter, Marlon Hacla, Ted Kooser, Len Krisak, Komal Mathew, and more; stories by Margherita Arco, Erin Flanagan, and more; essays by George Choundas, and others; and art by Deedee Cheriel. This issue also features the 2020 Lamar York Prize Winners: Lisa Nikolidakis in Fiction & Rachel Toliver in Nonfiction.

The Bitter Oleander – Spring 2020

The Spring 2020 issue of The Bitter Oleander features the contemporary Arizona poet David Chorlton, interviewed by our editor and including a generous selection of poems from his forthcoming book, Speech Scrolls. The issue also presents translations from the fiction of Sophia de Mello Breyner Andresen (Portugal); and poetry in translation by Paula Abramo (Mexico), Alberto Blanco (Mexico), Maritza Cino (Ecuador), Andre du Bouchet (France), and Elaine Vilar Madruga (Cuba).

AGNI – No 91

With AGNI #91 we welcome a roster of new editors. Collectively chosen work explores impending crises as well as acts of mitigating goodness; elegies marking losses sit side by side with expressions flashing pure surprise. Cover and portfolio artist Christopher Cozier captures the sly globalized vectors of use and misuse, tracing a long history forward to now. Poems by Sandra McPherson, Steven Sanchez, Emily Mohn-Slate, Colin Channer, and others offer the sensory grab of the immediate, as do stories by Shauna Mackay, David Crouse, and Aurko Maitra and essays by Debra Nystrom, Jiaming Tang, and Ann Hood.

Visual Poetry by Lillian-Yvonne Bertram

Magazine Review by Katy Haas

The Fall 2019 issue of Seneca Review includes four pieces by Lillian-Yvonne Bertram. These visual pieces draw in the eye with text boxes layered over one another, reminding me of a house of cards that’s fallen, the cards now strewn in overlapping angles. They’re all titled “World Map:” with a different year following the colon.

In these pieces, Bertram speaks about race and sexuality. The exploration of these themes comes in snippets that repeat and fade away like memories that resurface repeatedly: instant messenger conversations, conversations with her mother, antagonization on the basketball court.

Bertram uses the visuals in an inventive way that helps the poetry move along and creates a bigger impact for the message. I read the four pieces over and over, fully admiring the way in which they were presented.

Kenyon Review – May/June 2020

The May/June 2020 issue of the Kenyon Review features the sixth edition of “Nature’s Nature” includes twenty-nine new works by eighteen poets, selected by Poetry Editor David Baker. Featured contributors include Madhur Anand, Elizabeth Bradfield, Stephanie Burt, Stuart Dischell, Rebecca Morgan Frank, Paul Guest, Christian Gullette, Leslie Harrison, Didi Jackson, Devin Johnston, Joanna Klink, Phillis Levin, Leslie Adrienne Miller, Carol Muske-Dukes, Atsuro Riley, Nicole Stockburger, Hannah VanderHart, and Shelley Wong.

A Quick Yet Powerful Read

Magazine Review by Katy Haas

In the Spring 2020 issue of Southern Humanities Review, Heather Corrigan Phillips dives into the use of language in “A Scattershot Approach.” Broken up into different sections, this piece looks at the idioms and metaphors relating to gunfire that English uses. Each section is a different phrase or word.

This nonfiction piece looks at a span of time immediately after the Sandy Hook Elementary School shooting. Her brother-in-law was a first responder at the school that day and we learn about him and the way his health and family were impacted. Phillips writes about this while living out of the country and learns more in spurts through Skype and phone calls, and readers subsequently learn about this in similar ways. Little bits of his story are revealed and then explorations of gun-adjacent language is placed in between.

Reading this really does bring to light the amount of idioms and metaphors that we use which relate back to guns, and this only scratches the surface. There are plenty more that weren’t included. We’re lead to question why this language is so prevalent while also seeing into the lives of humans who have gone through a traumatic event. Here is the perfect balance of fact and emotion, a quick yet powerful read.

Jenni(f)fer Tamayo Answers “The Citizenship Question”

The Georgia Review - Spring 2020Magazine Review by Katy Haas

The Spring 2020 issue of The Georgia Review was released around the time U.S. citizens were receiving census information in the mail, and the work inside the issue relates back to this: the census and citizenship. Jenni(f)fer Tamayo’s “The Citizenship Question” is a stand-out among these.

The piece reimagines the Application for Naturalization, or the U.S. Citizenship Application. This piece spans three pages, and Tamayo rewrites the questions and options given. The first two pages are straight forward enough, with the third falling into a more chaotic format with text written upside down, overlapping other text, or fading away into blank space.

I always enjoy this type of writing that mixes the cold format of a form (Marissa Spear does something similar with her medical reports in “How Many Ways Can One Spell Hysteria?” found in Moonchild Magazine) and reworks it with heart, feeling, and poetry. It can be a bizarre feeling to see personal information about yourself reduced to a few lines and checkboxes in someone’s files, and Tamayo takes that information back, reclaims it as hers, and connects it back to her life and identity in an inventive and enjoyable read.

Valley Voices – Spring 2020

Visit this special issue on Mississippi. Poetry by George Drew, Jerry W. Ward Jr., Diane Williams, Charle R. Braxton, Kalamu ya Salaam, Angela Ball, Annette C. Boehm, Allison Campbell, Kendall Dunkelberg, and more; articles by John J. Han, Junying Jia, William Ferris, and Cassie Osborne Jr.; nonfiction by Hermine Pinson, Joseph Holt, and Kevin Baggett; and interviews with George Drew and Bennie Mae Fortune Harper. Plus, six book reviews.

Plume – May 2020

This month’s Plume Featured Selection includes work by and an interview with Fleda Brown. In nonfiction, David Kirby writes “Getting Stabbed Kidna Takes the Fight Out of Ya.” Chelsea Wagenaar interviews The Museum of Small Bones by Miho Nonaka. This month’s poetry selections include Steven Cramer, Terese Svoboda, Mark Irwin, Floyd Skloot, Denise Duhamel, Angie Estes, and more.

The Lake – May 2020

The May issue of The Lake features Jerrice J. Baptiste, Zoe Brooks, Holly Day, George Franklin, Nels Hanson, Jennifer A. McGowan, Warren Mortimer, Leah Mueller, Samuel Prince, Elaine Reardon, David Mark Williams, Rodney Wood, Abigail Ardelle Zammit. Reviews of Emma Lee’s The Significance of a Dress and Rachael Burn’s, a girl in a blue dress.

About Place Journal – May 2020

“Practices of Hope” showcases creative processes as ways of making change. The pieces in this issue of About Place ask: How can creative practice allow us to feel and act differently? How can we invent new collaborations and new embodiment practices for humans and other fellow creatures? What can speculative, non-realist, and hybrid forms mean for eco-arts? How can we imagine a different future with more of us in it? What hope can we afford? What hope do we need? Together, we reach for art that activates new relationships to embodiment, climate crisis, species extinction, and environmentally located social pressures.

Reclamation of a Name

Parhelion - Winter 2020

Magazine Review by Katy Haas

In the latest issue of Parehlion, readers can find a selection of poetry by Sierra Lindsay. In this set of four poems, “The Line Between” especially stood out to me.

In this poem, Lindsay explores her name in three stanzas. The beginning draws readers in and explains the origin of this study: “I get lumps cut out of my breasts & on the hospital   bracelet, last name first.” The second stanza studies the name as it’s used by people she “shouldn’t be         fucking,” and the last stanza focuses on the name as it stands on a workplace name tag as customers question its source. The ending is explosive with its reclamation of her name and the power there, “I will put your name on my / tongue &       make you taste it.”

The layout of the poem makes it even more enjoyable to read, along with Lindsay’s careful construction of language that ebbs and flows.

Kari Gunter-Seymour Talks Trigger Warnings

Sheila-Na-Gig online - Spring 2020Magazine Review by Katy Haas

The Spring 2020 issue of Sheila-Na-Gig online features the winner and honorable mentions of the Spring Poetry Contest. Winner Kari Gunter-Seymour pens the poignant “Trigger Warning.”

In this piece, the speaker’s son grapples with PTSD which worsens in November, the result of time in the military. The speaker’s ability to relate is limited; the closest thing she has is watching her father die, and holding dogs as they’ve died. Throughout the poem she mourns not only her father, but also “the farm boy, the quipster, / the Ren & Stimpy impersonator” who her son used to be before he “boarded the plane, now camouflaged / in anxiety meds and a skeletal body.” I really liked the use of “camouflage” here, an image that not only describes the concealing the person he was, but one that also conjures up military uniforms he once donned.

Gunter-Seymour sums up the message of the poem in two truthful lines, “We don’t get to choose our memories, / they are triggered.”

Unique & Refreshing Poems by Tyler Dempsey

Re-Side Issue 5Guest Post by C.L. Butler

The other day while combing the world of literary magazines I came across something both unique and refreshing. I’m referring to Tyler Dempsey’s two poems most recently published in Re-Side Magazine Issue 5. These pieces use erasure poetry crafted from letters from Dempsey’s brother Travis Dempsey, who has been serving a prison sentence since 2009 in Oklahoma.

His poem “protein” captures the woes of the incarcerated for the outside world to hear. It draws attention to the role of economics in prisons to deal with basic everyday needs like nutrition. In “150MphWinds,” Dempsey points to his brother’s everyday observations. He finds the crux between complex and the dignity of simplicity by again showing what we take for granted.

While Tyler Dempsey is the curator of these poems, the words present a unique voice filled with legitimacy for the reader. It feels as if Dempsey’s brother is talking himself, creating a poetic mirroring of these letters. I chose to review these poems to not only produce more reviews on indie authors, but also to bring the attention of the privileged to the art coming from those with the least amount of civil liberties.


Reviewer bio: C.L. Butler is an African American and Dutch poet, historian, and entrepreneur from Philadelphia based in Houston, TX. In 2017 his poem Laissez Faire was published by The Bayou Review. In 2019 he published academic research with the Journal of International Relations & Diplomacy.

The Greensboro Review – Spring 2020

Greensboro Review - Spring 2020

In this issue: the Robert Watson Literary Prize-winning story, Brendan Egan’s “War Rugs,” and Prize-winning poem, Emily Nason’s “Sertraline,” as well as an Editor’s Note from Terry L. Kennedy and new work from Helen Marie Casey, Will Hearn, Daniel Liebert, Robert Garner McBrearty, Elisabeth Murawski, Maxine Patroni, Alice Turski, and more. Read more at The Greensboro Review website.

The Common- Spring 2020

The Common - Spring 2020

The Common’s Spring 2020 issue released today. Inside the issue: an Arabic Portfolio from Sudan with work by Andel-Ghani Karamalla, Ishraga Mustafa Hamid, Bwader Basheer, Jamal Aldin Ali Alhaj, Mustafa Mubarak, and more. Also in this issue is fiction by Thoraya El-Rayyes, Catherine Buni, Bina Shah, and others; essays by A. Kendra Greene, Suraj Alva, and Tanya Coke; and poetry by January Gill O’Neil, Emily Leithauser, Megan Pinto, Mira Rosenthal, Tara Skurtu, John Freeman, marcus scott williams, and more.

Able Muse – Winter 2019

In this issue, find essays by Edward Lee and Tony Whedon; a photographic exhibit from artists around the world on the theme “Hunt”; poetry by Daniel Galef, Len Krisak, Katie Hartstock,  Hailey Leithauser, and more. Featured in this issue are the 2019 Write Prize for Poetry winners and finalists and the 2019 Write Prize for Fiction Winner. Find a full list of contributors at the Able Muse website.

Wordrunner eChapbooks – 2020

Wordrunner eChapbooks - April 2020

The title and cover art for Wordrunner eChapbook‘s 2020 anthology reflect a future more uncertain than usual, as well as hopefulness as we intend to publish more excellent writing in the next decade. Fiction by Cathy Cruise, Sam Gridley, Ashley Jeffalone, Lazar Trubman, and more; nonfiction by Lisbeth Davidoff, Kandi Maxwell, and others; poetry by Michelle Lerner and a prose poem by Robert Clinton.

Orson’s Review

Orson’s Review - April 2020

The new issue of Orson’s Review is out. In this issue: “Mia” an excerpt by Kayla Eason, “Run Over Dog” by Brian Moore, “The Kushcopia” by Jordan Dilley, “The Little General,” by Joyce Polance, and “Four Years Later” by Michael Bourne.

Anomaly – No 30

Anomaly - April 2020

The latest issue of Anomaly is out. In this issue: comics by Mita Mahato, Kimball Anderson, Jason Hart, and more; fiction by Monica Macansantos, Feliz Moreno, and more; poetry by Turandot Shayegan, Rodney A. Brown, María Lysandra Hernández, Jacq Greyja, Hussain Ahmed, Hari Alluri, Gabrielle Spear, Fargo Tbakhi, Derek Berry, Ashely Adams, and more; and translated work by Zsuka Nagy, Yan An, João Luís Barreto Guimarães, and others.

Inside The Ring

The Ring - April 2020Guest Post by Andrew Rihn

This month’s issue of The Ring magazine (“The Bible of Boxing”) straddles what has come to feel like two very distinct, almost distant, time periods. It arrived two days ago but, given the timeline for magazine publishing, most of the issue’s content covers events that happened roughly six weeks ago.

Example: the cover features Román “Chocolatito” González, hand raised in victory after his Feb 29 defeat of Khalid Yafai. Example: Robert “The Nordic Nightmare” Helenius is deemed “Fighter of the Month” for his upset over rising star Adam Kownacki on March 7.

I savor this issue of The Ring with a hastily cultivated sense of nostalgia; so much distance between that March to this April. Locked down in Ohio, it feels like time is telescoping away, these fights from another world, another life. Didn’t I just have friends over to watch Helenius vs Kownacki? Didn’t we share a pizza? Sit next to each other on the couch? How long ago was that?

There is some coronavirus coverage as well. An article titled “Standstill” opens with an arresting photo of an amateur bout being held in an empty stadium. And in “Voices from the Outbreak,” various fighters comment on how shutdowns and fight cancellations have upended their lives. “This is a time when we shouldn’t be talking about ‘We miss boxing,’” says recent Hall of Famer Bernard Hopkins. “This is a time we have to re-evaluate our good deeds and evil deeds.”

Known for responding to short questions with passionate, sometimes drifting monologues, Hopkins continues: “Ask someone you love how they’re doing. Ask someone about their dog.”


Reviewer bio: Andrew Rihn wrote Revelation, a book of poetry about Mike Tyson. He also writes The Pugilist, a monthly boxing column with a literary edge.

Mom Egg Review – No. 18

Mom Egg Review - Spring 2020

The 18th annual edition of Mom Egg Review is here, with the theme of “Home.” Back in 2019, we conceived of an issue on the subject. Now, as we shelter in place, we experience new relationships with our dwellings. Is a home a place, a feeling, a center, a community? Mom Egg Review writers explore “Home” through the lens of motherhood.

Focus on Flowers

Colorado Review - Spring 2020Magazine Review by Katy Haas

With the weather warming up, I see new green sprouting in my backyard daily. This seems like a good time to focus on poems about flowers found in the Spring 2020 issue of Colorado Review.

In “Bloom,” Emily Van Kley’s speaker talks to the forsythia plant “beside the house.” Together, they move through the seasons: gray in winter, blooming in summer just for the blooms to quickly disappear into leaves. Van Kley’s images are beautiful and strong with lines that really pulled at me, like “The sadness that carries / my thoughts close to its chest / will unpack it’s summer / wardrobe,” and “Soon the last rains // will poor themselves down / storm sewers’ gullets.”

Leah Tieger also writes of flowers in “Five Sunflowers,” which are a gift from “the man who loves me.” The flowers “turn the room from real / to magazine, so picture my life perpetually happy.” The flowers urge the speaker to be grateful, “if not for your presence, / at least for the hands that brought you.” The piece feels warm and loving, the same “brilliant / and saturated” yellow of the flowers.

Welcome in spring and some much needed color with these poems from Colorado Review.

Graphic Nonfiction for Everyone

World Literature Today - Spring 2020

Magazine Review by Katy Haas

A big fan of graphic novels (and nonfiction and poetry), I’m always thrilled when a literary magazine releases an issue featuring graphic work. World Literature Today’s Spring 2020 issue features a selection of graphic nonfiction by seven artists.

Each piece brings something different to the table. The art styles are all vastly different and each focuses on something unique: politics, history, art, ego, love.

My favorite of these is “Shadow Portrait” by Rachel Ang. Ang’s art is calming and enjoyable to look at, muted tones splayed across the page. She writes of love and ego, the ways in which we see ourselves in art, in stories, in the people we love.

On the opposite end of the spectrum is an excerpt from Guantanamo Voices: True Accounts from the World’s Most Notorious Prison by Sarah Mirk, illustrated by Omar Khouri. Unlike Ang’s calming tones, this excerpt uses bold lines and an orange color scheme which ramps up the feeling of anxiety the story produces. I’m a little disappointed at the length of the excerpt—the four pages we’re given leave on a cliffhanger that left me wanting more, though I suppose that just highlights the writer’s and artist’s skill.

This selection of graphic nonfiction has a little bit of something for everyone, and each artist/writer utilizes their craft impressively. This issue of World Literature Today is a real treat to read.

Poetry – April 2020

Poetry Magazine - April 2020

The latest issue of Poetry features work by Michael Hofmann, Martha Sprackland, Harmony Holiday, Pascale Petit, Jeannine Hall Gailey, Gertrude Stein & Bianca Stone, Tishani Doshi, Madeline Gins, Joy Ladin, Emily Jungmin Yoon,Sumita Chakraborty, Katie Pyontek, Sun Yung Shin, Torrin A. Greathouse, Sally Wen Mao, Lucy Ives, Shane Neilson, Nelly Sachs, Ocean Vuong, and more. Plus, an essay by Joy Ladin.

World Literature Today – Spring 2020

World Literature Today - Spring 2020

A special section devoted to Graphic Nonfiction, showcasing seven writers and artists from around the globe, headlines the Spring 2020 issue of World Literature Today. The issue also presents interviews with translators Antonia Lloyd-Jones and Isabel Fargo Cole; new fiction from Italy, France, and the Philippines; essays on Nigerian fiction and the “humanity on display” in museum exhibitions; poetry by Elyas Alavi (Afghanistan), Khaled Mattawa (Libya/US), and Mohamad Nassereddine (Lebanon); and Poupeh Missaghi’s recommended booklist about cities. More than forty book reviews also round out the issue, giving readers a wealth of titles to inspire their spring reading adventures.

The Massachusetts Review – Spring 2020

The Massachusetts Review - Spring 2020

The Spring 2020 issue includes poetry by Desirée Alvarez, Danusha Laméris, Julie Murphy, Nancy Miller Gomez, Charlie Peck, Cynthia White, Keith Leonard, Augusta Funk, and more; fiction by Sylvia Hanitra Andriamampianina, Karin Cecile Davidson, Tad Bartlett, Gabriella Kuruvilla, Hebe Uhart, Jung Young Moon, and others; and nonfiction by Gianni Celati, Lesley Wheeler, Amy Yee, and Melanie McCabe.

The Georgia Review – Spring 2020

The Georgia Review - Spring 2020

The Georgia Review‘s Spring 2020 issue presents authors’ and artists’ explorations of what it means to attempt representation of the diverse communities that comprise the United States. Special features include “Un-Redacted: A Census of Native Land,” a collection of writings by Native authors on the legacy of settler colonialism in the U.S.; a section on the internment of people of Japanese descent in North America during WWII; and dispatches from an innovative research project on prison labor in the post–Civil War “New South.” Art by Eddie Arroyo.

Colorado Review – Spring 2020

Colorado Review - Spring 2020

Featured in this issue of Colorado Review, find poetry by Jack Ridl, Amanda Gunn, and Yerra Sugarman; fiction by Alyssa Northrop; and nonfiction by David Schuman. Plus Raksha Vasudevan, Emily Van Kley, Leah Tieger, Gay Baines, Michael Homolka, Kazim Ali, Franco Paz, Laura Kolbe, Angie Macri, Benjamin Seanor, and many more. See other contributors at the Colorado Review website.

Cleaver Magazine

Cleaver Magazine - Spring 2020

The newest issue of Cleaver features a visual narrative by Emily Steinberg; short stories by Catherine Parnell, Andrea Ellis-Perez, and others; flash by Uma Dwivedi, Kim Magowan, and more; and poetry by Marc Harshman, Jackie Craven, and more. Additional art by Serge Lecomte.

A Speaker Readers Can Root For – Three Poems by Laurinda Lind

High Desert Journal - Issue 29Magazine Review by Katy Haas

Three poems by Laurinda Lind can be found in Issue 29 of High Desert Journal: “When I Lived in Soda Springs, Idaho & I Had a Belly at the Bar,” “When I Lived in Soda Springs, Idaho & the Cashier at the Convenience Store Was Friendly to Me,” and “When I Lived in Soda Springs, Idaho & I Had Not Yet Killed a Black Widow Spider.”

This series of prose poems is strong in its storytelling. They read quickly with sentences that run on as if the speaker can’t wait to get the words out. The speaker is not the only person in these pieces. They all include other people the speaker interacts with, a cast of characters that Lind brings to life for us: her neighbor “who later stole several hundred dollars from me & nearly killed my cat,” the “old guy” who “wanted to buy us beers,” the friendly cashier who was “short & pretty” with “huge green eyes” and later robbed the store she worked at, and the man who calls her and harasses her over the phone.

There’s an edge to the writing, a take-no-nonsense attitude in every piece. The speaker is a woman who is surviving against the odds in this strange, unfamiliar place with people and animals who make living there difficult. Lind fleshes out a speaker who readers can root for.