Find the latest news from literary and alternative magazines including new issues, editorial openings, and much more.
Don’t forget that July 15 is the deadline to submit fiction and poetry to Nimrod‘s Francine Ringold Awards for New Writers. This contest is open internationally to writers with no more than two publication credits in their chosen genre. The winners in each genre receive $500 and publication. See their ad in the NewPages Classifieds to learn more.
Mistake House Magazine is an annual online literary journal of fiction, poetry, and photography by currently enrolled graduate and undergraduate students. It is designed and edited by undergraduate students at Principia College. Each issue also includes the “Soap Bubble Set,” which features two professionals – a practicing visual artist and a writer whose work is highlighted alongside the magazine’s selection of student poetry, fiction, and photography. Mistake House seeks literary fiction and poetry that “provides a sense of insight, compassionate justice, a space of rest, and a sense of coming home, including poetry and fiction expressive of documentary poetics.” The current issue includes Fiction by R. Jade Sperr, Jia-An Lee, Max Hunt; Poetry by Sophia Alise, Madison Folsom, Nicole Knorr, Faith Earl, Tijana Zderic, Caitlin Huntly, Kirsten Meehan, Kristen Grace, R. Jade Sperr, Sarah Iqbal, Olivia Skinner, Jeniya Dabish, Jessie Taylor, Elisabeth Graham, Logan Funderburg, Danielle Horn, Emma Maxfield, Andi Moritz, Nate Zipp, Brianna Drahms, Kelly C. Flanagan, Kiersten Wright, Atlas Chambers, Timothy Batchelder, Katie Mihalek, and Kyrstyn Cieply; and Photography by Joselyn Flores, Isabella Guerrero, Camille Abadie, Jack Connors, Sakar Shrestha, Christopher Ajuoga, and Grace Pécheck. The Soap Bubble Set pairs visual artist Samira Yamin and poet Benjamin Garcia for an in-depth look at their work and processes.
PANK was originally founded in 2006 by M. Bartley Seigel and Roxane Gay as a venue “fostering access to innovative poetry and prose, publishing the brightest and most promising writers for the most adventurous readers.” Fulfilling that charge, PANK publishes quarterly online and annually in print. The editors are interested in “sharp, honest, beautiful writing. Strangeness is a small god.” Check out the most recent online issues for a sampling of small gods, with contributions from Clea Bierman, Ricardo Wilson, Kyle Carrero Lopez, Stephanie Choi, Josey Rose Duncan, Ry Book Suraski, Kyle Carrero Lopez, Nicole Mccarthy, Kate Crosby, Lisa Ahn, Julia Barclay-Morton, and Valerie San Filippo.
Rathalla Review, the literary magazine of Rosemont College MFA in Creative Writing and Graduate Publishing programs, publishes two online and one print annual each year with the mission to give emerging and established writers and artists an outlet for their creative vision. Submissions open August 14 for their Fall 2022 issue, so take a look now to get a sense of their aesthetic. The Spring 2022 online volume features Art by Roger Camp, Phyllis Green, Weining Wang; Fiction by Robert McGuill, Daniel Goulden, Greg Probst; Flash Fiction by Salvatore Difalco, David A. Summers, Carolyn Oliver; and Poetry by Malisa Garlieb, Jennifer Judge, and Jessica Whipple.
The Driftwood Press editors just released this news: “We’re so excited to announce that Driftwood Press is transforming from a bi-annual literary magazine to an annual anthology. This change has been in the works for a long time, and we can’t wait to bring our readers over 200 pages in full color on a yearly basis, with our first anthology due out March 7, 2023!” The editors promise status quo on great content, just more of it, including stories, poetry, comics, interviews, and more. Subscription options will also reflect this change, and there is still one more biannual issue due out on July 1, which can be preordered here.
The June 2022 issue of Poetry Magazine is guest-edited by Esther Belin, who offers a “Dear Reader,” introduction that is as beautiful and compelling to read as any poem she has selected for this month’s collection. Uniquely offering two different writing prompts in her note, she closes by commenting on writing from “a mountain desert region in the American Southwest”: “Once again, reader, I think of you as I write from a hardback chair at my dining table placed near a south-facing window. This window is comforting to me, as is this table and chair. I have labored from this place, I have experienced joy from this place, and now I experience grief from it. The familiarity and safety of this space help me to propel toward the essential and recalibrate my center. That is my offering to you. May you align with a poem (or many) in this volume that propels you back to your center.” Guiding the readers in their alignment with poems in this issue are Esther Belin, Jill Zheng, Ae Hee Lee, Fatemeh Shams, Armen Davoudian, Max Schleicher, Cindy Juyoung Ok, Rajiv Mohabir, Patricia Jabbeh Wesley, Monica Sok, Tarik Dobbs, Sarina Romero, Romeo Oriogun, Madeleine Wattenberg, Qiang Meng, Heather Nagami, Orlando White, Courtney Faye Taylor, Shook, and Chad Bennett, Shelby Handler. All of Poetry Magazine‘s content is free to read online.
In the Editor’s Note to Runestone Journal Volume 8 (2022), Halee Kirkwood writes, “We take our title this year, ‘The Shape of Your Daydreams,’ from Annie Przypyszny’s poem ‘Feeding The Birds.’ We felt that this line captured the mood of this year’s Runestone. Readers will find that many of the pieces within have an ephemeral nature with an obsession with the intangibility of the divine, while at the same time finding pieces that play with structure and form, pieces that give a daydream shape.” The works that inspired this issue include Poetry by Geoffrey Ayers, Greer McAllister, Jack Mitchell, J. Nehemiah, Annie Przypyszny, Madeline Ragsdale; Creative Nonfiction by Saitharn Im-Iam, Grace Ramos, Camille Whisenant; Fiction by Ellery Beck, Kile Zomar Lowery, Beatrice Ogeh, Hailey Thielen; and an Author Interview with Kawai Strong-Washburn by Cal MacFarland. Current and past issues are free to read online. Submissions are open through October 1 to any current undergraduate at a two- or four-year institution or ages 18-22.
The June 2022 issue of The Lake poetry and reviews is now online and features Edward Alport, Sara Backer, Phil Dunkerley, Pat Edwards, David Henson, Judith O’Connell Hoyer, Ronald Moran, Sarah Dickenson Snyder, J. R. Solonche, and Jeffrey Thompson with reviews of Amina Alyal and Oz Hardwick’s The Still and Fleeting Fire, and Daniel Skyle’s On the other side of the beach, light. The new feature called “One Poem Review” continues this month, in which one poem from a new book/pamphlet is featured along with a cover JPG and a link to the publisher’s website: “as a way to help poets’ works reach a wider audience.” Authors featured in this month’s “One Poem Review” are Dominic James, Sarah James, and Gordon Meade.
The MacGuffin Spring 2022 (Vol. 38, No. 1) comes with a double-shot of Poet Hunts past and present. Beginning with Guest Judge Indigo Moor’s selections from Poet Hunt 26: Grand Prize Winner Patrick Wilcox and Honorable Mentions Camille Carter and Karen Hones. Following is a five-poem feature of 2022’s Poet Hunt 27 Guest Judge Lynne Thompson. All of these writers were recently featured in a YouTube reading. In addition, this volume features Poetry by David Brehmer, Sarah C. Brockhaus, Anthony DiMatteo, Kevin Grauke, Eloise Klein Healy, Mary Beth Hines, Ken Holland, Margaret B. Ingraham, Marci Rae Johnson, Susan L. Leary, Alison Luterman, James Macmillen, Marjorie Maddox, Chrissy Martin, James McKee, James McKee, Karl Meade, Kathleen Meadows, Teresa Milbrodt, Derek Mong, Hanna Pachman, J. Scott Price, J. Stephen Rhodes, M.A. Schaffner, Deborah Bachels Schmidt, Carla Schwartz, John Zedolik; Nonfiction by Angela Bean, Jessie Carson, Bruce Cohen, David James, Judith Saunders; Fiction by Michael Garcia Bertrand, Felicia Cameron, Tom Eubanks, Bill Kitcher, Randy F. Nelson, Emanuele Pettener, John Picard, Daniel Webre; along with the postcard views Cuba as portrayed through Bruce Katz’s evocative watercolors.
The newest issue of AGNI (95) opens with Editor’s Note, “Interiors,” by Sven Birkerts, in which he reflects upon a recent period of confinement and offers readers this thought, “Our particular period – where we are right now – feels too vast and unresolved to be called a phase. It is changing everyone, creating a new zeitgeist, and insuring that the fantasy of a return to former ways is just that. When it recedes from us, the scars will be visible.” I have personally always been a fan of scars, knowing they have stories to tell, and always hoping for a good one. In keeping with good stories to tell, this issue of AGNI is full to the brim, with Fiction by Linda Mannheim, David Moloney, Iheoma Nwachukwu, Lindsay Starck, Mariana Villas-Boas; Essays by Nin Andrews, Charley Burlock, Carrie Cogan, J. Martin Daughtry, Sarah Gorham, Kelle Groom, Alex Marzano-Lesnevich, Andrew Zubiri; Hybrid Form by Ryūnosuke Akutagawa translated from the Japanese Ryan Choi, Khairani Barokka; Poetry by Ernest O. Ògúnyẹmí, Jacques J. Rancourt, Vasiliki Albedo, Emma Aylor, Emma Aylor, Jan Beatty, Don Bogen, Bruce Bond and Dan Beachy-Quick, Fleda Brown, Victoria Chang, Charlie Clark, Leslie Contreras Schwartz, Julia Kolchinsky Dasbach, Mariela Dreyfus translated from the Spanish Carmen Giménez and zachary payne, Liza Flum, Kimiko Hahn, K. A. Hays, Nâzim Hikmet adapted Steve Kronen, Saba Keramati, Hailey Leithauser, Alejandro Lemus-Gomez, Chloe Martinez, Jenny Molberg, Yuliya Musakovska translated from the Ukrainian Olena Jennings and the author, Lynette Ng, D. Nurkse, Jacqueline Osherow, Catherine Pierce, Robert Pinsky, Ellen Rogers, Bruce Snider, Becky Thompson, Issam Zineh; and an Art Feature by Andrea Chung with commentary Shuchi Saraswat.
In their introduction to the Spring 2022 Speckled Trout (4.1) online poetry magazine, Kevin J. McDaniel, Founder, and Nancy Dillingham, Associate Poetry Editor, share that the issue includes “poets from wide-ranging backgrounds and locales share their unique takes on life’s trials, its foibles, and the diverse paths that connect us all in this human experiment,” with works from Anjail Ahmad, Ann Chinnis, Christine Cock, Joe Cottonwood, Chris Ellery, David Ford, Robert Gibb, Babo Kamel, Erren Kelly, Bruce McRae, Marda Messick, Jesse Millner, W. Barrett Munn, Charles Rammelkamp, John Reed, and Jan Schmidt. The Fall 2022 (4.2) publication will be a print issue with “freedom: as the guiding theme.” Specific submission guidelines will be announced on September 1, 2022, so check them out now to see if you might have a good fit for submission!
Willawaw Journal hosts two month-long submission periods in August and February, with a mentor poem from one of the Northwest Poets Laureate as a prompt for both poetry and art submissions. The Spring 2022 issue mentor poem was “Sweat,” from Montana Poet Laureate Sandra Alcosser. Featured in this free online journal are works by Hugh Anderson, Louise Cary Barden, Corbett Buchly, Jeff Burt, Natalie Callum, Ken Chamlee, Dale Champlin, Daun Daemon, Kris Demien, Jannie M. Dresser, Ann Farley, Sarah Ferris, C. Desirée Finley, Suzy Harris, Lorraine Jeffery, Stephen Jones, Tricia Knoll, Laurie Kolp, Gary Lark, David Dodd Lee, Amy Lerman, Scott Lowery, Katharyn Howd Machan, Jayne Marek, Catherine McGuire, Robin Michel, Cameron Morse, John Thomas Muro, Kevin Nance, Lisa Ni Bhraonain, Robert Nisbet, Toti O’Brien, Vivienne Popperl, Laura Ann Reed, Frank Rossini, Maria Rouphail, Beate Sigriddaughter, Pepper Trail, Heather Truett, and Paul Willis, with artwork throughout by Jessica Billey.
Online literary magazine Brilliant Flash Fiction announced the winners of their Welcome 2022 Writing Contest judged by Pamela Painter on June 1. This year’s contest saw over 1,000 international entries that kept the editors busy for months.
First place was awarded to L. Michelle Souleret’s “Marsh Omen Augury” in which the narrator is called upon to figure out what thirty-three egrets appearing in an area means.
Helen Chamber’s “Granny Holds Me to Account” won second place as the judge enjoyed the humor and the surprises while A.K. Cotham’s “Driving by Moonlight” won third place for its opening dramatic ride “running full tilt into the future with another wild, and oddly life-affirming, ride.”
Read the stories and view the complete Shortlist at Brilliant Flash Fiction‘s website.
One is an online poetry journal with a unique approach – writers may submit only one poem per issue (via email), and as soon as the editors have selected 21 poems for publication, the next issue will be released. They also include a fun feature called “Second Look” in which writers are asked to take a ‘second look’ at a poem they admire and provide a commentary about that work. The newest issue (26) of One features “A Second Look by Deborah Bogen” in which she re-considers “September 1963” by Jean Valentine. Also in this latest issue are works by Greg Garner, Claire Hermann, Stephen Gibson, Mike James, Alexis Rhone Fancher, Tony Medina, David Giannini, Shei Sanchez, Ben Groner III, David O’Connell, Maryfrances Wagner, DeWitt Henry, Taylor J. Johnson, Zara Raab, Molly Kirschner, Edison Dupree, Steven Winn, Katherine Hoerth, Katherine Riegel, Mike White, and David Kirby. Check them out today and see if you might have one for One! [Cover art: Gateway Arch by Alexis Rockman]
July 31 is the deadline to submit up to 3 original, unpublished poems to the 2022 Red Wheelbarrow Poetry Prize. First place receives $1,000, letterpress broadside from Felicia Rice of Moving Parts Press, and publication in Red Wheelbarrow Literary Magazine. Enter today! Learn more by stopping by the NewPages Classifieds.
Scribble is an online venue for flash and short fiction (2,000 words or less) publishing 3-5 stories every two months. The May 2022 issue features works by Sidney Stevens, Olivia Germann, Josh Price, and Philip Sherrod, with an introduction from Editor-in-Chief Jae Worthy Johnson. Scribble is free to read online as well as its full archive of issues. Submissions are no-fee and open year-round.
Watershed Review is a biannual online publication from the Literary Editing and Publishing (LEAP) certificate program at California State University, Chico, providing professional training for writers, artists, and editors. The result is a beautiful, easily accessible, online journal, the most recent edition of which features Fiction by Nathan Greene, Anastasia Jill, Kameron Ray Morton, Mikayla Randolph, Daniel Webre; Nonfiction by Jordan Charlton, Leah Francesca Christianson, Alaina Scarano, Renee Soasey, Angela Youngblood; Poetry by Abdulmueed Balogun, Jennifer Bullis, Lauren Hyunseo Cho, Dennis Cummings, Javan Howard, Courtney Ludwick, Daniel Edward Moore, L.I. Henley & Laura Maher, Annie Przypyszny, Evy Shen, Ashley Somwaru, Jeddie Sophronius, Nancy White; and Art by Russ Allison Loar, Mario Loprete, Christina Rosche.
The Winter/Spring 2021 release of Cimarron Review is a double issue (214 & 215) and features Poetry by Mischelle Anthony, Wale Ayinla, Aliki Barnstone, Margo Berdeshevsky, Ralph Burns, Justin Carter, Lisa Compo, Steven Cramer, Mary Crow, Jim Daniels, Jordan Durham, Rebecca Griswold, Susan Gubernat, Mark Halliday, Lisa M. Hase-Jackson, Jaimee Hills, Kjerstin Anne Kauffman, Jenna Le, Harriet Levin, Richard Lyons, Naomi Mulvihill, Shannon Nakai, Amanda Newell, Joanna Novak, Kristel Rietesel-Low, Judith Skillman, Darius Stewart, Sarah R. Stockton, Cheyenne Taylor, Lauren Tess, Lee Colin Thomas, Natalie Tombasco, Julia Wendell, Margot Wizansky, Theodora Ziolkowski; Fiction by Kawika Guillermo, Mike Broida, Janis Hubschman, Barry Kitterman, David Mizner, Kirstin Scott; Nonfiction by Bill Marsh, Eric Pankey, Hannah Baker Saltmarsh, and Jackie Stowers, with cover art by Marissa Klee-Peregon.
Congratulations to Glass Mountain Editor Natalie Dean who graduated this spring from the magazine’s home base, University of Houston. She reminds us in her editor’s note that “art is always worth the trouble. Making time, even when you truly have none, to create and to engage with art is worthwhile. Always.” Likewise, it is worthwhile to appreciate what others have created, using it to fortify and inspire us all through our own busy lives. The Sping 2022 issue of Glass Mountain online is at the ready, with art by Rebecca May, Gabriela Carrion, Sydney Cristofori, Samantha Capps, Guliz Mutlu, Bill Wolak, Mellany Medina; poetry by Victoria Woolf Bailey, Laurinda Lind, Zoe Elisabeth, DS Maolalai, Zoe Korte, Sarah Mills, Nicole Knorr, Alex Blum, Clara McShane; prose by Julie Beals, Stephan Lang, Lena Levey, Annalisa Morganelli, Ashley Sgro, Abbi Tobin; and Writing Competition Winners: “night drive” by Vanna Do, and “Rumors of Resurrection” by Katy Borobia.
Blink-Ink is an adorable little lit mag, but don’t let its 4×5 zine-style format or 50-words or less per submission fool you – this is a powerhouse fiction publication – as previously reviewed on NewPages. Thematic by issue, the theme for #48 is “Rumors” and includes works by Beret Olsen, Nancy Stohlman, Jon Fain, Judith Shapiro, Lou Storey, Jennifer Mills Kerr, Mark Budman, Karen Lillis, Crystal Bonano, Daryl Scroggins, Mike Yunxuan Li, Liz Mayers, Catfish McDaris, Renuka Raghavan, Karen Lillis, Lindsey-Loon Ricker, Patricia Woods, Bryan Jansing, Gay Degani, Micahel Fagan, and Saif Sidari with photography by Alix Rhone Fancher. Visit their website for submission guidelines and upcoming themes.
Collateral Issue 6.2 Spring 2022 features poetry by Jonathan Endurance, Justin Evans, Clare Goulet, Shakiba Hashemi, Lee Peterson, Diana Pinckney, Adrian Potter, Tatiana Retivov, Renée M. Schell, Ingrid L. Taylor, Christina Vega, Pramila Venkateswaran, fiction by Susan McKenna, Burt Rashbaum, Kristen Leigh Schwarz, nonfiction by Genara Necos, and an interview with and portfolio of work by artist and activist Saiyare Refaei. Collateral is an online literary journal run by people who are directly and indirectly impacted by violent conflict and military service with the mission to publish literary and visual art concerned with the impact of violent conflict and military service beyond the combat zone. Collateral also offers free, face-to-face creative writing workshops, readings, panel discussions, and book signings in their communities. In addition, they “strive to directly address the impact of war by facilitating writing opportunities for refugees and military-civilian communities.” Collateral reads submissions year-round with March 1 and September 1 deadlines for issue publication.
The Spring 2022 issue of Allium, an online journal of poetry and prose from Columbia College Chicago’s Department of English and Creative Writing, features fiction by Babak Movahed, Joshua Beggs, Tinia Montford, Wren Sager, nonfiction, Bethany Jarmul, Poetry, Kitty Donnelly, Kent Leatham, Jen Ashburn, Lee Johnson, Erin Rodoni, and the craft essay, “My Rocky Relationship with An Old Friend,” by Clementina Ojie. Rebecca Fish Ewan, author of Doodling for Writers, is the featured artist. Ewan will be teaching “Visual Hybrid Form” in a five-week online class through Literary Kitchen.
I have always considered The Briar Cliff Review to be one of the most beautifully constructed print literary journals produced, which causes me a heavy heart to include with this post the fact that Briar Cliff University will be jettisoning many of its general education programs, and with it, this decades-long literary tradition. Our condolences to the staff of Briar Cliff Review for this monumental loss to our community. They will fulfill their commitment with their final publication in 2023, so let us celebrate these final contributors to each remaining issue. Featured in this collection are winners of their 26th annual contest: Anna Round, Nancy Fowler, Patridge Boswell, William V. Roebuck, and Christine Stewart-Nuñez. As always, the remainder of the magazine features a plethora of poems, fiction, nonfiction, art, and book reviews in a handsome full-cover, large format. Cover image: Saga of the Secondaries by Dan Howard.
The May/June 2022 issue of Kenyon Review features the annual “Nature’s Nature” poetry portfolio selected by former KR poetry editor David Baker, with work by Elizabeth Arnold, Marilyn Chin, Grant Clauser, Linda Gregerson, Brenda Hillman, Strummer Hoffston, Tricia Knoll, Jesse Nathan, Aimee Nezhukumatathil, Maya C. Popa, Paisley Rekdal, Evie Shockley, D. S. Waldman, Rosanna Warren, Corrie Williamson. Also in this issue is drama by Sherod Santos, fiction by Renée Branum, Nolan Capps, David Crouse, Calvin Gimpelevich, Arinze Ifeakandu, Uche Okonkwo, nonfiction by Melissa Seley, and “We Sang Every Morning After Breakfast: A Cento In Memory Of Nancy Zafris” with contribution from over fifty poets, crafted by Cristina Correa. Cover image: Razi Mohammad (16) by Ambreen Butt.
The newest issue of Creative Nonfiction opens with the essay “50 Years of Making Nonfiction Creative” by CNF Founding Editor Lee Gutkind, in which he reflects on the contributions of Thomas Wolfe to the birth of the genre, labeled “The New Journalism.” The issue also includes “CNF’s first examples of ‘pandemic literature’ – essays written since early 2020, stories that incorporate our many individual and collective experience from the past two years.” While many found it a difficult time to record their lives, the editors acknowledge, “Maybe it’s that when everyone’s suffering – though of course we’re not all suffering equally – it seems like there’s almost nothing to say. Our grief feels unexceptional. But there is a lot to say, and isn’t that why we write?” And here to be read are works by Laura Pritchett, Amye Archer, Caroline Hagood, Meg Senuta, Francis Doherty, A. J. Bermudez, Anne Mcgrath, Clare Magneson, Joe Primo, and Amber Taliancich, as well as a selection of “Tiny Truths: 77 Micro-essays of fleeting joys, wistful memories, and passing sadnesses from the past two years” culled from the ongoing #tinytruths posted on Twitter. Cover art by Victoria Villasana.
Posit Journal online is celebrating its 30th issue of publishing innovative, aesthetic, accomplished poetry, prose, visual art, and film. As the editors write in the introduction, “Although (to paraphrase David Byrne) we’re not quite sure how we got here, we’re thrilled that we have, thanks to the vivid and continuing engagement of our growing family of contributors and readers.” They invite readers to engage with “poetry and prose by Isaac Akanmu, Tyrone Williams, and Pearl Button that confronts the historical and contemporary poison of racism and colonial appropriation, alongside work by Julie Choffel, Erika Eckart, Vi Khi Nao & Jessica Alexander, Jo O’Lone Hahn, Sam Wein, and Nancy White exploring gender repression and violence – as well as its persistent, sometimes even exuberant defiance “swinging ourselves to wonderment” (Sam Wein, Season of Fanny Packs). The innovative poetics of Kristi Maxwell, Benjamin Landry, and Dennis James Sweeney speak to the state of the planet and even the dubious nature of the future itself, while the visual art of Andrea Burgay, Taraneh Mosadegh and Ana Rendich grapples in a different idiom with the existential challenge of living as moral and emotional beings in a threatened and threatening world.”
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” tag under “Popular Topics.” If you are a publication looking to be listed here or featured on our blog and social media, please contact us!
About Place, May 2022
The American Poetry Review, May/June 2022
The Baltimore Review, Spring 2022
Black Warrior Review, Fall/Winter 2021
The Briar Cliff Review, Volume 34
Camas, Summer 2022
The Cape Rock, 50
Coastal Shelf, #6 Winter 2022
THE COMMON, 23
Communities, Issue #195
Concho River Review, Spring/Summer 2022
Consequence, Issue 14.1
Court Green, Spring 2022
Creative Nonfiction, Spring 2022
Cutleaf, Issue 2.9
Our contest this year will be judged by author and critic, Camille Acker. We’re looking for previously unpublished fiction of up to 8,000 words. The deadline is June 15, 2022. First place is $2,500 with an invitation to an awards dinner. Second place $750. Third place $500. The winning stories will be published in the Fall print issue of Philadelphia Stories, with all entrants receiving a complimentary copy. All authors currently residing in the United States are eligible. $15 fee. We can’t wait to read your stories! Visit website.
View the full May 2022 eLitPak newsletter.
In the Editor’s Welcome to the Spring 2022 issue of Aji Magazine online, Erin O’Neill Armendarez writes, “Among the pages of this issue, you will find writers and artists rushing headlong into what frightens us, diving deep into the mud and the grime to rise again triumphant, if only for a moment. We are honored to be featuring Keith Hamilton Cobb and Mark Hurtubise in this issue, both of whom had the courage to address injustice openly. Likewise, we are honored to be offering readers and viewers an impressive slate of photography, art, poetry, essay, and fiction, exploring the human condition, imagining beyond ourselves into the Other, the unknown.”
Also featured in this issue are works by John Allen , Alan Bern, Oisin Breen, Gaylord Brewer, Patrick Cahill, Melca Castellanos de ArKell, Nancy Christopherson, Geraldine Connolly, Lucia Coppola, William Crawford, Leslie Dianne, David Dixon, Kelly DuMar, Michael Estabrook, Sara Fall , Phyllis Green, Dan Grote, Nels Hanson, Mark Yale Harris, Paul Hostovsky, Edward Lee, Galen Leonhardy, Aenea Little , Christopher Locke, Elaine Vilar Madruga, Joe Milosch, Ivan de Monbrison, Francis Opila, Karly Page, Simon Perchik, Zack Rogow, David Anthony Sam, Sonya Schneider, Claire Scott, Maragarita Serafimova, Edward Supranowicz, Wally Swist, Zhihua Wang, Sean J. White, and David Williams.
Submissions for the fall 2022 issue are open until filled, with no submissions being accepted after November 1.
Divot reads on a rolling basis and is currently reading poetry for our summer issues! Please send us your best work. We would love to read up to 6 poems. Also, check out our Divot Poetry Chapbook Contest ending June 15, 2022. See our submission and contest guidelines. We can’t wait to hear from you! Visit website.
View the full May 2022 eLitPak newsletter.
$2,000 in prizes. Until May 31, Flying South 2022 will be accepting entries for prizes in Fiction, Nonfiction, and Poetry. Best in Category winners will be published and receive $500 each. The WSW President’s award winner will win an additional $500. All entries will be considered for publication. For full details, please visit our website.
View the full May 2022 eLitPak newsletter.
“Poems that surprise, harrow, and awe. Poems that understand a reader’s expectations and then challenge or subvert them somehow. Poems that need to exist, that matter, that show us something important at stake. Poems that wake us up, that leave us different people than we were before we encountered them. Not all of the poems do all of these things, but they will all do at least one of these things. Expect poetry that feels fresh and immediate, never predictable.” This is what Founder and Editor Robert Campbell says readers can find when they visit the newly launched Red Tree Review online poetry journal.
His own education and publishing resume established, and having served behind the scenes of other literary journals, Campbell says, “What matters more to me is
The annual BLR Prizes award outstanding writing related to themes of health, healing, illness, the mind, and the body. Winners are published in the spring issue of BLR. For each genre, first prize is $1000 and honorable mention is $250. Submit your best poetry, fiction, and nonfiction through July 1. Visit website.
View the full May 2022 eLitPak newsletter.
It is the mission of Months to Years to “cultivate a beautifully designed online space to share compelling and original nonfiction, poetry, art, and photography that explores mortality and terminal illness.” As Editor Renata K. Louwers writes in this issue’s introduction, “We think things are going along a certain way with certain predictable events. And they are. Until suddenly, they’re not. What can we do besides surrender to the moment, maybe use the Calm app, and hope for the best? Some of us pray, some of us meditate or exercise, and some of us write. Others take photos or create visual art. Art – via the written word or visually – has served as a crucial coping mechanism for humans through the centuries.” We are no different than our ancestors.
Continue reading “Magazine Stand :: Months to Years – Spring 2022”
The newest issue of The Dillydoun Review online monthly literary journal features short stories by Haley Glickman, Phoebe Baker Hyde, Byron Spooner; flash fiction by Michael Edwards, Kyle Glover, Kevin Joseph Reigle; poetry by Dale Cottingham, Darren C. Demaree, Jeffrey Dreiblatt, Philip Jason, Jess Levens, Anthony Salandy; prose poetry by John Chambers, Kate Sullivan; nonfiction by Patricia Feinman, Linda Springhorn Gunther; and flash nonfiction by Kyle Ingrid Johnson, Victoria Lewis, Ashley McCurry, Yelizaveta P. Renfro, Sue William Silverman.
The editors also announced that The Dillydoun Review is now a paying market, offering $20 per acceptance to be paid on publication day via PayPal, Venmo, or Zelle, and they “will continue to work on ways to increase the pay rate as soon as possible.”
The Spring 2022 issue of Superstition Review is available for readers to access online, with fiction by Abbie Barker, Bradley Sides, Nadine Rodriguez, Ryan Habermeyer, Sahalie Angell Martin, and William J. Cobb; nonfiction by Cindy Lee, Haolun Xu, Laurie Blauner, Marcia Aldrich, and Wendy Gan; poetry by Taylor Byas, Sophia Liu, R.J. Lambert, Nathaniel Rosenthalis, Michael Chang, Meghan McClure, Joshua Gottlieb-Miller, Ja’net Danielo, Hannah Smith, Dorsía Smith Silva, Dorothy Chan, Donte Collins, Donna Vorreyer, Christen Noel Kauffman, Carolyn Oliver, Brett Hanley, and Brandel France de Bravo; interviews with Darrel Alejandro Holnes, Gillian Sze, Kathryn Davis, Melissa Chadburn, Paul Tran, and Yanyi; and art by Delta N.A., Elaine Parks, Emily Rankin, Jenny Day, Michelle McElory, and Oormila Vijayakrishnan Prahlad.
Spring has sprung a new issue of The Baltimore Review with online fiction, creative nonfiction, and poetry by Melissa Faustine Chang, Emily Chase, M. Cynthia Cheung, Justin Hunt, David Kim, Kent Kosack, Andrew Kozma, Lara Longo, Cole Meyer, Devon Miller-Duggan, Yehoshua November, Anzhelina Polonskaya, Nicole Rollender, and Zoe Yohn. The Baltimore Review‘s current submission period ends May 31, as does their Summer 2022 Micro Lit Contest for works under 400 words. For more information, check out their submission guidelines.
Literary magazine Philadelphia Stories is open to submissions from writers across the U.S. for its 2022 Marguerite McGlinn Fiction Contest through June 15. Top prize is $2,500, publication, and invitation to an awards dinner. Learn more about this year’s contest by stopping by the NewPages Classifieds.
The Winter 2021 Issue of Spoon River Poetry Review (46.2) is filled with so much wonderful content, including the SRPR Illinois Poet Feature with poetry by Daniel Borzutzky, and an interview of the poet by Carlos Soto-Román; Editors’ Prize winning poem “diary of a dead eel boy” by Dean Gessie, selected by Aimee Nezhukumatathil, as well as runners-up poems by Shannon Pulusan and donia salem harhoor, honorable mention poems by Matthew Brailas, Patricia Gao, and Ani Tuzman, Allie Hoback, and Gabriel Jesiolowski; New poetry by Isaac Willis, Emma DePanise, Nathan Manley, Frank Jameson, Kristin Fogdall, Ann E. Michael, Frank Jamison, Antonia Pozzit translated by Amy Newman, and more; the SRPR Review Essay “Seriousness, Humorously” by Andrew Dorkin, who reviews books by Joan Retallack (BOSCH’D), Morgan Parker (Magical Negro), and Fred Moten (all that beauty); and poignantly beautiful cover art by Jessi Reid-Swiech.
Consequence Forum is a nonprofit organization addressing the human consequences and realities of war and geopolitical violence through literature, art, and community events. Their newest print edition of Consequence (14.1) features poetry by Aaron Brown, Lorelei Bacht, Sam Cheuk, Ryan Harper, Leo Fernandez Almero, Elisabeth Murawski, Gail Peck, Claudia Serea, John Thampi, Maša Torbica, Angela Voras-Hills, Lynn White, Vidhu Aggarwal, Joseph Cermatori, Chloe Martinez, Rajiv Mohabir, Sam Reichman, Priya Sarukkai Chabria; fiction by D.J. Cockburn, Brecht De Poortere, Joshua Nagle, J.B. Polk; translations by Alexander Dumas, J Kates, Marta Lopez Luaces, Charlotte Gartenberg, Anzhelina Polonskaya, Andrew Wachtel; nonfiction by Dianna Cannizzo, Elaine Little, Pamela Hart, Gerald McCarthy, Michael Riordan; and visual art by Ko Z.
Billed as their first “annual” issue, Coastal Shelf #6 (Winter 2022) features “more long prose than ever (over 3k words, with a few even over 5k) which includes a mix of non-fiction and fiction, as well as a novel excerpt, and a really strong selection of poetry.” In addition to its “standard” contributions, Coastal Shelf offers two unique features: “Waterlogged Paper” are reprints of works that appeared in print, not online; “Ones That Got Away” are for pieces Coastal Shelf turned down that got accepted elsewhere with links to those publications. Contributors to this issue include poetry by Esther Ra, Alex Aldred, J.B. Hill, Savannah Williams, Cecil Morris, Justin Lacour, Francine Rubin, Andrew Najberg; flash prose by Sofia Spencer, Véronique Béquin, Thomas Kearnes; long prose, by Adrienne Pine, Rachel Carlson, Mac MacDaniel, Sherri H. Hoffman; “Waterlogged Paper” by Marisa P. Clark, Marisa P. Clark, Danny McLaren.
In the Editor’s Note to this double issue (VOL. 88 NOs. 1&2) of New Letters, Christie Hodgen explores a passage from Chekhov’s “The Lady with the Dog” and concludes, “As writers, we are able to put words to what is hidden; as readers, we experience the often humbling privilege of gaining access to others’ hidden lives – a privilege we almost never experience in the real world.” In this issue, readers have the privilege to enjoy the New Letters Award Series of winning works by R.J. Lambert, Patricia Cleary Miller Award for Poetry; Rachel Coonce, Conger Beasley Jr. Award for Nonfiction; Richard Hermes, Robert Day Award for Fiction; Erin McReynolds, Editor’s Choice Award; and Jesse Lee Kercheval, Editor’s Choice Award. In addition, the issue features fiction by Nicole Hazan, Bradley Bazzle, Andrew Peters, Essay, Jillian Barnet, Chelsea B. DesAutels, P.L. Watts; poetry by Christopher Howell, Gaskin, Alicia Ostriker, Wyatt Townley, Maurya Simon, Jeremy Pulmano, John Blair, Vanesha Pravin; reviews and commentaries by Daniel A Rabuzzi, David Newkirk, Natalie Johansen, Robert Stewart; and a full-color portfolio of painting and collages by Harold Smith, whose work is featured on the cover.
The Spring/Summer 2022 issue of Concho Review Review features fiction by Marco Etheridge, David Harris, Paul Juhasz, Judy Stanigar, Gemini Wahhaj; poetry by Jonathan Bracker, Matthew Brennan, Nick Conrad, William Virgil Davis, Holly Day, David Denny, Lynn Domina, George Drew, Shawna Ervin, William Heath, Ann Howells, Ken Meisel, Gary Mesick, Elizabeth Rees, John Rutherford, Claire Scott, Matthew J. Spireng, Chuck Taylor, Larry D. Thomas, Barbara Tyler, Matthew Ulland, David Vancil, Maryfrances Wagner, Harold Whit Williams, Neal Zirn; and nonfiction by Janice Airhart, Michael Howarth, Kay Long, Gabriel Carlos Lopez. Cover photograph: UntamedPhotography by Tim L. Vasquez.
Now entering its tenth year, The Fictional Cafe is open for submissions of fiction, creative nonfiction, and poetry. Rolling submissions deadline, there is no fee to submit. You do, however, have to become a member of their Coffee Club. It’s free to join.
View their ad in the NewPages Classifieds to learn more.
Named after Court Green, the property in Devon, England, where Sylvia Plath lived and wrote the Ariel poems, Court Green, the magazine editors say, is like that property in England: “a space where all kinds of poems are welcome, especially those you can’t always find elsewhere: long poems, fun poems, pop poems, poems from archives and unpublished notebooks, playful poems, taboo poems, and artifacts we call ‘poems’ even when they defy all our efforts to label them.” Issue #20 is testament, featuring multiple works by each Jack Skelley, Harryette Mullen, Amy Gerstler, James Shea, Patrick Culliton, Sandra Simonds, Sean Cho A., Kelly R. Samuels, Christopher Citro, Yvonne Amey, Grant Quackenbush, Megan Kaminski, Nick Rossi, CM Burroughs, Ron Koertge, Kathleen Rooney, Brandon Menke, Dan Alter, rob mclennan, Catherine Pierce, August Green, Cameron Martin, John Muellner, Vicki Iorio, and Denise Duhamel and Julie Marie Wade, as well as an interview with rob mclennan by Lisa Fishman, and an interview with Tim Dlugos by journalist Terry Gross for her radio program Fresh Air, produced by WHYY-FM in Philadelphia, on March 29, 1985. All works are available to read online at the Court Green website.
Lunch Ticket Literary and Art Journal Winter/Spring 2022 is online for all to read published by the Antioch MFA in Creative Writing Program and features fiction by J. T. Townley, Poetry, Joanne Durham, Maya Lewis, Abhijit Sarmah, Ellen June Wright; Writing for Young People featuring Dana Blatte; flash prose by Brett Biebel, Jorge Torrente Cabrera, Minna Dubin, Eliot Li, Linda McMullen, Amber Wozniak; interviews with Robin Davidson, Crystal Hana Kim, Locascio Nighthawk, Paisley Rekdal, Sally Wen Mao; creative nonfiction by Julia F. Green, H’Abigail Mlo; the Diana Woods Memorial Award in Creative Nonfiction selections by Diane Forman, JoeAnn Hart, Kristin Marie, Dana Kroos; art by Guilherme Bergamini, Henry Hu, Dana Kroos; and the Gabo Prize for Literature in Translation & Multilingual Texts selections.
Heartwood Literary Magazine is an alumni-run semi-annual online literary publication in association with the low-residency MFA program at West Virginia Wesleyan College in Buckhannon, West Virginia. The newest issue (#13) features poetry by Oisín Breen, Mary Lucille DeBerry, Pamela Hill Epps, Connie Jordan Green, Gabriel Green, David M. Harris, Peter Leight, Megan Wildhood, and Sara Dovre Wudali; creative nonfiction by Celesté Cosme, Molly Katt, Brina Patel, Amber Pierson, Laura Jackson Roberts, and Michelle Spencer; and fiction by Carl Boon, Melissa Feinman, Matt Gillick, Emily Krauser, and Martin Toman. Heartwood is free to read online here. Heartwood also hosts the annual Heartwood Poetry Prize Contest, open this year from May 15 – June 15, and judged by Bill King, the 2021 Heartwood Poetry Prize Winner.
Guest Post by Kevin Brown
The May 2022 issue of The Sun is loosely tied together by a focus on food or nourishment, so Bruce Ballenger’s essay, “The Memory of Clay,” initially looks like an outlier, as he focuses on his relationship with his father. He uses the metaphor of clay to guide his essay, as Ballenger’s daughter Julia explains why she works with clay, despite its unwillingness to easily follow the form she sets for it. Ballenger struggles to shape his memories of his father, an alcoholic journalist who was abusive toward their family, into something that helps him understand his father. Ballenger works to mold the story he tells about his father, ranging from the narrative of the wronged son to learning why his father never published the book he had a contract for. The essay ends largely unresolved, as Ballenger isn’t sure what to do with the complicated memories he has, but he returns to something else his daughter has taught him about clay. There are times when it resists taking any shape at all, and so there is nothing to do with it but start again. Ballenger leaves the reader and himself there, knowing that that is what we all have to do.
“The Memory of Clay” by Bruce Bellenger. The Sun, May 2022.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. You can find out more about him and his work on Twitter @kevinbrownwrite or http://kevinbrownwrites.weebly.com/.
In the Preface to the May 2022 issue of online About Place, Editor Allison Adelle Hedge Coke comments on the theme, “‘Navigations: A Place for Peace,’ the Spring 2022 edition of About Place Journal, and a special extended folio & related blogs encourages space for soulful solace and bold action. In navigating preservation, protection, reclamation and restoration of traditional knowledges for the sake of our planet in peril and all of its living counterparts, we were thrilled to receive works deeply attending to the remarkable nature of living within continual, revived and reclaimed pathways of knowing delivering such careful consideration and indomitable strength – endurance for the long-haul.” The issue features works from some one-hundred contributors in thematic groupings: Flourishing, Pathways, Gratitude, Reckonings, and Factual State / Future State.
The newest issue of The Main Street Rag (v27 n 2) starts off with “Painting In, Painting Out: An Interview with Michel Tsouris” by Don Bertschman, and is followed up with fiction by Linda Buckmaster, Robert Garner McBrearty, Skyler Nielsen, Richard Risemberg, Terry Sanville, and Frank Scozzari; poetry by Michel Tsouris, Chris Abbate, Frederick W. Bassett, Stephen Benz, C.D. Bailey, Cindy Buchanan, Brian Builta, J.I.B., Jane-Rebecca Cannarella, John J. Ronan, Margaret Diehl, Irene Fick, Regina YC Garcia, Karen L. George, Alison Stone, Cordelia M. Hanemann, Marci Rae Johnson, Genevieve Fitzgerald, Donald Levering, James Lineberger, Christopher Louvet, Kim Malinowski, Richard Merelman, James Miller, Michael Minassian, Daniel Edward Moore, Benjamin Nash, Rikki Santer, David Sapp, Gordon Taylor, Matthew A. Toll, Tom Wayman, Jeffrey Thompson, Riand chard Widerkehr.